PGBouncer is a lightweight connection pooler for PostgreSQL. CockroachDB is a cloud-native SQL database for building global, scalable cloud services that survive disasters.
CockroachDB is a PostgreSQL wire compatible database, which means it aims to have tight compatibility with the PG ecosystem. Today, we’re going to wire PGBouncer to work with CockroachDB. This article is meant to scratch the surface of possibilities unblocked by PGBouncer with CockroachDB and not meant to be an in-depth overview. We’re currently researching this topic and will follow up with official docs on the proper architecture and sizing of PGBouncer and CockroachDB.
Avec l’aide de son partenaire STMS, Latécoère a créé et déployé une série d’applications visant à faciliter le travail des magasiniers et opérateurs susceptibles de se déplacer au sein des sites de production. Des outils s’appuyant sur SAP Cloud Platform.
Latécoère est un équipementier majeur du monde aéronautique. Le groupe toulousain compte plus de 100 années d’existence. Il a réalisé un chiffre d’affaires 2020 dépassant les 410 millions d’euros, avec une production répartie dans 13 pays et près de 4200 collaborateurs. Latécoère dispose de deux activités principales : aérostructures (AS : tronçons de fuselage, portes d’avion…) et systèmes d’interconnexion (IS : câblage, meubles électriques…).
La société a lancé en parallèle deux projets ayant trait à la mobilité. « Côté AS, nous voulions équiper les magasiniers d’outils mobiles leur permettant de limiter les allers et retours entre le magasin et les bureaux, ainsi que le recours à une double saisie papier/numérique. Côté IS, les besoins sont identiques, avec en plus une problématique de traçabilité. Nous souhaitions en effet pouvoir suivre chaque lot, à chaque étape », explique Karim hajjaji, IT Manager, Support Process & Execution . Dans les deux cas, l’objectif est de faciliter la vie des opérateurs, tout en renforçant la qualité des données et la traçabilité.
SAP est déjà utilisé au sein de l’entreprise et semblait être le choix naturel pour ces projets. « Nous ne voulions pas rajouter de couche applicative supplémentaire à notre SI. Rapidement nous avons perçu le potentiel de SAP Cloud Platform pour enrichir notre SI de solutions mobiles dédiées. Nous y avons vu aussi une technologie qui pourrait nous propulser vers l’avenir et non nous retenir dans le passé. Notre partenaire STMS, avec lequel nous travaillons en confiance depuis de nombreuses années, a fini de nous convaincre d’aller vers SAP Cloud Platform. »
Une constellation de projets menés en mode express
STMS a choisi de travailler sous forme de sprints, avec des applications déployées fonctionnalité par fonctionnalité. Sur la partie AS, quatre sprints ont été lancés en juin, septembre, octobre et décembre 2019, avec une mise en production des outils entre un et deux mois plus tard. Le déploiement s’est effectué sur des tablettes Microsoft Surface Go. Les applications couvrent la plupart des transactions effectuées par un magasinier : réception des marchandises, prise de décision d’usage, inventaire et transferts de stocks internes, picking pour expédition.
Trois sprints ont été menés sur la partie IS, séparés en deux phases : une première comprenant un sprint mené entre avril et juillet 2019 et une seconde avec deux sprints organisés entre septembre 2020 et janvier 2021. Du matériel plus spécifique (des lecteurs Zebra) a ici été employé. Les tâches prises en charge par les applications vont de la réception des articles à la gestion des bacs en passant par l’inventaire des pièces.
L’un des défis qu’a dû relever STMS était de travailler avec des équipes réparties dans le monde entier. Un key user était en effet choisi sur chaque site, avec un leader situé en République tchèque. Quant au chef de projet, c’est au Brésil qu’il a été choisi. « C’était une volonté de notre part d’aller chercher des key users partout dans le monde, afin de ne rien rater concernant les besoins attendus pour ces solutions mobiles », explique Sébastien Ducruezet (IT Departement – Support Process & Execution – Purchase, Supply Chain & Quality). Les consultants de STMS ont utilisé des outils collaboratifs pour communiquer avec les équipes de Latécoère, tout en maquettant les applications avec SAP Build, au fur et à mesure de l’expression de besoins. Une fois une maquette validée, le projet correspondant partait en développement, test puis déploiement.
Un déploiement en cours… et déjà d’autres projets
Côté AS, toutes les applications sont aujourd’hui en production, sur l’ensemble des sites. Pour la branche IS, les travaux ne sont pas terminés : les applications sont déployées sur les sites français, mais à l’étranger il faudra attendre la fin des restrictions de déplacement liées à la crise du Coronavirus pour que les formations puissent s’organiser. Des travaux ont été initiés sur la branche IS afin de mesurer les gains apportés par ces solutions mobiles. Latécoère s’attend à des bénéfices en termes d’efficacité et de qualité des données.
L’approche SAP Cloud Platform, testée avec succès sur ces applications mobiles, a d’ores et déjà trouvé un écho sur les chaînes de production. Ainsi, lorsqu’il a fallu mettre en place dans les ateliers des interfaces permettant aux opérateurs de saisir la liste de composants prélevés, c’est SAP Cloud Platform et une interface de type Fiori qui ont été mises en œuvre.
Et Latécoère entend bien ne pas s’arrêter en si bon chemin. Au travers de ces applications de nouvelle génération, l’entreprise prépare ses collaborateurs au passage à l’ERP SAP S/4HANA, qui propose lui aussi une interface utilisateur modernisée. SAP Cloud Platform devrait par ailleurs être stratégique pour faciliter cette migration. « Nous envisageons de développer nos spécifiques sur SAP Cloud Platfom et non plus directement dans l’ERP, poursuit Karim hajjaji, IT Manager, Support Process & Execution. C’est un changement de paradigme pour nous, mais aussi un moyen de simplifier notre future migration vers SAP S/4HANA. Chaque spécifique déplacé sur SAP Cloud Platform sera un obstacle de moins à notre migration. »
https://ankaa-pmo.com/wp-content/uploads/2017/04/Logo-Ankaa-engineering.png00Service comm.https://ankaa-pmo.com/wp-content/uploads/2017/04/Logo-Ankaa-engineering.pngService comm.2021-06-03 15:44:512021-06-03 15:44:51Latécoère embrasse la mobilité avec SAP Cloud Platform et Fiori
This week, in a move like something from a particularly eventful episode of The Office, popular project management app company Basecamp banned political and societal discussion in the company’s internal communications.
In a post that has been revised for “clarification,” the company’s co-founder Jason Fried listed six rules for employees: No societal or political discussions at work; No more ‘paternalistic’ benefits; No more committees; No more lingering on past decisions; No more 360 reviews; No forgetting what we do here.
A follow-up post from Heinemeier Hansson notes that Basecamp will still permit discussion of issues deemed central to its business like anti-trust and privacy; certain civil liberties are to be championed, while others, like racism and climate change, are not.
On the surface, it seems reasonable, Fried and co-founder David Heinemeier Hansson would like you to believe that it is. After all, people are paid to work, not soapbox, right?
So why, if they’re the ones being protected, are Basecamp’s employees angry about the move?
It turns out, multiple sources from inside Basecamp are reporting that the ‘political’ and ‘societal’ issues referred to in Fried’s public memo were, in fact, frank and open conversations about Basecamp itself.
As reported by The Verge, way back in 2009, a list of ‘funny’ customer names began circulating at the company — hardly respectful, potentially racist, and certainly inappropriate. The misalignment between co-founders and staff occurred when staff members attempted to hold discrete conversations about this and numerous other diversity and inclusivity failings at the company. Fried’s move appears to be a direct attempt to halt criticism of the status quo at Basecamp.
Basecamp itself is a highly political organization: The co-founders have written several books advocating certain societal change; they even provided a campaign headquarters and substantial donation for a candidate for Chicago mayor. Both co-founders are highly active on social media, using their business positions to elevate their personal views.
The truth is that the solo entrepreneur is an almost mythical beast. Successful startups require contributions from a range of skills and experience beyond any one individual. Jason Fried may be the frontman, strutting up and down the stage in spandex pants, with David Heinemeier Hansson playing lead guitar with his teeth, but behind them, there’s a drummer keeping time, and behind them all, there’s a crew of roadies without whom none of the equipment will arrive, let alone sound good.
Basecamp’s founders argue that the company has a mission, and that mission is to create apps that streamline the workplace. But how can you develop a product that is inclusive if staff cannot discuss what inclusive means? The answer is, you can’t.
Discussing racial bias in advertising or the impact of company wastage, climate change, or gender pay gaps in HR meetings are all political and societal and lead to a healthier, more united company.
As designers, we often say that you cannot not communicate; every decision is a design decision; there is no such thing as “adesign.” Likewise, choosing to be apolitical is itself a political choice. The only way it is feasible to run a company like this is to treat employees like robots (in the word’s original sense).
If employees feel the need to discuss exclusionary policies in the workplace, do the company founders, who benefit from those policies (or they would not be in place), have a moral or legal right to restrict those discussions?
Although it is the first point in Fried’s list that has drawn most ire, it is the fourth item on the list that is most telling: “No more lingering or dwelling on past decisions.” Like a parent answering, “Because I said so,” Fried’s attitude to his staff is laid bare in one statement.
It turns out two wealthy white men would rather their employees not try to change the world or even their workplace.
When Coinbase announced a similar move last year, it lost 5% of its staff. If Basecamp suffered the same loss, it would amount to three people. Hardly a disaster. The question for the founders — who, judging by the number of follow-ups and clarifications they’ve published, are aware the ice they’re on is perilously thin — is whether this kind of controversy creates irreparable reputational damage.
https://ankaa-pmo.com/wp-content/uploads/2021/04/poll-is-basecamp-right-to-shutdown-politics-at-work.jpg14082560Service comm.https://ankaa-pmo.com/wp-content/uploads/2017/04/Logo-Ankaa-engineering.pngService comm.2021-04-29 20:45:282021-04-29 20:45:28Poll: Is Basecamp Right To Shutdown Politics At Work?
Have you ever wondered why we’re so amazed by motion? A moving image is more likely to grab your attention than a static one. Motion is exciting and attention-grabbing – plus, it allows us to access more information in a short space of time.
For a while now, companies have been experimenting with all kinds of motion and animation in their design choices. We’ve seen the rise of animated website backgrounds or live-playing videos instead of images on a home page. There are videos and 360-degree pictures on product pages to help people get a better view of certain items and immersive AR experiences on apps.
So why has the power of motion not made its way into the logo design landscape yet?
Sure, there are a few examples of animated logos out there, but they haven’t had the same long-lasting impact as animated websites. Perhaps that’s because people don’t have the right tools to bring their animated logos to life?
Today, we’re going to cover some top tips for live logo design.
1. Understand What “Live Logo” Means
An animated logo or live logo can be a powerful tool in a company’s branding strategy. Although there’s more to a company’s identity than its logo, it’s fair to say that logos make a huge difference to how we feel about brands and their identity.
A powerful logo can make an emotional connection with your target audience and help your brand to thrive in virtually any environment. Live logos, or animated logos, bring more attention to the brand image, by helping a customer to focus on the logo’s action. A live logo might tell a story about what the business does through motion, or just be eye-catching.
The level of animation varies depending on the designer, but it can go all the way from a short video presentation to a few simple moves. The Skype logo is an excellent example of something simple, that multiple designers have played with to great effect.
Today, there are plenty of open-access tools helping to create more immersive animated graphics in the logo design world. Additionally, the types of animation available are becoming more impressive all the time.
2. Explore the Types of Logo Animation
The next stage of properly leveraged live logos, is knowing what kinds of logo animation are available. There are plenty of different styles of animation to explore today, depending on the kind of impact you want to have.
For instance, sometimes the animation you choose will be connected to your business. A vehicle company might have a logo that seems to “drive” into the central space on the screen. An electricity company might choose a logo that pulses like an electric charge. This animated FedEx logo is an excellent example of how animation can show what a business does.
Options for animation might include:
Rotation: Make an emblem stand out by moving it to the sides or allowing it to move on its axis. Rotation gives a logo a sense of 3D space.
Appearance/Disappearance: You can make a logo grow on the screen by bringing to life one pixel at a time, or have it dissolve and disappear in a similar way.
Transformation: Your logo doesn’t have to start out in the shape it’s going to achieve. You might start with a seed that gradually grows into a tree-shaped logo for a gardening company, for example.
Replacement: Another great way to tell a story is to replace a graphic related to the company in question with the logo through an immersive animated experience.
3. Set Goals for the Live Logo
If you’re not sure what kind of animations to experiment with, then it’s a good idea to start with some solid goals. Your goals will give you a direction to move in with your logo choices. An animated logo can be a dynamic and modern way to present a brand to an audience, but it’s only going to be effective when implemented carefully.
Let’s look at some of the goals you can choose for your live logo:
Differentiation: While it’s true that animation and live content is gaining more attention lately, it’s still relatively new as an overall concept. With an animated logo, you could help a brand to create a more unique image for themselves, which sets them apart from the other organisations in the same space.
Storytelling: As mentioned above, animated logos can tell a story about what the company or product actually does. In this example for Firefox, for instance, the logo mimics a loading wheel to demonstrate a speedy internet browser.
Brand awareness: Dynamic logos and animations are more likely to capture your audience’s attention than static images. They’re also more of a novel experience, which means that customers might want to share them with other people too.
Memorability: Today’s customers are bombarded by hundreds, if not thousands of logos all the time. They need something special to convince them that one image deserves a spot at the front of their mind. Animation can help to make a business more memorable.
4. Do Your Research
Doing your own research is an excellent way to get some inspiration for a live logo or animation. Ideally, you’ll want to focus on the industry you’re already working in, as this will give you some guidance as to the kind of movement that can attract the most attention from the correct audience.
Watch as intros to brand videos and check out as many live logos as you can. Check out the kind of animations that people use in their videos when they’re showcasing products online. You can learn a lot about what works just by evaluating what other people have done before. Just be careful not to simply copy what you’ve found elsewhere.
The aim of your live animation should be to tell a unique story about the company
The aim of your live animation should be to tell a unique story about the company in question. If you’re not sure how to start with differentiating the image, check out the brand guidelines for the company in question. The guidelines that the company used to choose the right brand colors, fonts, and other visual assets can work just as well for your animation strategy.
Remember, the aim here is to tell a specific story, send a message, or evoke a certain emotion. Don’t make the mistake of designing something that looks cool but doesn’t have much of a purchase. Most human beings will naturally look for the meaning behind the content that they see. If there isn’t anything there, it’ll just lead to confusion.
5. Use Live Logos on Brand Websites
The most obvious way to begin experimenting with animated logos in web design, is to implement live logos into a client’s website. Some companies have a “welcome screen” for their site which uses an animation to introduce visitors to the home page and other navigation options. There are also brands out there who love the impact that animation can have but want to use it more subtly.
In these cases, live logos can be an excellent way to draw the eye to a specific spot on a website, perhaps the area just above the “contact” button that encourages a client to reach out. Crucially, to avoid weighing down the website and distracting visitors, companies and designers will need to make some important choices.
Although it might be tempting to keep the animation looping at all times, just in case someone misses the first round, this requires a lot of extra processing power. Too much animation also makes it harder for businesses to push the focus of their visitors to other points on the website, like landing pages for products, or testimonial pages.
Often, as with most innovative decisions in web-design, the best bet is usually to start small and work your way up. Don’t over-do it with animation on day one. See how the visitors to the website respond first.
6. Find the Right Balance
Animations in a live logo are there to grab attention quickly, and effectively. They shouldn’t go on for too long, or you risk overwhelming your audience before they have a chance to browse the rest of the website or check out other content. A live logo should only be active for a few seconds at most, and in that time, it needs to say something valuable.
Often, the best strategy is to start by building up curiosity, and getting your viewer engaged so that they’re keen to see more. Every frame will count to pull the customer in and make them feel connected to the brand in question.
Make sure that the logo animation is dynamic so that it doesn’t just capture the attention of the viewer but maintain their interest for the full time required. During the motion, the viewer’s brain should be working to figure out what’s going to happen next.
Just like most logo design and graphic animation strategies, the key to success is finding the right balance between clever experiences, and simplicity. You want to do something meaningful that earns your viewer’s attention, but you need to compete with the fact that attention spans are plummeting all the time.
7. Explore Logo Animation in Video
One of the best ways to use logo animation, is to draw interest for a company at the beginning of a video. Video is gaining incredible levels of popularity lately, particularly in a world where you can view video content almost anywhere. Companies are adding videos to their product pages, social media accounts, applications, websites, and so much more .
For the majority of companies, a live logo at the start of a video can help their brand to seem more professional. It’s a reminder to viewers of the brand that they’re learning about with that video content. Plus, a logo at the beginning of a piece of video content can also build on the consistency that companies attempt to create by using the same brand assets in various mediums online.
(Starting a video with an animated logo is great for presentation, but it can also be frustrating to customers in certain pieces of content where they’re looking for quick answers to questions. If an animated logo is more than a couple of seconds long, it may be better placed at the back of a video instead.)
With videos for news reports or announcements where you want to get straight to the point and generate excitement about a new product or service, it can be better to jump straight into action. Ending a video with a live logo keeps the brand image front of mind for the customer for longer, even after the message has ended. On the other hand, ending a video with a logo could increase the chances that customers miss the animation, because they click away from the content too quickly.
If you’re new to adding live logos into videos, consider experimenting with different strategies to see which works best. Different companies might get unique results.
8. Bring Logo Animation to the Real World
Another interesting option for live logo design, could be to step outside of the computer screen for a while. In today’s digitally transforming landscape, it’s becoming more common to see the real and digital worlds converging. Most events and trade-shows come with presentations that rely on digital content, like animated presentations and slide shows.
Depending on the signage solutions available at industry events, companies could even use an animated logo above their booth to draw attention in a cluttered environment. Around 48% of exhibitors agree that a more eye-catching stand or booth is often the most effective way to attract visitors and customers at an event.
Animation and live logos may have started life on the computer screen, but they can appear in much more diverse environments today. Offices could use a live logo in the reception room or lobby to make their on-premises environment more appealing. Retail locations could display ads on digital signage, followed by live logos that work to both separate messages, and keep shoppers entertained when they’re enjoying the bricks-and-mortar experience.
9. Include Live Logos in Brand Signatures
Remember, a live logo doesn’t just have to sit on a company’s app or website until someone discovers it. Sometimes, the right logo can also be a powerful way to “sign off” on a message from a brand or its management team. For instance, email remains to be one of the most valuable tools for business marketing and customer relationship building today.
It’s the third most influential source of content and news for a lot of B2B audiences, and yet, most companies aren’t taking full advantage of what their email marketing software solutions are capable of. If you can display gifs and animated videos in an email (which most software solutions can), then you can also add a live logo to the brand signature.
The important thing to remember is that if you’re going to be adding a signature to a lightweight thing, like an email, it needs to be lightweight too. Don’t make the live logo too long and complicated, or it might prevent the email from loading properly.
Outside of email, don’t forget to consider options for live logos in things like social media profile pictures too. According to experts, around 80% of companies use visual assets in their social media marketing. A live logo is a great way to go beyond the basics with a company’s imagery. Motion grabs attention, and video content is quickly gaining steam on a lot of social media platforms.
Embracing a New World of Live Animation
Designers are only just beginning to scratch the surface of what’s possible with animated logos. For many companies, live logos are an excellent way to capture audience attention and encourage engagement with a brand.
A live logo at the beginning of a video, at the start of an app loading screen, or even at the top of a website can differentiate a company and make them stand out. As technology continues to evolve, and customer expectations continue to expand, the options for live animation could continue to grow. You might even be able to infuse live logos with elements of VR and AR, to impart brand essence in a brand-new digital world.
If you haven’t begun experimenting with live logo design yet, now could be the time to start.
https://ankaa-pmo.com/wp-content/uploads/2021/04/9-tips-for-better-live-logo-design.png15292780Service comm.https://ankaa-pmo.com/wp-content/uploads/2017/04/Logo-Ankaa-engineering.pngService comm.2021-04-14 16:45:092021-04-14 16:45:099 Tips for Better Live Logo Design
This week Google announced further details of its plan to remove cookies from ad tracking. The strategy, which the ad giant expects to be fully implemented by 2022, has come about due to increasingly stringent privacy laws in a growing number of territories around the globe.
Google’s first step was the announcement in January of FLoC (Federated Learning of Cohorts). Google itself is still testing and fine-tuning the system, but in essence, Google will replace 3rd-party cookies in Chrome with groups of anonymized users.
Critics of the plan have questioned whether users will be genuinely anonymous or whether Google will be tracking individuals to group them properly. The answer came earlier this week in a low-key announcement of KaST.
What is KaST?
KaST (Key and Surface Tracking) is the first iteration of Google’s new tracking technology. It works entirely without cookies and is fully device-agnostic.
The technology behind KaST is surprisingly old. It was first trialed in 1987 as a simple process for auditing the input of stenographers. Although the latest version of the technology draws heavily on voice recognition software algorithms, the original version of KaST — software named TAAA (Typist Account Accuracy Audit) — predates modern voice recognition by at least two years.
KaST uses…biomechanical and cognitive patterns, identifying individual users based on their keystrokes.
Just as your voice has a unique, identifiable modulation — anyone who uses telephone banking will be familiar with speaking their password — so too does your biomechanical input.
When you type on a keyboard or a touchscreen, the force, speed, and accuracy with which you hit characters are dependent on two things: your cognitive process and the unique biomechanics of your hands (the bones, ligaments, and muscles).
For example, when I type WordPress, I almost always type it as WordPRess (with a capitalized R). That is one facet of my combined biomechanical and cognitive process.
KaST uses keyboards and touch screens to track combined biomechanical and cognitive patterns, identifying individual users based on their keystrokes.
Mobile Approaches to KaST
KaST is heavily reliant on BMaC (Bio-Mechanical and Cognitive) input. Although Google hasn’t released any data to support the accuracy of KaST, BMaC is known to be surprisingly accurate.
Reports suggest that the KaST algorithm is 89.7% effective for character strings of 12 characters or more, leaping to 97.6% for 19 characters or more on a single device. That makes it too inaccurate for high-end processes like security but well within the necessary margin of error for a non-critical process like serving ads.
Google will be able to identify you on any machine, on any device, in any context, as soon as you type 19 characters or more
When switching to a touch-screen device, the accuracy plummets to just 87.8%. This may be one reason Google has been low-key in its trumpeting of the new technology so far.
According to TechBeat, initial trials of the tri-axis position of a device (X, Y, and Z rotation) were abandoned as inaccurate. Still, even without those additional tracking signals, Google claims KaST on mobile will achieve ~94% accuracy by the 1st quarter of 2022.
What Does KaST Mean for Users?
Much like many of the algorithms that govern our daily lives, KaST will be largely invisible to most of us. Unlike cookies that can be legislated for and removed from a local machine, your BMaC is as inescapable as your DNA.
Where privacy concerns really grow is that your BMaC follows you from device to device. How you type at home is identical to how you type at work. Your personal and professional profiles are now instantly connectable; Google will be able to identify you on any machine, on any device, in any context, as soon as you type 19 characters or more.
KaST Prompts Pre-M1 MacBook Rush
Within 24 hours of KaST’s announcement, Apple stores were reporting rush orders of pre-M1 MacBook Pros. With some stores reportedly selling out late on Wednesday.
The rush came in the wake of a Reddit post — that has since been removed — that claimed that the notoriously bad butterfly keyboard on pre-M1 MacBook Pros circumvented KaST because the inaccuracy of the keystrokes, and the tendency of the keys to stick introduced a random element that disguised the end-user from the KaST algorithm.
Although the Reddit post is unsubstantiated, it transpires that M1 Mac owners may not be the lucky ones after all.
Should You Worry About KaST?
Advocates maintain that KaST — and Google’s wider FLoC strategy — are beneficial to users and the web as a whole. They claim that identifying users without 3rd party cookies does more to protect privacy than hinder it.
Opponents argue that in a digital world rife with user tracking, privacy compromises of this magnitude cannot be contemplated simply to enable more sophisticated ad-serving.
Despite KaST’s early stages of development, privacy concerns are mounting, and a campaign has been launched to regulate Google’s use of the technology.
https://ankaa-pmo.com/wp-content/uploads/2021/04/key-and-surface-tracking-comes-to-chrome.jpg14082560Service comm.https://ankaa-pmo.com/wp-content/uploads/2017/04/Logo-Ankaa-engineering.pngService comm.2021-04-01 12:45:412021-04-01 12:45:41Key and Surface Tracking Comes to Chrome
So, really, you’re in the business of designing websites for your clients’ audiences.
But how do you ensure you get it right? You could take what your client tells you at face value, but that’s only going to scrape the surface of who their audience is.
What you need to do is figure out how consumers think and why they respond to websites the way they do. A lot of this is already explained to us by psychology principles.
Once you memorize them, you’ll be able to design user journeys that get visitors to respond exactly as you and your client want them to.
15 Psychology Principles to Use in Web Design
We as humans think certain ways, and your design should cater to those underlying thought processes and natural responses.
Below are 15 psychology principles that’ll help you design better, more intuitive digital experiences for your end-users:
1. Aesthetics-Usability Effect
The Aesthetics-Usability Effect suggests that people equate more attractive interfaces with more usable ones. In other words, a good, modern, responsive design should always be your starting point.
2. Color Psychology
Color psychology tells us about color’s influence over how something is perceived. With color so strongly tied to emotion, you can do a lot to affect how visitors perceive a website and the brand behind it.
3. Psychology of Shapes
Just as a color has the ability to affect someone’s perception of a brand or the content they’re looking at, so too do individual shapes used within an interface. Each shape — circles, squares, triangles, hexagons, and polygons — has a unique psychological association.
4. Gestalt Principles
Gestalt Principles are a way for humans to make sense of chaotic data presented to them. So, rather than see a bunch of text, images, and space, the human brain recognizes patterns to simplify complexity.
About half a dozen principles are associated with this theory, and they’re related to factors like symmetry, similarity, and proximity.
5. Mere-Exposure Effect / Jakob’s Law
The Mere-Exposure Effect, or Familiarity Principle, suggests that people are more likely to prefer things that seem familiar.
Jakob’s Law applies this psychology specifically to the internet user experience. It suggests that users expect your website to work the same way as the other sites they spend their time on.
6. Von Restorff Effect
The Von Restorff Effect, or Isolation Effect, describes what happens when someone is exposed to identical stimuli, and then a unique element is introduced to the fold. It’s the outlier that will most effectively grab their attention.
7. Selective Disregard
Selective disregard is a type of “blindness” users develop to anything seemingly irrelevant to their main goal. This often occurs when a design or marketing trend grows stale — like websites that use the exact same cookie consent banner.
8. Hick’s Law
Hick’s Law states that the number of choices a person has to make will increase the amount of time it takes to make a decision.
This is a fundamental principle to pay attention to on ecommerce sites as you want to speed up the decision-making process, not slow it down.
9. Loss Aversion
Loss Aversion states that decision-making is more commonly driven by avoiding losses than acquiring gains.
If your website or the content within it gives visitors any reason not to trust it or feel confident in taking action, you’re more likely to see high abandonment rates than conversions.
10. Paradox of Choice
The Paradox of Choice is a response to the problem posited by Hick’s Law. It suggests that the reduction of choices makes consumers feel less anxious, which, in turn, increases confidence and satisfaction with purchases.
If your site suffers from high cart abandonment or product returns, the paradox of choice would be a useful principle to leverage.
11. Miller’s Law
Miller’s Law, also referred to as Cognitive Load Theory, has to do with memory capacity. On average, people can only have about seven items stored in their working memory at any given time.
This psychology principle encourages the reduction of options and the general reduction of content to improve focus and decision-making capabilities.
12. Feedback
Feedback is one of the principles of learning and plays a big part in interaction design.
Feedback is what designers use to tell people when they’ve made progress towards a goal or achieved it. You can also use it to teach visitors how a website will respond to their actions, which encourages faster and more confident engagements with your website.
13. Extrinsic Motivation
There are two types of motivation. Intrinsic motivation is an internal one, whereas extrinsic is external.
It’s Extrinsic Motivation that plays a role in getting users to complete more tasks online. As a designer, you have to make sure these kinds of “rewards” are obvious.
14. Social Proof
Not so much a psychological principle as it is a psychological phenomenon, Social Proof or Influence, suggests that people will copy the actions of the masses. It also refers to the assumption that the truth lies with the majority.
This is why customer reviews, client testimonials, and user-generated content have become so useful on websites.
15. Peak-End Rule
The Peak-End Rule states that people will judge an experience based on their very first and last impressions of it. This is somewhat related to the Serial Position Effect, whereby people will remember the first and last items in a group.
So, this is something to remember when you build out the top and bottom of each page as well as the start and expected end to the user journey.
Wrap-Up
Want to build better websites? Then, you need to design from the end users’ perspective.
The best place to start is with psychology principles, as they’ll tell you how most consumers think and what motivates them to respond. If you understand this inherent cause-and-effect relationship, you can design websites that elicit the right kind of response from your visitors.
Le mois dernier, 162 personnes d’horizons très différents ont embarqué à bord d’un navire pour rejoindre le Sommet contre la pollution plastique des océans (OPLS) dans le gyre de l’Atlantique Nord, un système circulaire de courants océaniques. Ces personnes ont pris part à une expédition de recherche expérimentale pour mieux comprendre l’étendue de la pollution plastique, et pour développer des partenariats et des solutions intersectorielles en vue de relever ce défi mondial au cours de la prochaine décennie.
Organisée par SoulBuffalo, cette expérience immersive a été conçue pour mettre les décideurs en situation, afin qu’ils puissent observer et ressentir par eux-mêmes le côté catastrophique de la pollution plastique. Selon l’Oceanic Society basée en Californie, entre 4 et 12 millions de tonnes métriques de plastique sont déversées chaque année dans l’océan, soit suffisamment pour couvrir tout le littoral de la planète ! Et ces chiffres devraient plus que doubler dans les dix prochaines années.
Cependant, la pollution plastique océanique est un problème que nous pouvons résoudre. Nous savons comment ramasser les ordures et nous savons comment les recycler. Selon Ted Siegler, un économiste spécialisé dans les ressources qui a travaillé pendant 25 ans sur la gestion des ordures dans les pays en développement, l’urgence est de construire les institutions et systèmes nécessaires pour y parvenir avant que l’océan ne se transforme irrémédiablement en une « soupe plastique » dénuée de toute forme de vie.
Pas un poisson en vue
Le groupe OPLS était constitué de producteurs, fabricants, marques, recycleurs et syndicats d’éboueurs. Étaient également au rendez-vous des experts financiers, des scientifiques, des revues comme le National Geographic, des chercheurs, des leaders éclairés et des innovateurs, depuis les cadres d’entreprises telles que Coca-Cola, Nestlé, Procter & Gamble et Dow Chemicals, jusqu’aux ONG telles que Greenpeace, WWF et Ocean Conservancy.
Chaque fois que le navire s’approchait d’algues sargasses, les participants interrompaient leurs réunions pour sauter dans des bateaux pneumatiques munis de leur équipement de plongée.
Ils ne virent aucun poisson de la journée. Et au début, ils ne virent pas beaucoup de plastique non plus. Le plastique est trompeur, car il n’est pas visible à la surface. Dans l’océan, il se décompose en petites particules qui sont capturées par les algues et ingérées par les espèces marines.
« Le vrai problème, c’est ce qui n’est pas visible », déclare Michael Groves, PDG de Topolytics, une entreprise d’analyse de données dédiée à la gestion des déchets, qui participait à l’expédition. Il explique que sur une distance d’un kilomètre, le navire a récupéré 76 débris microplastiques immédiatement sous la surface.
Multipliez ce chiffre par la quantité de microplastique présente dans la colonne d’eau qui descend jusqu’à une profondeur de 2,5 kilomètres et vous comprendrez l’immensité du problème.
Accepter la responsabilité
Comme l’explique Virginie Helias, directrice du développement durable chez Procter & Gamble, « le problème de la pollution plastique dans nos océans relève de la responsabilité de tous aujourd’hui, y compris des entreprises qui produisent et utilisent une grande partie du plastique dans le monde. »
John Hocevar, directeur de la campagne Océans de Greenpeace, le confirme.
« Les personnes présentes sur ce navire représentent des entreprises responsables d’une grande partie de l’empreinte plastique de la planète. Nous avons donc réuni ici les personnes réellement à même de résoudre le problème de la pollution plastique », a-t-il affirmé. « Plusieurs entreprises se concentrent sur des solutions en aval telles que le recyclage et l’éducation des consommateurs, mais ce dont nous avons besoin, c’est d’un plus grand nombre d’individus, d’entreprises et de gouvernements qui assument la responsabilité de la fin de production. »
John Hocevar estime que nous ne pourrons pas venir à bout de la pollution plastique tant que nous continuerons à en tirer parti et déclare que la plupart des entreprises ne sont même pas conscientes de la quantité de plastique qu’elles produisent. Le point de départ pour toute entreprise est d’évaluer son empreinte plastique, puis de se fixer des objectifs pour la réduire.
Mais il y a aussi de bonnes nouvelles. Plusieurs marques durables comme Procter & Gamble intensifient leurs initiatives en matière d’économie circulaire pour réduire, réutiliser et recycler les matières plastiques et autres ressources, et beaucoup d’autres prennent des mesures pour lancer des initiatives similaires.
Adidas, par exemple, fabrique des chaussures à partir du plastique repêché dans les océans. L’on doit cette idée à John Warner, un fondateur de la chimie verte, qui faisait partie de l’expédition.
Dow Chemicals, l’un des sponsors de l’expédition OPLS, a récemment annoncé qu’il participerait à une levée de fonds mondiale d’un milliard de dollars pour venir à bout des déchets plastiques dans l’environnement.
Jim Sullivan, qui pilote l’accélérateur d’innovation de SAP en matière de développement durable à l’échelle mondiale et qui a participé à l’organisation de l’expédition, souligne que pour résoudre une crise mondiale de cette ampleur, nous devons entamer un dialogue ouvert et parfois difficile avec les différentes parties prenantes. Nous devons également adopter une approche multisectorielle qui permette d’identifier les compromis avec d’autres défis mondiaux, tels que le changement climatique, afin d’éviter des conséquences graves. De plus, nous devons utiliser des métriques communes pour donner la priorité aux activités les plus significatives et suivre les progrès réalisés sur la voie des aspirations telles que le « zéro plastique » dans la nature en 2030.
Préserver plutôt que consommer
Il n’existe aucune solution ou entreprise capable de résoudre ce problème à elle seule. Les partenariats et les solutions évolutives tels que le Sommet contre la pollution plastique des océans constituent une pièce centrale du futur que nous devons inventer.
Dans un premier temps, il vaudrait la peine de revenir sur le « conflit d’intérêts initial entre les populations autochtones et les populations à l’ère industrielle, à savoir la gestion de la terre, de l’eau, du feu et de l’air ». Selon Patricia Anne Davis, gardienne de la sagesse navajo, ce conflit d’intérêts est toujours d’actualité.
Les populations autochtones ont protégé ces éléments depuis le début de l’humanité, alors que les populations à l’ère industrielle ont saccagé la planète en seulement un ou deux siècles. Ce conflit n’est plus durable et doit cesser, dans l’intérêt de tous les êtres humains de la planète.
« Nous devons passer de la consommation à la préservation », indique Damien Johnson, qui participait au sommet en tant que représentant du bureau d’innovation SAP en Amérique du Nord. Damien Johnson estime que la solution comporte deux volets : premièrement, stopper l’introduction de nouveaux déchets plastiques et deuxièmement, améliorer les processus de recyclage des déchets existants.
« L’utilisation du plastique a été motivée par l’innovation et le souhait d’améliorer l’expérience client. Nous devons à présent utiliser la technologie et l’innovation pour maintenir cette expérience, mais supprimer les matières plastiques à usage unique », conclut-il.
Créer de la valeur
L’un des problèmes qui se pose avec les déchets plastiques, c’est qu’ils ne possèdent pas encore de valeur marchande…
Dans de nombreux pays comme le Brésil et l’Inde, les ramasseurs de rue récupèrent du métal, des guenilles et du papier, puis les revendent en vue de leur recyclage. Mais la plupart des matières plastiques n’intéressent personne, car elles ne possèdent aucune valeur marchande.
« Le pire, c’est que les entreprises qui veulent utiliser du plastique recyclé ont du mal à en trouver sur le marché », déclare Padmini Ranganathan, vice-présidente globale Produits et innovation chez SAP.
C’est pour cette raison que Padmini Ranganathan et son équipe sont en train d’intégrer de nouvelles entreprises comme Plastics for Change sur Ariba Network, pour associer l’économie parallèle de ramassage de déchets à des systèmes plus officiels d’offre et de demande de matières secondaires.
« Nous devons intégrer les déchets plastiques dans la chaîne logistique, afin qu’ils ne soient pas récupérés dans le secteur illégal, car les éboueurs travaillent dur pour trier et convertir les déchets en valeur marchande », prévient Padmini Ranganathan.
La solution à long terme passe par un changement de fond, aussi bien dans le système de flux d’articles que dans les systèmes numériques.
« Outre les ERP et les processus de gestion, nous devons exploiter des systèmes numériques agiles et évolutifs au fur et à mesure que la chaîne logistique du plastique se transforme », déclare Padmini Ranganathan.
Technologie et travail d’équipe
Bien que la pollution plastique des océans soit un immense défi, ces experts estiment que si les gouvernements, les ONG, les consommateurs et les entreprises s’associaient, il serait possible de le relever en dix ans. En effet, la plupart des matières plastiques sont rejetées dans l’océan par cinq fleuves en Asie, ce qui signifie qu’une simple réduction de 20 % des matières plastiques déversées dans les cours d’eau au cours des sept prochaines années permettrait de revenir aux niveaux de pollution plastique océanique des années 1990.
La technologie pour y parvenir existe déjà. Les entreprises durables jouent un rôle majeur dans la solution. Elles transforment leurs activités avec des modèles circulaires qui permettent aux consommateurs et aux producteurs de refuser, de réduire, de réutiliser et de recycler. En réunissant les entreprises, les gouvernements, les ONG et les groupes de protection des océans, il est possible de créer une solution globale pour un avenir durable.
Publié initialement en anglais sur Forbes dans la catégorie Brandvoice
https://ankaa-pmo.com/wp-content/uploads/2017/04/Logo-Ankaa-engineering.png00Service comm.https://ankaa-pmo.com/wp-content/uploads/2017/04/Logo-Ankaa-engineering.pngService comm.2021-02-23 11:58:232021-02-23 11:58:23Comment créer un océan sans plastique en dix ans
This article is brought to you by 4Kdownload.com, a suite of video tools that help you make the most of YouTube, Instagram, Vimeo, and many more popular resources.
YouTube isn’t just for videos of cats snowboarding; it’s also a treasure trove of design tips, freebies, how-tos, career advice, and all-around creative inspiration.
Whether you’re a seasoned design veteran or just taking the first steps along a creative career, there are thousands of videos that will guide your path.
Today, we’ve collected ten of the best YouTube channels for designers, where you’ll find all the guidance you’ll ever want. Enjoy!
AIGAdesign
The first stop for any aspiring designer or grizzled veteran should be AIGAdesign, the official YouTube channel for AIGA, the American Institute of Graphic Arts.
This channel focuses on a huge range of issues that affect designers. You’ll find insightful and high-production-value videos on branding, the design business, the creative process, and the institute’s numerous initiatives.
Adobe
Adobe products are still the go-to tool for most designers, and no list of this type would be complete without a nod to the substantial resources that Adobe plows into its YouTube channel.
Review highlights from MAX, Adobe’s annual conference, learn advanced techniques in Creative Cloud apps like Illustrator and Photoshop, and get a sneak peek at upcoming Adobe products.
Google Design
Google is one of the most influential companies on the web, and not just for SEO. Google’s Design is the megacorp’s creative branch. In addition to releasing design resources like Material Design, they also produce a lot of content on their own YouTube channel to benefit emerging designers.
Look back at Google’s I/O conference sessions, follow guides on how to get the most out of Google resources, and get tips on creativity.
The Futur
The Futur is an online education platform that happens to be streaming via YouTube. It’s a positive, feel-good channel that’s designed to help you make the most of your career.
You’ll find inspiring videos on building a brand, setting up a studio, coping with client demands, and everything else you need to be a professional designer.
Envato Tuts+
Envato Tuts+ is a YouTube channel that concentrates on the practical side of being a designer with plenty of hands-on guides to different applications.
You’ll also find some excellent videos explaining the fundamentals of topics like variable fonts and animation.
Creatnprocess
If you’re already proficient with Adobe Creative Cloud, and you’re looking to push your limits a little, then Creatnprocess will teach you more advanced topics.
It’s a great place to learn the more complex aspects of image manipulation, and there are lots of logo design tutorials.
Sketch Together
If you’re a fan of Pablo Stanley’s design style, then you’ll love his Sketch Together YouTube channel. He has tons of design tutorials, walk-throughs and project case studies, and in-depth discussions with guest designers.
In case the name wasn’t enough of a clue, Sketch Together also has an awesome collection of Sketch videos.
Martina Flor
Martina Flor is an amazing letterer and typeface designer from Berlin, by way of Argentina. As well as running her own studio, she’s an author and educator.
Martina’s YouTube channel is a must-watch for anyone who loves typography and lettering. Her videos include her secrets on how to draw letters.
Pixel & Bracket
Pixel & Bracket is a YouTube channel run by Spencer, a designer from Indianapolis.
You’ll find tons of great Creative Cloud tutorials that are easy to follow. You’ll also find a few videos about Spencer’s experience as a designer and a sprinkling of freebies he’s found on market places.
Will Paterson
Will Paterson is a logo designer whose YouTube channel critiques famous logos, provides product reviews, and offers invaluable branding design tips.
Will’s got some really original ideas for freelancers, and he’s generous with both his advice and his enthusiasm.
Save Your Videos for Watching Offline
With so many awesome videos available, you could watch them all day long and still only scratch the surface.
The best solution is to subscribe to the channels you like the look of, and then download a few videos with a free app like 4K Video Downloader so you can watch them back whenever you like.
With so much to choose from and a seemingly endless lockdown still in effect, now’s the perfect time to learn a new skill, develop your career, or sit back and enjoy some design banter.
This article is brought to you by 4Kdownload.com, a suite of video tools that help you make the most of YouTube, Instagram, Vimeo, and many more popular resources.
The CMO at Twitter, Leslie Berland, has announced a substantial rebrand intended to reflect the experience of using the site. The move was announced on the platform first and later confirmed on its blog.
Twitter hopes the visual identity will “fully reflect the complexity, fluidity, and power of the conversations today.”
The instantly recognizable bird logomark stays, as does the inoffensive tech-blue. But everything else has been grunged up.
rather than build the system up from each component part or build around a specific element, we embarked upon building a creative design system that’s intentionally imperfect
— Donna Lamar, Global ECD, Twitter
There’s a brand new custom typeface named “Chirp” designed in collaboration with Grilli Type. It mixes features of gothics and grotesques with hipster-friendly quirks and replaces the decidedly corporate Helvetica.
The most visually arresting elements are the print-inspired collages, faux-print effects, and distress marks. It’s a move away from the safe, minimal style that has dominated the design industry for more than a decade.
There are layers of bill posters torn off in pieces revealing text beneath, macroscopic views of people, and an all-pervading effortless cool. Think Paris, on a Sunday morning, circa 1997.
It’s exciting to see a major brand strike out in a new direction, particularly one that isn’t Google-derived. There’s plenty of energy in the new artwork, but it doesn’t escape notice that this is a surface level restyle; the core design remains.
Is this a glimpse of design over the next few years: a braver, irreverent, and decidedly less-corporate style of corporate design? Or, a misstep we’ll all forget as soon as Material Design 3.0 is released?
https://ankaa-pmo.com/wp-content/uploads/2021/02/is-twitter-rebrand-a-glimpse-at-the-future-of-design.jpg14082560Service comm.https://ankaa-pmo.com/wp-content/uploads/2017/04/Logo-Ankaa-engineering.pngService comm.2021-02-02 11:45:382021-02-02 11:45:38Is Twitter Rebrand a Glimpse at the Future of Design?
As human beings continue to spend more of their time interacting with technology, dark themes provide a more relaxing way to engage with the digital world. More often than not, these themes are easier on the eyes, more attractive, and perfect for the dedicated user.
Throughout 2020, countless leading brands have debuted their own version of the dark theme. Google has a solution for your Drive, while Apple and Android have built dark theme performance right into their operating systems.
If you haven’t learned how to make the most out of dark mode yet, then you could be missing out on an excellent opportunity to differentiate your design skills, and earn more clients going forward.
Why Dark Mode?
Before we dive too deeply into the possibilities of creating your own dark theme, let’s examine what dark mode is, and why it’s so effective.
Ultimately, dark themes are created to reduce the amount of luminance emitted by everything from your desktop and laptop, to your smartphone and smartwatch. Dark themes help to improve the visual ergonomics of design, by reducing eye strain, adjusting brightness to suit current lighting conditions, and more. Additionally, many dark mode offerings are also fantastic at conserving battery life.
Better user experience: A focus on user experience is one of the most important trends of the digital age. You need to be willing to deliver incredible experiences to everyone who visits your website if you want to stand out today. Dark mode reduces everything from eye strain, to battery power consumption. This helps to keep customers on a website for longer.
Innovation and cutting edge appeal: Most companies want to prove that they can stay on the cutting edge of their industry. The ability to offer an opt-in dark mode version of a website theme or appearance can help your clients to stand out from the crowd. As the environment becomes more mobile-focused, more companies will be looking for designers that can provide the best mobile experiences.
Support for universal design: Dark mode isn’t just great for people who have light sensitivity at night. This solution could be more comfortable for visually-impaired users who would struggle with eye strain when visiting your websites otherwise. If you want your content to be more inclusive for a wider range of viewers, then learning how to design for dark mode is a good way to start.
Best Practices When Designing for Dark Mode
Designing for dark mode is easier than you’d think. Most of the time, it involves simply thinking about how you can replace some of the brighter, more overwhelming aspects of your site, with something deeper and darker.
Here are some useful tips that will get you moving in the right direction.
1. Experiment with Colors
A big issue for a lot of web designers when it comes to developing a dark mode solution is that they get too caught up with things like pure white text against pure black backgrounds. However, this high-contrast option can be a little much after a while.
It’s often much easier to use a dark grey as your primary surface color, instead of a true black. Additionally, rather than using bright white, think about slightly off-white alternatives that will be warmer to the eye.
Experiment with surfaces and color combinations that are unlikely to cause too much eye strain. Dark grey foundations often offer a wider range of depth, too, because you can demonstrate shadows on grey.
Additionally, when you are experimenting with colors, remember that saturated colors often vibrate painfully against very dark surfaces, making them harder to read. Desaturating your colors will help to reduce the contrast and make your websites more welcoming.
Lighter tones in the 200-50 range will have better readability on dark themes. However, you can always experiment with your choices. Google Material Design recommends using a contrast level of around 15:8:1 between your background and text.
2. Consider the Emotional Impact
Much of the effort involved with dark mode design is figuring out how certain colors work together. It’s easy to get carried away with stark contrasts, particularly when you’re used to working with a white background. However, you need to remember that you’re designing for a user that’s primarily looking for an easier and more subdued browsing experience.
While you’re working, remember to consider the emotional aspect of the design too. The emotion in colors can make or break a buyer’s journey in any environment. However, an often overlooked-aspect of color psychology, is that people perceive shades differently when they’re on a black background.
For instance, think of the color green. On a light background, it conveys nature and even financial wealth. However, on a dark background, the same green could come across as something venomous, toxic, or even sickly. It’s important to think about the kind of impressions end users are going to get when they arrive on your site.
3. Give Users the Freedom to Choose
One of the biggest mistakes you can make when you begin designing for dark mode, is thinking that you should focus entirely on your dark themes, and nothing else. This lines you up for a problem if you interact with users who want the best of both worlds. If you’re designing for apps in particular, you’re going to need web pages that can switch naturally between light and dark themes.
Learning how to implement both a dark mode and a light mode option into the desks you create will help you to reach a wider selection of customers. Remember, you’ll need to test the performance and impact of your designs in both themes, to check that they deliver the same kind of experience, no matter how your user chooses to browse.
Although dark mode should offer a different experience to end-users, it still needs to feel as though they’re browsing on the same website. That means that you’re going to need to experiment with the most natural combination of light and dark mode options.
4. Remember the Basics
Remember, although the three tips above will help you to get on the right path for dark mode design, you’ll also need to consider the opportunities and limitations of the platforms that you’re designing for. The kind of dark mode experience you can deliver for Google Chrome websites is going to be very different to what you can create for something running on iOS.
Examining the documentation provided by the system that you’re designing for will help you to develop something with a close insight into what’s actually possible.
Other top tips for dark mode design include:
Focus on your content: Make sure that your content stands out on the page, without being too overwhelming.
Test your design: In both light and dark appearances, you need to make sure everything is working as it should be.
Adopt vibrancy for your interfaces: Vibrancy helps to improve the contrast between your background and foreground.
Use semantic colors: Semantic colors adapt to the current appearance of a website automatically. Hard-coded color values that don’t adapt can seem more aggressive.
Desktop tinting: Try experiment with things like transparency and filters to give your websites and apps a slightly warmer tint – ideal for late-night browsing
Icons: Use individual glyphs and icons for dark and light modes if necessary.
Ready to Design for Dark Mode?
Preparing your web development and design portfolio for an era addicted to dark mode can be a complex experience. You need to think carefully about how people are going to browse through your websites and apps when they’re searching for something more subtle, and less visually overwhelming than the websites that we’re used to making.
The most important thing to remember is that everything on your website or application should look just as beautifully tailor-made in dark mode as it does in light mode. Simply adding a dynamic black background when people want to switch settings in an app isn’t enough. You need to go in-depth with your designs and examine how different fonts, colors, and images work together.
https://ankaa-pmo.com/wp-content/uploads/2020/10/how-to-get-dark-mode-design-right.jpg14082560Service comm.https://ankaa-pmo.com/wp-content/uploads/2017/04/Logo-Ankaa-engineering.pngService comm.2020-10-16 12:45:342020-10-16 12:45:34How to Get Dark Mode Design Right
Paramètres des cookies et politique de confidentialité
Comment nous utilisons les cookies
Nous utilisons les cookies pour nous faire savoir quand vous visitez nos sites Web, comment vous interagissez avec nous, pour enrichir votre expérience utilisateur et pour personnaliser votre relation avec notre site Web.
Cliquez sur les différents titres de catégories pour en savoir plus. Vous pouvez également modifier certaines de vos préférences. Notez que le blocage de certains types de cookies peut avoir un impact sur votre expérience sur nos sites Web et les services que nous sommes en mesure d'offrir.
Cookies essentiels sur ce site
These cookies are strictly necessary to provide you with services available through our website and to use some of its features.
Because these cookies are strictly necessary to deliver the website, you cannot refuse them without impacting how our site functions. You can block or delete them by changing your browser settings and force blocking all cookies on this website.
Cookies Google Analytics
Ces cookies recueillent des renseignements qui sont utilisés sous forme agrégée pour nous aider à comprendre comment notre site Web est utilisé ou l'efficacité de nos campagnes de marketing, ou pour nous aider à personnaliser notre site Web et notre application pour vous afin d'améliorer votre expérience.
Si vous ne voulez pas que nous suivions votre visite sur notre site, vous pouvez désactiver le suivi dans votre navigateur ici :
Autres services
Nous utilisons également différents services externes comme Google Webfonts, Google Maps et les fournisseurs externes de vidéo. Comme ces fournisseurs peuvent collecter des données personnelles comme votre adresse IP, nous vous permettons de les bloquer ici. Veuillez noter que cela pourrait réduire considérablement la fonctionnalité et l'apparence de notre site. Les changements prendront effet une fois que vous aurez rechargé la page.
.
Paramètres de Google Webfont Settings :
Google Map :
Vimeo et Youtube :
Politique de confidentialité
Vous pouvez lire nos cookies et nos paramètres de confidentialité en détail sur la page suivante