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While a lot of the research for web designers that’s come out this year has to do with COVID-19, we’re starting to see a light at the end of the tunnel. Many of these reports aren’t just looking at the effects of the pandemic on business and marketing today. They’re now looking at what consumers plan to do once the pandemic is gone.

So, I have some very interesting research for you here today. Three of the reports have to do with coronavirus side effects — pertaining to ecommerce, market research, and freelancing — and one of them is just a really great argument against using PDFs on websites.

1. The Digital 2020 Survey Says Ecommerce Growth Will Continue Post-Coronavirus

Obviously, everyone is paying close attention to COVID-19’s impact on the world. For the purposes of the work you do as a web designer, you should be clued into what it’s doing to the business and marketing fields. Because, if those opportunities dry up or companies begin to pivot, you need to be ready to adapt.

The Digital 2020, a joint monthly report from we are social and HootSuite, brings interesting news about the state of ecommerce thanks to COVID-19.

Because the pandemic has forced consumers indoors, online shopping has increased. But, according to about half of those surveyed for this report, this isn’t some temporary solution. They plan on doing more online shopping even after the pandemic ends.

This means that web designers are sitting in an enviable position now and for the foreseeable future. If you’re not already helping businesses sell through their websites, now is the time to do so as more and more businesses are going to need reliable online stores to sell their offerings through.

2. eMarketer Shares Data on Social Listening

When conducting research at the beginning of a design project, what kinds of sources do you turn to for quick and reliable information? Your client provides you with information on their business, industry, and the competition, of course, but what else?

You can conduct user surveys and interviews, but those take time and resources. It also usually means working with clients who have existing businesses and user bases to tap into. Unless you’re working as a UX designer where that’s a big part of the work you do, you might not have the ability to do that level of research.

As reported by Gartner (via eMarketer), leading marketers are now learning about their target audiences through the following channels:

Thanks to the surge of traffic online right now, social listening platforms have become really useful resources for learning about one’s users, with 51% of marketing leaders using them.

If you feel as though your initial research and planning phases could use a boost, I’d recommend taking advantage of one of these social listening tools now.

If you build websites for a specific niche, you can set up keywords/hashtags that are universally relevant to (most of) your clients. By listening in on these conversations regularly, you can become more attuned to what the visitors of your websites actually need and you can proactively build better experiences for them as a result.

3. Upwork Reports Increasing Numbers of Freelancers Entering the Market

The main focus of the Upwork 2020 Future Workforce Report is on how employers are changing their approaches to hiring now and in the near future. And the basic premise is this:

  • It’s long been predicted that more and more of the workforce would be allowed to work remotely.
  • COVID-19 has escalated those predictions to the point where most of the workforce is remote right now.
  • Businesses see the value in remote work arrangements, especially if it enables them to get work done more quickly and cost-effectively by freelancers.

While this is certainly great news for web designers looking for new clients, the report also provides us with this data:

64% of professionals in the top of their field work independently. That statistic alone means you’re up against some tough competition. But there’s also the 50% rise in signups on freelancer marketplaces that should have you worried.

Even though business demand for freelance talent is growing, this unprecedented rise in freelance competition may pose some problems. So, if you’re not already doing everything you can to position yourself as the web designer in your niche, get going on that now so you don’t get drowned out by the rising number of competitors.

4. NNG Says That PDFs Are Unsuitable for the Web

While I don’t have statistics to share with you from the Nielsen Norman Group’s post on why the PDF is “Still Unfit for Human Consumption”, I do have a ton of usability arguments against them that are worth summing up here:

  1. PDFs are written in the style of print documents, which means that strategies we use to design content on websites — like making a page scannable and accessible — don’t apply.
  2. They’re not designed to be as concise or attractive as a web page.
  3. They don’t operate like a website, which disrupts the seamless experience you’ve worked so hard to create when one is opened up from your site.
  4. The website navigation disappears and any sense of orientation (besides the browser “Back” button) goes out the window.
  5. There’s no way to build an internal navigation in a PDF document, save for internal linking or a table of contents.
  6. If they’re formatted for paper sizes, scrolling through them can be difficult for mobile users.
  7. They load more slowly the bigger they get, so unless it’s something like a small and optimized menu, expect visitors to wait for the download to appear.

And those are just the arguments that came from NNG’s researchers. Take some time to read through real user complaints about PDFs and you’ll never want to include one on a client’s website again.

Wrap-Up

Thankfully, the research for web designers and marketers is finally starting to move away from the confusion and speculation we saw a lot of earlier this year.

Just as with anything we do on the web, the more time you give it, the more data you can collect. And, luckily for us, the data suggests that there’s a pretty positive outlook for web designers if they position themselves the right way now.

 

Featured image via Unsplash.

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Source de l’article sur Webdesignerdepot

In 2019, to keep pace with an interior redesign of its visitor experience, the Empire State Building decided to redesign its website. Blue Fountain Media were engaged to deliver the project. With the new site launching, we spoke to Head of Design, Tatyana Khamdamova about designing for the world’s most famous building.

Webdesigner Depot: The Empire State Building is probably the most iconic building in America, if not the world. Were there any points at which you thought, “Oh God, this is too much pressure”?

Tatyana Khamdamova: Yes, of course, it was a lot of pressure knowing that people all over the world will be looking at your work. But with the pressure, we also felt excitement and pride that we got to work on such an iconic project. Just thinking that we are doing the site for Empire State Building made us feel proud of all that other work we did during our whole life that gave us the opportunity to be a part of this project.

WD: Blue Fountain Media is a large agency. Did you utilize the whole company, or was there a smaller, dedicated team tasked with creating the site?

TK: On a project like this one, you need the expertise of the team members from all departments in the agency. You want people to work together from the beginning to ensure that their knowledge helps to shape the project and produce the best possible outcome. It’s important for designers and marketers, for example, to be a part of the strategy and UX phase to provide their input which minimizes tunnel vision and generates more ideas. You can only achieve the best results if every single detail from strategy to design to development is done right.

WD: That’s a lot of people to coordinate. Did any roles naturally come to the fore, or is design leadership a quality that varies from person to person?

TK: Some people are natural leaders in their fields. But, sometimes a certain project requires people to take responsibility and show their leadership skills within the team. So I would say that it’s a quality that varies from person to person and doesn’t depend on a role or a title at all.

WD: What were the central aims of the redesign?

TK: ESB’s previous website did not reflect the level of design to match their iconic brand, UX was not user friendly, the content was outdated, and they wanted to grow online individual and group ticket sales. In addition to competing with global and NYC based tourist attractions, ESB was also faced with growing competition in the NYC Observatory market with Top of The Rock, One World Observatory, and Edge at Hudson Yards.

While the building underwent a $165 million renovation, BFM was tasked with creating a best in class website that reclaimed their iconic brand identity while providing an intuitive, and enjoyable user experience for both domestic and international visitors looking to learn about the building, exhibits, and the many ticket experience packages that they offer to visitors.

WD: How do you approach researching a unique project like this?

TK: We went to the source! First, we spoke to visitors of the Empire State Building while they were in line. What was their experience, did they use the website, what made them choose to visit the observatory instead of or in addition to some of the other competing observatories in the city. We then looked at other key tourist towers worldwide to see how they are positioning themselves globally to draw inspiration. We did in-depth stakeholder interviews that included folks working at the building every day and the types of interaction and questions they field from visitors. We conducted surveys of international travelers to understand their motivations and concerns. Finally, we dug into the website itself by testing using various protocols and platforms to understand the visitor paths, what they were able to easily do, and what tasks they may have found challenging. Drawing from all of those insights, we planned and designed the site using an iterative process.

WD: ESB visitors come from all over the world; how did you tackle designing for an international audience?

TK: People across the globe speak different languages, have different cultures and needs. Our goal was to learn about the audience and give them a site that looks and feels like it was created for them. Luckily we were working for the iconic building that is well known internationally and capturing the design aesthetic of the building itself already made the site recognizable across the globe. When working on the project we also were making sure that all users can see the information in their local language when they land on the site and have easy access to the language selector in case they want to change it. When you translate from one language to another the number of words and characters is not always the same. It was important to make sure that the site is designed and developed with an understanding of how the content will be displayed in other languages. With the localization help of our parent company Pactera EDGE we successfully translated the site in several languages and tested it to ensure that it looks right for the local and international audience.

WD: The famous view of the ESB is the external view, but your design feels more in keeping with the experience of the building’s interior. Was that a conscious decision?

TK: It was a conscious decision to create a site that makes you feel like you are visiting the building. Our goal was to make the visitor excited to buy a ticket and see all that beauty with their own eyes. But, if someone doesn’t have an opportunity to come to NY we wanted to make that online experience as close to the real one as possible. We understand that nothing will replace the actual visit to the Empire State Building but we wanted the website to feel real and by using the great photography and amazing Art Deco design elements, we were able to do so.

WD: How did you interpolate such a complex style as Art Deco into a functional site?

TK: Fortunately for us, our office is located a couple blocks away from the building and we had the opportunity to go there and see some of the details. We also had access to the great photos of the renovated hallways, exhibits, and observatory decks, which gave us the idea of how the Art Deco elements were used in the interior design of the building. We all know that interior design and web design have different needs and goals so it was an interesting challenge to design a site that makes you feel like you are inside the building without overwhelming users and that content is easy to read and the ticket purchasing process is simple and clean. We re-created a lot of design elements used on the ceiling, walls, and floor of the building simplified those elements and made them part of the website design. A lot of those elements were used in the background, call to actions, icons, and maps, and combined with the brand colors used in both interior and web designs we were able to give the site the Art Deco look.

WD: There’s been speculation in the design community recently that Art Deco may re-emerge as a trend in the 2020s. Having worked with the style, do you think it could benefit the wider web?

TK: This was a very specific design approach for a very specific project that takes us back to the 1920’s and emphasizes that era through modern twists in web design. I do not see how it can be applied on the web in general unless the client specifically asks for it, for example, architecture website, real estate, or furniture site. Every project is unique and has its own goals and style and there is no one solution that will fit all. As of today, The ESB is Art Deco in a sense and it truly owns that style.

WD: Can you share some details on the technology stack you employed?

TK: The site was built on the Drupal CMS, integrates with Empire’s partner Gateway Ticketing System, and is hosted on Acquia.

WD: Why Drupal? Does it have qualities that suit a project of this scale, or is it simply the case that BFM had the pre-existing expertise of Drupal to facilitate the build?

TK: BFM is a dev-agnostic production team and we always ensure we’re making the best recommendation to our clients. In this case, the previous website was built on Drupal, so in order to decrease the effect of a new platform rollout that would be unfamiliar to the internal ESB teams, we decided to keep the site on the Drupal platform. Luckily, Drupal is an extremely flexible CMS and the needs of the site perfectly align with what Drupal provides.

WD: With visitors from around the world, the range of browsers and devices you had to consider was vastly larger than most projects. Did you draw a line for support? If so, where was it?

TK: BFM constantly updates our list of supported browsers and devices to stay in line with changing technology trends and device usage around the world. We’re extremely lucky that our larger organization, Pactera EDGE, has deep roots in globalization and localization, so we leveraged their team to help us with all aspects of website visitors from the many regions around the world, including translation services and testing. Since this was a complete overhaul, we ensured the baseline standard for all devices was met and will continue to enhance as the future technology needs become apparent.

WD: The Empire State Building gets millions of visits each year, what sort of server resources do you need to throw at it to guarantee uptime?

TK: BFM is a partner of Acquia, and Empire State Building is hosting their new site with them. Acquia is a wonderful ecosystem built specifically for high performing drupal websites and provide many tools for their hosted sites to be able to handle fluctuations in visitors, traffic surges, and with the 24/7 support offered, they can easily manage the changing needs of worldwide visitors.

WD: Now it’s live, how does the new ESB site relate to its real world presence?

TK: The Empire State Building defines the New York City skyline. The world’s most magnificent Art Deco skyscraper, it’s a living piece of New York history and an instantly recognizable symbol of city culture today. The old site did not reflect the amazing interior and exterior design of the building and we had a chance to showcase the redesigned interior and bring more attention to the beautiful Art Deco design elements. We wanted to create the site to make you feel like you are visiting the building. By showcasing the exhibits, renovated halls, and observatories through compelling photography and architectural details, our goal is to make the visitor excited to buy a ticket and see all that beauty with their own eyes.

We’d like to thank Tatyana for taking the time out of her day to talk to us.

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Source de l’article sur Webdesignerdepot

Many people dream of a career in web design, but it may actually be more attainable than you think.

There are countless online courses, of variable quality, with little to no academic structure; self-learning is an option, but it doesn’t come with a curriculum. Without a professional structure and a comprehensive curriculum your dream career might never be more than that.

But there is a practical, fast-track option to making a career in web design a reality, and that’s the Parsons Web Design and Development Certificate.

Built around the innovative teaching approach that Parsons is known for, you’ll learn human-centered design, explore the latest tools, evaluate techniques and approaches, and uncover the secrets of UX. The certificate even offers two distinct tracks, one for designers, and one for developers, so you can take control of your own future.

It’s one of the most creative approaches to a formal design education in the world, and what’s more, because it’s entirely online you can study from anywhere.

What Will I Learn?

Parsons offers a flexible curriculum to suit both designers and developers. There are two core courses, followed by three specialist courses.

learn human-centered design, explore the latest tools, evaluate techniques and approaches, and uncover the secrets of UX

The core courses cover the essentials of web and mobile design, plus JavaScript for designers. Each of the core courses lasts nine weeks. When you’ve completed them, you can opt for a design specialism or a development specialism. (You don’t have to make your choice until you’ve completed the core courses!)

If you prefer design work, you’ll spend a total of 21 further weeks learning mobile design patterns, studying emerging platforms, working with interactive typography, and mastering design systems.

If development is more your thing, then on the 21 week development track you’ll cover advanced HTML, CSS, and JavaScript, learn how to work with APIs, and finish up with experimental JavaScript.

To earn the Web Design and Development Certificate you need to complete the two core courses, plus three specialist courses within two years — a total of 39 weeks of study. Parsons recommend that you take two courses per semester, but it’s possible to complete the entire certificate program in one year.

Is This Really For Me?

Parsons Web Design and Development Certificate is a recognized qualification from a reputable institution that will stand you in good stead in future job interviews. But what’s more important, is the knowledge and experience you’ll gain from the course.

Thanks to the creative, flexible approach to learning, the certificate is suitable for designers and developers at any stage of their career

Thanks to the creative, flexible approach to learning, the certificate is suitable for designers and developers at any stage of their career.

If you’re just starting out, the certificate is a superb way of exploring the field, all the while building skills that will make you stand out to employers.

If you’re a print designer, or a programmer, the Web Design and Development Certificate is a great way to supplement your existing skills and make a lateral move into web work.

And if you’re a grizzled industry professional with decades of experience, you’ll benefit from the track you know least well; designers studying development, developers studying design. Not only will it open up new creative avenues to you, but you’ll find project management easier with a broader outlook on the web.

The best thing about the Parsons Web Design and Development Certificate is that because it’s made up of modules, you can still work part-time as you tick off the courses.

Why Choose Parsons?

Parsons College of Design is part of The New School, a New York-based university. Open Campus, the platform that will run the certificate, is the New School’s online system for pre-college, professional, and continuing education courses.

Thanks to Covid-19, most learning institutions are planning online-only courses for at least the next 12 months, so why not enroll in a program run by an institution that already excels at online teaching.

Innovative courses, underpinned by the creative approach to teaching that Parsons College of Design is renowned for, mean the design education you embark on this fall will be second to none.

Individual courses cost between $577 and $850, with the entire Web Design and Development Certificate costing just $3,704.

 

[– This is a sponsored post on behalf of Parsons College of Design –]

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It’s no secret that the senior population is growing. By 2030, people over the age of 65 are predicted to make up 20.6% of the population of the US. 

Around the world, people are living longer and remaining more active in the later years of their lives. What’s more, despite what you might have heard in the past, seniors aren’t as wary of the internet as they used to be. In 2019, the Pew Research institute revealed that 73% of people over the age of 65 were connected to the web. 

So, what does that mean for web designers?

your main focus needs to be on ability…people age differently

Well, first of all, it’s time for all of us to start thinking about user experience from different perspectives. We need to stop expecting our audiences to be made up entirely of iPhone-using millennials and start thinking about the needs of seniors too. After all, designing websites for seniors opens you up to a wide selection of potential visitors in the future.

What’s more, according to the US Census Bureau, people over the age of 65 generally have the highest household wealth figures of any age group. That’s a big deal. 

So, how do you adapt UX for seniors?

Creating Senior-Friendly Web Designs

When it comes to designing websites and applications for seniors, your main focus needs to be on ability. Age is just a number, and people age differently. 

That means that one person in their 70s might have no problem browsing through Netflix to watch the latest shows, while someone else wouldn’t be able to tell you what ‘streaming’ means. 

Rather than worrying specifically about age, think about how different people in older age groups might have different requirements when it comes to things like movement control, hearing, vision, and even device bias. 

Get the Visual Elements Right

Vision loss is by far the most common disability reported by elderly individuals in the US. Around one in six people over the age of 70 have some manner of visual impairment. That’s why UI designers need to think carefully about visual accessibility when creating the right websites. 

For instance, text and button sizes should always be kept large. Anything that needs to be read or clicked needs to be scaled up, to ensure that everyone can see the information clearly. For instance, on the Sandinmysuitcase.com website, you’ll find clear typography, combined with big buttons that tell you to “Start Here” so you know exactly what to do next.

Remember to stick to icons that are clearly labelled wherever possible. Stay away from anything that your customers might not understand. “Start Here” is easier to read and understand than “Submit”. 

It’s also worth sticking to the color and contrast guidelines laid out by basic UX design when you’re creating something for optimal visibility.  Colors that are too close together might create a nice pastel or gradient effect on a website – but they’ll also make things difficult to read. 

Concentrate on Usability

Over the age of 55, motor skills and coordination can begin to decline for some people. These changes make it harder for people to interact with complex UIs. The mouse on a computer can be a particular problem for people with diminishing motor skills – as can the touchscreen of a tablet or smartphone. 

When you’re working on the perfect UX, think about how you can make things as easy to click as possible for people who have a hard time hitting their targets. For instance, in this website for people traveling over the age of 50, you’ll see not only fantastic large font choices but big buttons that are descriptive and easy to understand too: “Click here to start planning your trip”:

The scrollbar can also be a bit of a problem for people with impaired motor skills. Because of this, it’s best to keep your focus on designing above the fold. Make sure that users don’t need to scroll far to find the information that they need and keep scrollbars simple in terms of their look and feel.

While you’re working on usability, remember that it will be important to keep interactions to a minimum wherever possible. Where you can engage younger audiences with double-taps, swiping and scrolling, it’s much easier to connect with seniors through simple one-tap interactions. The less actions your user needs to take to reach their goals, the better. 

Deliver Smooth Navigation 

Navigating from point A to B on your website needs to be as simple as seamless as possible. Remember, crowded pages on your websites and apps are often overwhelming – even for younger browsers. Seniors are generally just searching for “must know” information, so they don’t want anything to get in their way as they navigate through their website. 

As you work on your site or app design, ask yourself if every element on the page absolutely has to be there. If it doesn’t deliver value, then get rid of it. 

Additionally, remember that seniors don’t always have the best memories and concentration levels. That means that they need your navigation experience to be as simple as possible. Basic horizontal menu bars that show everything at once are often a good idea – even if they’re not very exciting.

Look at this helpful navigation experience from RetireMove.com, for instance. Everything you need is located at the top of the page, and you can even just enter your postcode to get started:

Cognitive decline happens regularly with age. Although not all older adults will have issues with their memory and concentration, it’s important to be prepared for an audience that might process information a little more slowly. It’s worth double-checking that your viewer’s attention isn’t being diverted to multiple parts of the page at once.

Get to the Point Quickly

While younger generations have quickly implemented technology into every aspect of their lives, older consumers use tech a little differently. These people don’t want to spend forever fiddling around with different parts of your website. They want to get the answers to their questions as quickly and easily as possible. 

Applications that are complicated or difficult to access are usually instantly rejected by seniors. Even if you’ve offered everything that we’ve covered above, from seamless navigation to minimalist design, you still won’t get the interactions you’re looking for if older adults don’t consider your design to be useful. 

Because of this, you need to highlight the point of a website or application to your seniors as quickly as possible. Avoid worrying about things like gifs, animations and gamification. Instead, focus on making sure that your designs are useful and simple. 

For instance, from the moment your senior user arrives on a web page, they should have instant access to clear instructions on how to use the application or service, and what they need to do next. Keep in mind that this is particularly important when you’re creating mobile apps, as apps are still a relatively new concept to older generations. 

On the “When They Get Older” website, you can instantly find the information you need in a well-organized navigation bar that’s labelled clearly:

A clear interface like this, combined with simple, step-by-step guidance that shows elderly individuals how to get the information that they want is the key to keeping these users coming back for more. 

Bringing a Mature Perspective to Web Design

These days, most designers focus heavily on younger audiences when creating websites and apps. After all, it’s these users that allow us to experiment more with the latest tools and concepts, like augmented reality, artificial intelligence, and robust animations. 

However, there’s still a market out there for the seniors of the world that want more opportunities to get online. This audience often goes ignored and under-served. However, as the value of older consumers grows, and their ability to interact online increases, you’ll find that more businesses begin to search for web designers who can provide immersive experiences for a more mature audience. 

The steps above will give you an excellent insight into how you can start designing for a different kind of customer base. However, remember that the best way to make sure that you’re delivering the right solution for any customer, is to test. User testing will provide you with the exclusive insights that you need to determine whether your senior UX is really working, or whether you’re still struggling to get into the shoes of an older user. 

 

Featured image via Unsplash.

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Every week users submit a lot of interesting stuff on our sister site Webdesigner News, highlighting great content from around the web that can be of interest to web designers.

The best way to keep track of all the great stories and news being posted is simply to check out the Webdesigner News site, however, in case you missed some here’s a quick and useful compilation of the most popular designer news that we curated from the past week.

Stroke Text CSS: The Definitive Guide

 

Code Snippets for Easier Coding

 

Textdb – A Simple Way to Share Small Amounts of Data

 

10+ Favicon Generators to Make your Brand Stand Out

 

12 CSS Grid Layouts

 

Applying Disney’s Basic Principles of Animation to UI Design

 

Curiosity Creates

 

Previewed – Beautiful Mockups & Graphics for your Next App

 

We’re in a Golden Age of UX. Why is Video Chat Still Stuck in the ’90s?

 

18+ CSS Book Effect

 

How to Promote a Mobile App with an Animated Explainer Video

 

Hyperlog – Portfolios for Developers

 

Site Design: Looks like You Need to Let it Out

 

Doing Stupid Stuff with GitHub Actions

 

Is it Good Design? Well, Yeah.

 

15 Free Adobe XD UI Kits for Web and Mobile App Designers

 

The Office as You Know it is Gone

 

How Interactive Content will Increase your Visitor’s Time on Page

 

What do Web Design Clients Need from Designers?

 

Truthmark is a Photography Database Aiming to Stop Misuse in Fake News

 

200+ NoCode Tool List by WeLoveNoCode

 

Designing for ‘Why?’

 

10 Tips Before You Buy a Domain Name

 

Making Memories to Last (August 2020 Wallpapers Edition)

 

Design Constraints are not Restraints – They Stoke Creativity

 

Want more? No problem! Keep track of top design news from around the web with Webdesigner News.

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Some of the changes we are seeing with where we work are starting to pop up in the type of new tools made for designers and developers. More tools with remote collaboration as a key feature are increasing in popularity. (You’ll find a few of those here.)

Here’s what new for designers this month.

Webdesign Toolbox

Webdesign Toolbox is a collection of tools, apps, and resources all in one location for designers and developers. The best part of this resource is that it is human-curated, so every tool is quality checked and makes the list because it has been tested and researched. Search the collection by design, dev, stock, typography, UX, or workflow tools (and more) and use them to help create more efficiently. The collection is constantly growing, too.

CodeStream

CodeStream might be the new-world workflow tool for web designers and developers. It is made for remote teams to review code right inside your IDE without breaking from development flow. You can post and review changes and comments are all independent of the code itself, even though they link to it.

Litur

Litur is a color management app for iOS. Use it to find and collect color swatches, create custom palettes, and even check color combinations against accessibility standards. The app can even generate color codes for you from swatches you find from a photo or image upload or create. The app works on mobile and desktop Mac devices and is a paid app.

Editor X

Editor X, which is still in beta, is a website building tool that combines advanced design and prototyping capabilities with secure web hosting and integrated business solutions. Go from an idea straight to production in a highly intuitive design workspace. The best feature might be exact design precision tools.

Grid Cheatsheet

Grid Cheatsheet is a visual and code-based set of “cheats” based on the W3C CSS Grid Specifications. What’s nice is it makes these guidelines easier to understand and use if reading through them makes you a little uneasy.

Tutorialist

Tutorialist brings together some of the best development tutorials on the web. All of the tutorials are free videos available on YouTube, and this project collects them all in one place.

Pure CSS Halftone Portrait from JPG

Pure CSS Halftone Portrait from JPG is a beautiful pen from Ana Tudor that shows how to change the visual representation of an image. The examples are brilliant and in true halftone fashion. The code snippet works with color, or black and white images as well.

VoiceText for Slack

VoiceText for Slack is another work from home productivity tool. Integrate it with Slack and send messages with text that’s transcribed right in your channels. It’s a free integration and supports 18 languages.

Feature Peek

Feature Peek is a developer tool that helps you get frontend staging environments on demand and gather team feedback earlier in the development process. It’s made for use with GitHub and works with a variety of other tools as well.

Formbutton

Formbutton is a simple and customizable pop-up form. (And we all know websites have plenty of them right now.) It connects to other services you already use, such as Google Sheets and MailChimp, and is simple to set up.

Blocksy Theme

Blocksy is a WordPress theme that’s made for non-coders. It’s a zippy and highly visual theme made for Gutenberg. It works with other builders and allows the user to customize pretty much everything visually. (There’s even a dark mode.) The theme is packed with tools and options and is a free download.

Oh My Startup Illustrations

Oh My Startup Illustrations is a set of vector illustrations in several categories featuring a popular style on many projects. Use the characters and scenes to create a semi-custom story for your startup project.

1mb

1mb is a code editor and host where you can create a static website with a custom domain and SSL included. The editor works in-browser and everything is saved in the cloud.

Linear

Linear is an issue tracking Mac app for teams. It’s designed to help streamline software projects, sprints, and tasks, and can integrate with standard tools such as Github, Figma, and Slack.

Hosting Checker

Hosting Checker solves a common issue – a client wants you to work on their website, but has no idea who hosts it. Hosting Checker shows the user hosting provider and IP address the website uses, along with where its server computers are located and the host’s contact details. It also claims to be 82% faster than other similar tools.

Spike

Spike alerts you to website incidents before customers. Create alerts and get a phone call, text message, email, or Slack notification right away. The tool provides unlimited alerts and integrations to you can stay on top of issues before they become real problems.

Magnus UI

Magnus UI is a framework that helps you building consistent user interfaces in React. It comes with plenty of components ready to use and you can customize the theme.

SpreadSimple

SpreadSimple uses data in Google Sheets to create styled websites with features such as filtering, search, sorting, cart, order collection via forms, and much more. Update the sheet and instantly see changes on the website.

WebP vs. JPEG

Google is starting to suggest using it’s WebP image format to decrease load times, because of the lighter file size. But is WebP better than the traditional JPEG? Developer Johannes Siipola tested the file types at different sizes to answer the question. The answer is a bit complicated, but sometimes it might be better; read the full analysis for more.

Oh Dear

Oh Dear is a website monitoring tool that can help you keep a check on websites. Monitor uptime, SSL certificates, broken links, and more with notifications that come right to you if there’s an issue.

Airconnect

Airconnect is a Zoom video conferencing alternative that you can use for your brand with a custom header, colors, and portal for clients. The tool includes video calling as well as the ability for customers to access their data and automate your onboarding process.

Free Faces

Free Faces is a curated collection of free typefaces that you can browse and use in projects. Search by type style with visual results that include a download link.

All the Roll

All the Roll is a fun novelty font for just the right type of project. It includes 167 characters with swash characters that can be added before or after certain letters.

Backrush

Backrush is a handwriting-style typeface with easy strokes and a pen-like feel. It includes thicker letterforms with nice swashes and a full character set.

Thuner

Thuner is a slab display font with interesting quirks. It’s made for larger than life designs. It includes a full uppercase character set and numerals.

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