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Web design clients come from a wide variety of backgrounds. One day, you’ll be designing a portfolio website for a voiceover artist, the next you’ll be creating a comprehensive ecommerce site for a leading retailer. In an ideal world, you’ll get to a point where you eventually specialize in a niche. However, you’ll need to master both avenues first.

The more time you spend in this industry, the more you’ll learn that every client comes with their own unique requirements and challenges to consider. However, there’s a particularly huge divide between the kind of web design projects you do for B2B clients, and the ones you do for B2C customers.

Both B2B (Business to Business) and B2C (Business to Consumer) websites need to be clear, concise, and aesthetically pleasing. They should always have a strong focus on user experience, and they need to work consistently across devices. However, being aware of the difference between B2B and B2C projects will help you to deliver better results to your customers.

Defining the Differences Between B2B and B2C Sites

Some web design trends remain consistent in any environment.

Whether you’re creating a site for a hairdresser, or a leading SaaS company, you’ll need to deliver responsive design, intuitive navigation, and excellent site security.

Your process is unlikely to differ from B2B to B2C much in terms of project milestones, phases, prototyping and wire-framing. The differences that arise between B2B and B2C projects often come in the approach you take to building certain elements.

Let’s take a closer look at the things you might need to consider:

1. The Target Audience

In any design project, it’s always important to keep the end customer in mind. Knowing your client’s target audience will help you to create both an image and a tone of voice that appeals to the right people.

B2B Websites

With B2B websites, you’ll be speaking to a range of highly-educated individuals who already have a general knowledge of your service. The aim here will be to show the end-user how you can help them achieve better results. For instance, m.io highlights “syncing communication” so you can “effortlessly chat” with your team.

The language and content of the website is all about highlighting the key benefits of the products, and the kind of outcomes that they can deliver. The Nielsen Norman Group reports that there’s often a lot of discussion between decision-makers when they’re checking out a B2B website.  

Designers need to work harder at convincing B2B buyers that they’re making the right decision. This is particularly true when you’re selling something like a software subscription that requires a lot of long—term investment.

B2C Websites

On the other hand, while B2B customers make decisions based on logic, information, and well-explained benefits, B2C customers are more influenced by emotion. They want quick solutions to their problems, and the opportunity to purchase from a brand that “understands” them.

Look at the Firebox website, for instance. It instantly highlights an ongoing sale at the top of the homepage, addressing any concerns a customer might have about price. That combined with a quirky layout full of authentic photos and bright colors means that customers are more inclined to take action.

2. The Purpose

Another factor that can vary from B2C to B2B websites, is the motive behind a customer’s purchase. Knowing what’s pushing a target audience to interact with a brand will help you to create a website that appeals to specific goals.

B2B Websites

B2B websites often aim to solve expensive and time-consuming problems for companies. To sell a decision-maker on the validity of a solution, it’s important to thoroughly explain what the solution is, how it works, and how it addressees a specific pain point.

Look at the Zoom website for instance, they don’t just tell people that they offer video conferencing, they address the practical applications of the platform:

B2C Websites

Consumers are a lot easier to appeal to in terms of emotional impact, because many of them come to a website looking to fulfill an urgent need. Because of this, many web designers can take advantage of things like urgency and demand to encourage conversions. For instance, look at this website from TravelZoo. It takes advantage of a customer’s desire to get away:

A B2B website needs to focus on providing information that helps companies to make more confident decisions. What’s more, with B2B sites, decisions are often made by several stakeholders, while B2C sites ask a single person to make a choice. A B2C website needs to address immediate concerns and connect with customers on an emotional level. B2C buyers still want to do their research on products or services, but the turnaround is much quicker, and often requires less information.

3. The Design Elements (Visual Appearance)

Just as the focus of your website design and the audience that you’re creating the experience for can differ from B2B to B2C websites, the visual elements of the design might change too.

B2B Websites

In most cases, B2B websites are all about presenting a highly professional and respectable image. You’ll notice a lot of safe and clear choices when it comes to typography and imagery. It’s unusual to see a B2B website that takes risks with things like illustrations and animations.

Look at the Green Geeks website for instance. Everything is laid out to encourage clarity and understanding. Information is easy to find, and there are no other issues that might distract a customer.

B2C Websites

On the other hand, B2C websites can be a little more daring. With so many different options to choose from, and most customers buying out of a sense of urgency or sudden demand, designers are under pressure to capture attention quick. This means that it’s much more likely to see large pieces of eye-catching imagery on B2C sites, with very little text.

Movement, like slideshows and animations often play more of a role here. Additionally, there’s a good chance that you’ll be able to experiment more aggressively with color. Take a look at the Yotel website, for instance. There’s very little textual information here, but the appeal of the website is conveyed through sliding images:

4. Website Content

The way that information is conveyed on a B2B website is very different to the messages portrayed on a B2C site. Usually, everything from the language, to the amount of content that you use for these projects will differ drastically.

B2B Websites

When designing for a B2B website, you’ll need to be careful with content, as you’ll be speaking to a very mixed audience. If your site caters to different industries, you’ll need to ensure that you show authority, without using too much jargon. Some companies even create different pages on their site for specific customers. The aspin.co.uk website covers the benefits from a company, sale and integration perspective:

Rather than try to talk to all business owners about their differing communication pains, G-Suite anticipates its audience and creates pages for each.

B2C Websites

Alternatively, B2C websites can make things a little simpler. For instance, on glossybox.co.uk, there’s no need to provide a ton of information for different types of shopper, designers can appeal to one audience, i.e. the “beauty addict”:

In both B2B and B2C websites, the aim of the content should always be to answer any questions that the end user might have.

5. CTA Buttons

Call to Action buttons are often a crucial part of the web design journey. However, it’s sometimes difficult to determine where they should be placed, or how many buttons you need.

B2B Websites

Because the decision to buy something won’t always happen immediately with a B2B website, these kinds of sites often use a variety of CTAs. For instance, you might have a “Request a Quote” button at the top of a page, as well as a Sign in button.

On the Klaviyo site, for instance, you can request a demo, sign up or log in:

You can place CTAs lower on the page with B2B websites too, as it’s more likely that your customers will be scrolling through the site to collect more information before they decide to buy.

B2C Websites

On the other hand, with B2C websites, you usually don’t need to give your visitors as many options. A single option to “Add to Cart”, or perhaps an extra choice to “Add to Favorites” is all your user will need. Customers need to instantly see what they need to do next as soon as they arrive on a page:

On the Evil Hair website, you immediately see how to add a product to your cart.

Remember, the sales process is a lot quicker with B2C customers. This means that you need your CTA buttons to be front and center as soon as someone clicks on a page.

6. Contact Forms

In a similar vein, the way that you design your contact forms will also depend on the end-user that the website wants to appeal to. There’s a very different process for getting in touch on a B2B website, compared to a B2C site.

B2B Websites

B2B websites often require longer contact forms, as clients need to collect additional information about a prospect’s position in a company, and what that company does. B2B companies need to share things like what they’re looking for in a service, and how many users they have, so a sales team knows what kind of demonstration to give.

As with any strategy for contact form design, you should always only include the fields that your client needs and no more. If you demand too much from any client, you could send them running in the opposite direction. Check out this straightforward option from Ironpaper, for instance:

The form addresses as many relevant questions as possible without overwhelming the customer. Because the site handles things like design, it makes sense that they would ask for a link to the company’s existing website.

B2C Websites

On a B2C website, there are very different approaches to contact forms. You may have a dedicated contact form on your website where people can get in touch if they have any questions. A FAQ page where customers can serve themselves is another great way to help your client stand out from the competition. Check out this option from River Island, for instance:

On the other hand, you might implement pop-up contact forms into a website if your client wants to collect emails for email marketing. In that case, it’s important to make sure that you’re only asking for the information you need, and nothing more.

The easier it is to sign up for a newsletter, the more likely it is that customers will do it. Being able to enter their name and email address and nothing else will make the signup seem less tasking.

7. Search Bars and Navigation

Whether you’re designing for B2B or B2C companies, navigation will always be a critical concern. End users need to find it easy to track down the information that they need about a company, whether they’re looking for a particular product or a blog.

B2B Websites

On a B2B website, the search bar often takes up a lot less prominence than it does on a B2C site. That’s because all of the information that a client needs, and the buttons they need to take their next steps, are already visible front-and-center.

As a designer, it will be your job to push as many people to convert as possible, by making the purchasing journey the most appealing path for visitors. For instance, on the Copper website, the “Try Free” buttons are much easier to see than “Continue with Google” or “Login”:

With B2B sites, the focus is on a very specific goal. Although navigation still needs to be available, it doesn’t need to be as obvious as it is on a B2C site.

B2C Websites

On the other hand, most B2C websites offer a wide range of products, and they’re perfectly happy for their customers to purchase anything, as long as they eventually convert. Because of this, they make navigation a much more significant part of the customer journey.

The search bar is often presented at the very top of the screen where customers can see it immediately. Additionally, there may be multiple pages within certain product categories, so that customers can browse through the items they’re most interested in. For instance, look at the homepage on the IWoot website:

The navigation elements in B2C websites need to be a lot more obvious, because consumers are more likely to use them when they’re searching through their options.

8. Social Proof and Testimonials

Finally, social proof is one of the things that will work well for improving conversions on any kind of website. When your customers aren’t sure whether or not they should buy from you, a review or testimonial could be just the thing to push them over the edge.

B2B Websites

On a B2B website, the decision-making process takes a lot longer. Because of this, it’s worth including as much social proof as possible in every part of the website. Client testimonials, reviews and ratings, and even high-profile company logos make all the difference. Many B2B websites include a page dedicated to case studies highlighting the success of other brands.

Your client might even go as far as to ask for a page that highlights their awards and recognition or showcases comparison tables that pit their products against the competition.

For instance, Authority Hacker has a “what the pros say about us” section as social proof:

B2C Websites

With a consumer website, you can include consumer ratings and reviews wherever you like. However, it’s most likely that you’ll want to have a place where customers can see the reviews of other clients on the product pages themselves. On the EMP website the company gives users the option to click on the star review section to jump to a different space on the page where testimonials are listed. This ensures that customers don’t have to scroll through a lot of excess information if they just want to add an item straight to their cart.

Designing for B2B vs B2C

In the world of web design, no two customers are ever the same. While you’ll need to adapt your processes to suit each customer you interact with, you can set your expectations in advance by learning the differences between B2B and B2C strategies.

 

Featured images by Chris Ross Harris and Mike Kononov.

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If we don’t question this kind of design homogenization, do we put ourselves at risk of perpetuating the same mistakes in the years to come? Or is it even a mistake to begin with?

Today, I’m going to look at four things that are likely causing this, and what you can do to break the mold.

1. Education

We used to have a design school in every city in the world, each with its own design style or, at the very least, the encouragement of its designers to be creative and come up with something new.

These days, though, traditional design education isn’t as popular as it once was. According to Design Census 2019, only about a third of working designers have a formal education and degree:

The rest have been trained through a variety of means:

  • Online learning (17%)
  • Self taught (12%)
  • Workshops (10%)
  • Mentorship (6%)
  • Certificate programs (4%)

Cost and convenience are definitely two factors influencing this shift towards online learning methods. And with a wealth of resources online to teach them how to design and code, why not go that route? Plus, designers have to keep learning new things in order to remain competitive, so it’s not as though a degree is the be-all and end-all of their design training.

Plus, there isn’t as much demand for it from employers. Unless you plan on working for one of the top global marketing agencies, many hiring companies just want to see proof in the form of a portfolio and maybe have you do a test job.

Now, I’m not saying that online courses and other informal design education don’t foster creativity. However, in order to make them cost-efficient and quick to get through, they have to focus on teaching essential best practices, which means less room for experimentation. Perhaps more importantly, their curriculums are guided by fewer voices. So, this could likely be one of the culprits.

2. Design Blogs and Vlogs

You have to wonder if all the design blogs out there (yes, like Webdesigner Depot) impair designers’ ability to break free from the homogeneity of websites.

I think the answer to that is both “yes,” and “no”.

Why, Yes?

What is the purpose of a web design blog? Mainly it’s to educate new and existing designers on best practices, new trends, and web standards.

By their very nature, they really should be teaching web designers the same kinds of things. Let me show you an example.

This is a Google search for “web design trends 2020”:

Most design blogs will publish trends predictions around January 1. And herein lies the problem. The writers/designers can only deviate so far from what we know to be true when writing on the same topic… so these sites end up with similar recommendations.

For instance, the top search results recommended similar things for 2020:

  • Dark mode
  • Hand-drawn illustrations
  • Immersive 3D
  • Glowing colors
  • Minimalist navigation
  • Geometric shapes
  • Inclusivity
  • Accessibility

When web designers receive the same guidance no matter where they turn, it’s only logical that they’d end up creating websites that adhere to those same practices.

Why, No?

Because I write for web design publications, I can tell you that there’s a big difference in the kinds of content some of them publish.

For instance, I find that WebDesigner Depot isn’t interested in rehashing what everyone else is writing about this month. We’re given topics that challenge us to think outside the box and present readers with meaningful insights and recommendations.

So, I think that finding design blogs that push the boundaries and don’t just want to recap what everyone else is saying is really important. That’s how web designers are going to master the basic skills they need to succeed while getting inspired to try new things.

3. Designs Tools and Frameworks

This is another one that’s not as cut and dried. I think it depends on the tools used and the intent to use them.

Where Issues Start to Arise

There are certain site builder solutions that you’re going to be hard-pressed to create something innovative with. The same goes with using templates from sources like Dribbble. It’s just the nature of the beast.

If your goal is to create a cheap website very quickly for a client, then you’re probably going to use a cheap builder to do so. With ready-made templates and a lot of the work already done for you, you can create something that looks good with little effort.

When you’re limited by time and cost, of course you’re going to rely on shortcuts like cheap site builders or boring (but professional) design templates.

How to be More Careful

You can run into these kinds of issues with more flexible content management systems like WordPress or frameworks like Bootstrap, too.

Whenever you rely heavily on ready-made templates, pre-defined styles, or pre-built components, you run the risk of someone else’s work informing your own.

The solution is simple: Use demos, templates, UI kits, and so on as a base. Let them lay down the foundation that you work from.

But if you want your website to look different from the sea of lookalikes, you’re going to have to spend much more time developing a unique visual style that’s equally as effective in its mission. Which also means moving beyond clients that have small budgets or low expectations.

4. User Data

Data gathering is an important part of the job you do as a web designer.

You research the target user (or the existing user, when applicable). You look at industry trends as well as the competition to formulate an idea of what you need to build and how you’re going to do it. And you also use resources like Nielsen Norman Group and Think with Google that put out definitive research on what users want.

Even with the most niche of audiences, consumers’ wants and needs are all basically the same. So, obviously, you have to design experiences that align with them. If you deviate too much from what they expect from your site or brand, you run the risk of creating too much friction.

Is This a Bad Thing?

It’s not in terms of usability. If we build simple, predictable and user-friendly interfaces based on data that successfully drive visitors to convert, that’s great. So long as the content remains strong and the UI attractive, there’s nothing wrong with that approach.

But…

This is the same issue presented by templates and site builders. If you do exactly what’s needed and not much more, your site is going to look and act just like everyone else’s. Which comes at the cost of your brand reputation.

Just look at Google’s Material Design. This design system may have made it easier for web and app designers to create new solutions that were user-friendly and responsive, but there was just too much spelled out. And this led to a slew of Material Design lookalikes everywhere you turned.

This is the whole reason why companies take the time to craft a unique selling proposition. Without a USP, brands become interchangeable in the eyes of consumers.

So, again, my suggestion here is to use data to formulate a strategy for building your website. But don’t forget to spend time adding a unique style, and voice of the brand to the site.

Wrap-Up

It seems like, despite all that we’ve learned to do, websites are becoming less and less diverse in terms of design. And I think a lot of that is due to the fact that it’s much easier to design websites today than it was ten, or even five years ago.

Modern-day education, resources, tools, and consumer data take a lot of the questions and the work out of building websites. Which is good… but only to a point.

Unless you’re building websites for clients who have absolutely no budget, you can’t afford to skimp on the creativity and personalization that will set their website apart. Yes, you need to adhere to tried-and-true practices and standards, but beyond that, you should be experimenting.

 

Featured image uses photo by Kari Shea.

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The biggest trend we’re talking about this month started at WWDC as Apple provided a glimpse of what’s coming next for their operating systems. This time around there’s a distinct design element. Did you catch it?

Here’s what’s trending in design this month.

1. Text Highlights and Underlines

There’s always been an unwritten rule in website design that text uses more plain styles. Bold is acceptable, italics are OK from time to time, but underlining is seldom used.

This design trend bucks that concept with text elements that use highlighter or underline elements to emphasize key words. And it works rather nicely.

What it takes to make this work is plenty of contrast and a design style that fits with underline or highlighted elements.

This design trend works thanks to clear intention. The words are obviously important to the overall meaning of the design or what visitors should take away from the content.

Pepper It uses a nifty underline that the letters seem to rest inside of to highlight a key phrase. The shape and color also mimic that of the larger button below, helping the eyes move from one element to the next. It’s an effective use of an underline (or maybe you could call it a highlight) effect in conjunction with brand colors.

Zappos Kids uses a fun highlight in a colorful scheme to highlight a key text element. It almost looks like a button and helps website visitors understand that the entire hero image area is clickable. The highlight serves to make the text more readable and the interactive element more functional.

Zeus Jones uses a variety of text treatments on the homepage, but arguable the underline is most noticeable, likely because it is the most unfamiliar in the context of website design.

2. Distinct Geometry

Geometric shapes in website design have popped up as trending elements in a variety of forms. This iteration is pretty simple: Use of distinct geometry as part of the overall aesthetic.

Geometry might pair with illustrations, photos, text, or in the background or foreground. What’s great about shapes is that they are versatile and work with a lot of other design patterns.

What can be the most challenging about shapes and design is that distinct geometry requires some space and thought. Just tossing a few triangles or rectangles in a design without reason can look rather strange.

So how can you add geometric shapes to a design so that they look intentional? These examples do it well (and in three different ways).

Rui Ma uses square and rectangular containers in a modular grid with portfolio projects inside each. This is one of the most common and applicable uses of geometry – as a container element. What makes it stand out is the circle, smiley wheel (also a geometric shape) that never leaves the center of the screen. The black background for the grid is also a nice contrast element for content blocks.

Thompson Stenning uses shapes in the background and with illustrations to create a stunning homepage visual. It’s big and bold and has just enough going on that you want to look at it and figure out the scene. Maybe what’s most intriguing about the visual concept is that it uses lots of geometric shapes – rectangles, squares, triangles, ad circles – whereas most projects pick one shape to focus on.

Romain Penchenat uses three-dimensional style angles to draw you into the portfolio website. They use a simple animation that “floats” on the homepage and follows the scroll with other geometric elements.

3. Shadow and Gradient Icons

Did you notice all the gradients and subtle shadows in icons in the images previewing iOS 14 or were you just looking at other changes (such as widgets) on the iPhone screen?

We’ve been seeing more designers incorporating more shadows and depth into icons for a while, but this move by a major player in design will push it to the forefront fast. Each of the icons moves from a flat style to one with a background gradient color as well as more shadows within icon elements for depth.

Don’t worry, the design still looks very much like Apple, but is a little more reminiscent of the skeuomorphism style icons from earlier versions of iOS.

It’s nice that the color and shadow elements are contained within each icon. This creates more visual interest and depth for each element without getting cluttered or junky. The gradients are also super simple, using a darker version of the main color in a monotone element.

It’s an iconography style that others are already using. DG Studio has a collection of icons on its homepage with subtle gradients and shadowing in the designs. Again, what’s nice about this trend is that it adds depth to visuals without tricks that get in the way of visual comprehension.

Guillaume Gouessan uses gradients in image icons in much the same way as the previous examples but with a little more color variation. Here, you can see what the gradient looks like when using a color change that’s not super drastic, but more dramatic than a monotone option. You can find some use of the more monotone gradient on his site below the scroll in the large desk image. (It’s definitely worth a few clicks to check it out.)

Love it or hate it, gradients and shadows seem to be here to stay for a while.

Conclusion

How often do you find yourself looking to major brands and companies for design inspiration? While a lot of web design trends start as experiments with smaller sites, the big players can really shape what gets popular (or not).

The example of Apple moving to icons with more shadows and gradients is a prime example. We’ve been seeing more of these elements creeping in for a while, but this style is about to get very big again.

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SAP propose depuis une quinzaine d’années une solution de gestion d’entrepôt appelée SAP Extended Warehouse Management, qui s’est enrichie pour répondre aux besoins des clients, quel que soit l’industrie ou le marché adressé : gestion avancée des vagues, mobilité, pilotage intégré de la mécanisation, Labor Management, pré colisage, intégration avec la production … Le tout dans une approche ‘Digital Supply Chain of One’, visant à fournir à nos clients une chaine logistique agile, unifiée et ‘end to end’.

Dans cette démarche d’amélioration et d’innovation continue, un nouveau module a vu le jour l’année dernière pour apporter un niveau supplémentaire d’optimisation aux clients qui le souhaitent.

SAP Warehouse Insights est un module basé sur la plateforme SCP (SAP Cloud Platform), et dédié à l’optimisation des entrepôts et de leurs ressources. Basé sur les dernières technologies : algorithmes, cloud computing et machine learning, cet outil complète les fonctions déjà avancées de la solution SAP Extended Warehouse Management. Les principaux domaines sont : la cartographie des entrepôts, des fonctions supplémentaires d’analyses et de monitoring de KPIs, la simulation de l’utilisation des ressources, et l’optimisation en temps réel.

SAP Warehouse Insights a été conçu pour tout type de clients et d’industries. Il apporte un niveau ultime dans l’optimisation des ressources et des missions en proposant les meilleurs scénarios possibles. Si le module s’enrichit en permanence de nouvelles fonctions, à ce jour il faut retenir 3 principaux sujets :

  • Visualisation dynamique de la cartographie entrepôt et des parcours des opérateurs,
  • Analyse des opérations, basées sur les données historiques comme la charge de travail et les distances de déplacement des ressources,
  • Optimisation / ré optimisation des missions (Warehouse Orders) affectées aux ressources pour réduire les déplacements à vide.

 

Cartographie entrepôt

Les utilisateurs peuvent interroger la cartographie d’un site de façon dynamique et interactive. Cela se traduit par une visualisation précise et aisée des différentes zones, avec la capacité d’aller jusqu’à la granularité la plus fine  (emplacement), et de s’assurer de l’adéquation de la configuration avec les besoins du terrain, ainsi qu’aux fonctions d’optimisation des déplacements.

Exemple d’écran de visualisation de différents types de zones de stockage :

‘Travel distance Network’ : Configuration simplifiée des chemins

La configuration des chemins est utilisée pour l’optimisation des déplacements. Les utilisateurs peuvent visualiser rapidement sur la carte, la complétude et la bonne configuration des chemins et segments paramétrés. En cas de rupture ou de mauvaise configuration, il est alors aisé de ‘réparer’ ou créer de nouvelles connexions à partir des nœuds existants. Exemple d’écran :

Configuration assistée

SAP Warehouse Insights facilite par ailleurs la création et la maintenance de la cartographie des sites. Il est possible d’importer des plans ‘CAD’ (Computer Aided Design) sous format PDF et de les utiliser directement dans le système. L’opérateur va ensuite pouvoir enrichir les informations avec les données ‘business’ comme les allées ou types de stockage. Le système va alors automatiquement propager ces paramètres de configuration sur les emplacements éligibles.

Exemple d’écran :

Fonctions de simulation

Cette première approche repose sur une optimisation ‘Off Line’. Il s’agit d’utiliser les données historiques pour comprendre et remédier à une situation insatisfaisante. SAP Warehouse Insights va ainsi utiliser les missions (Warehouse orders) et les ressources dans un processus avancé de simulation, pour proposer des scénarios réoptimisés, visant à limiter les déplacements, le nombre de ressource et par conséquent permettre une meilleure productivité tout en réduisant les couts d’exécution.

Le système offre une représentation simple et claire des gains potentiels d’optimisation, à travers une représentation des déplacements modélisés et comparables en un simple coup d’œil (avant optimisation / après optimisation).

Exemple d’écran de visualisation et comparaison des chemins :

Heatmap intégrée

SAP Warehouse Insights propose également une fonction de heatmap, très utile à l’analyse des flux dans l’entrepôt et à l’identification des goulets d’étranglement au sein d’une zone, d’une allée ou d’une gare de préparation. La ‘chaleur’ est déterminée en fonction du nombre de tâches réalisées sur chaque emplacement.

Exemple d’écran :

Optimisation temps réel et continue

Le processus de ré optimisation présenté plus haut est alors réalisé en temps réel, avec la possibilité de configurer des règles différentes en fonction par exemple des types de flux ou zones.

Exemple d’écran de configuration :

Principe de fonctionnement :

Les Missions ‘ouvertes’ sont récupérées et traitées en lien avec le système de destination, comme SAP EWM, à une fréquence configurable (ex : toutes les 10 minutes).

La ré optimisation des missions et des ressources associées est alors réalisée et une nouvelle séquence est déterminée suivant les critères souhaités d’optimisation des déplacements ou de dates/heures « au plus tard ».

Les missions ré optimisées sont ensuite remontées vers le système de destination pour exécution par les opérateurs en mode ‘dirigé’ par le système.

Un écran de monitoring permet également de suivre et visualiser les résultats de l’optimisation proposée par le système, avec notamment pour chaque ressource les missions associées, séquences, trajet à vide et en charge … Exemple d’écran :

Indicateurs de performance

En complément, SAP Warehouse Insights inclut des indicateurs offrant une vue analytique sur les opérations et la performance :

  • Utilisation par ressources
  • Charge par groupes de ressources
  • Charge des ressources par groupes de missions (‘queues’)
  • Temps de déplacements à vides par type de ressources
  • Temps total de déplacement par ressource

Exemple d’écran de consultation des opérations en entrepôt

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Source de l’article sur sap.com