Articles

How Illustration Adds Emotion To UX

From 45,000-year-old cave paintings to 21st-century space rocket diagrams, illustrations have long played a significant role in human communication.

Pictures cross-language and literacy barriers, allowing people to understand and communicate complex moods and feelings that they cannot in words. When we were little, we could understand and appreciate E.H. Shepard’s illustrations of Winnie the Pooh and friends long before we could read A.A. Milne’s words.

The word ‘to illustrate’ has two main meanings: to create a picture of; and to demonstrate or provide an example of. In the context of the web, illustration is part decoration, part emotional signal, helping to create a particular impression to the user by painting a metaphorical picture.

Why Use Illustrations on a Website?

Illustrations provide a useful shorthand means to convey mood or tone, the voice of a brand.

You could argue that icons are illustrations because they are pictorial, but they are symbols. Icons may, and usually should, fit stylistically with illustrations, but they are not illustrations themselves. A symbol is a simplified representation of an object, idea, or action. For example, ‘search’ is usually represented by a magnifying glass shape.

Illustrations, on the other hand, are more complex. They transmit an underlying emotional quality that connects with the intended audience. Illustrations can create a narrative about the subject without the need to add more text. It gives even the most basic, functional website a sense of personality when used properly.

Popular Types of Illustration Online

Illustration styles are many and varied, ranging from simple outlines to detailed, full color, realistic images. And the amount of illustration used varies greatly across sites.

Different styles evoke different feelings and provoke different responses, so it is important to think carefully when choosing an illustration style. There are two major factors to consider: what the site is for and what sort of character do you want to give it.

It is possible to break things down into broad categories to see what works best in different areas. We’re going to look at how designers can use illustration to good effect across four categories…

Financial & Corporate

Financial services, fintech, enterprise software, and larger corporate sites tend to use illustration as a way to humanize themselves.

The style tends to be minimal, using simple shapes and sparingly. Acorns uses a simple oak leaf motif to go with its acorn logo. Other illustrations are tied in by keeping to shades of green.

This creates a feel typical of newer companies (Acorns was founded in 2014), especially those that are primarily web-based.

Longer established, more traditional organizations use illustration for the same purposes, although they may be restricted to certain areas only, where they want to emphasize approachability. Danske Bank, for example (founded in 1871), has illustration on its corporate site in the ‘About’ and ‘Sustainability’ sections.

Visa also limits illustration to a specific area, the section on Visa Direct. This has the effect of separating this particular (newer) service from the rest of what Visa offers.

Another increasingly popular approach in this category is abstract graphics. This is particularly useful when it is difficult to show what is being promoted. For example, Instabase adds arrangements of geometric shapes for visual interest, using the same color palette as the site icons.

One of the key points with illustration in these types of sites is getting the balance right between friendly, human and approachable on the one hand and serious, trustworthy, and secure on the other. Get too cutesy, and potential customers won’t take you seriously. Github’s enterprise page does have some illustration, but the color is less vivid, and Octocat is only alluded to, unlike the home page which is illustration-rich.

Food & Drink

Things get a little freer when it comes to food and drink. Styles vary much more, and the personality conveyed can be stronger and more individual. Some still go for a light peppering of illustration, with aspects such as color and type made stronger, while in other cases, the illustration becomes much more prominent.

Palais Kitchen and Caleño both do the former, with brand-appropriate line drawings.

My Drink’s vintage-style animated illustrations take the place of photographs to balance the text on its home page.

Melopeion Honey doesn’t use very many illustrations, but what it does use is large.

Monkey47 could be described as a concept website, and the illustrations play a key role. (The social media menu is really rather charming.)

Hospitality & Leisure

In this category, what users really want to see is photographs, but illustration can help too. A photograph can only show what something looks like, while illustration can add the extra emotional dimension connected to an experience.

At the minimal end of the scale, Protos Car Rental uses some nice, simple illustrations to emphasize the holiday aspect of its business.

Comptoir Libanais blends photographs with illustration to create a very distinct identity.

Hotel Frida is also about character, and the victorian-style fantastical animal illustrations help create a quirkiness.

Highcourt uses simplified and stylized layout illustrations to give a complete overview of the building’s interior than photographs could.

The Neverlands doesn’t just use illustration; the whole site is an immersive experience based on illustration.

The Responsible Web

Sites promoting ethical and or sustainable companies, natural skincare, natural and/or organic food and drink, vegan products, social responsibility, and so forth tend to rely heavily on illustration, particularly if they are reasonably new.

Quite often, this is in the form of plant drawings that make a lazy allusion to nature, but it can also involve conveying information in a way that doesn’t come across as lecturing.

Wild Souls steers clear of any hint of hippiness, with a sense of randomness to its illustration placement.

Superfood Gin does the plant thing, but it is in reference to the botanical ingredients here, so it is very relevant.

Capsul’in’s main company page is a fairly standard offering, but for its Zero Impact product, it has a separate section with illustrations to help explain the product’s features.

Donate Responsibly uses illustration to explain how well-meant action can be inadvertently damaging without appearing to scold or patronize.

A variety of children’s brands will use illustration — even when it is parents or guardians who are really the target — and Little Yawn Collective combines the child-friendly, and natural product approaches with its sleepy animal illustrations.

Using Illustration on The Web

Illustration can be a powerful tool in a designer’s arsenal, but it can be difficult to get right because it invokes emotion, and emotion is subjective.

Just like type or color, it needs to be used appropriately and with care. Sometimes less is more, and sometimes getting the placement absolutely right can make the difference between a successful design and a flop.

This is just a selection of the wide range of illustration styles and usages out there on the web, but we hope it will give you a starting point when you are considering whether and how to use illustrations in your next project.

Source

The post How Illustration Adds Emotion To UX first appeared on Webdesigner Depot.

Source de l’article sur Webdesignerdepot

1 septembre 2021/par Service comm.

Getting started with Java Serverless Functions using Quarkus and AWS Lambda

Actualités, Méthodes et organisation des process IT

The serverless journey started with functions – small snippets of code running on-demand and a short period in Figure 1. AWS Lambda in the “1.0” phase made this paradigm very popular, but it had its limitations around execution time, protocols, and poor local development experience.

Since then, developers realized that the same serverless traits and benefits could be applied to microservices and Linux containers. This leads us into what we’re calling the “1.5” phase in Figure 1. Some serverless containers here completely abstract Kubernetes, delivering the serverless experience through an abstraction layer that sits on top of it, like Knative.

Source de l’article sur DZONE

14 mai 2021/par Service comm.

Project Lambda

Actualités, Méthodes et organisation des process IT

Project Lambda is an effort to bring Java into the world of functional programming.

Lambda is a function without a name. It is an implementation of functional interfaces. A functional interface is an interface that has only a single custom abstract method that isn’t inherited from the object class. In Java, interfaces such as Runnable, Comparable, and many others are the example of Functional Interfaces. It defines an anonymous implementation for one-time use and significantly streamlines your code.

Source de l’article sur DZONE

10 avril 2021/par Service comm.

2 Smartest Ways to Structure Sass

Actualités, Actualités

Sass – the extended arm of CSS; the power factor that brings elegance to your code.

With Sass, it is all about variables, nesting, mixins, functions, partials, imports, inheritance, and control directives. Sass makes your code more maintainable and reusable.

And now, I will show you how to make your code more structured and organized.

The organization of files and folders is crucial when projects expand. Modularizing the directory is necessary as the file structure increases significantly. This means structuring is in order. Here is a way to do it.

Divide the stylesheets into separate files by using Partials
Import the partials into the master stylesheet – which is typically the main.sass file.
Create a layout folder for the layout specific files

Types of Sass Structures

There are a few different structures you can use. I prefer using two structures — a simple one and a more complex one. Let’s have a look.

Simple Structure

The simple structure is convenient for a small project like a single web page. For that purpose, you need to create a very minimal structure. Here is an example:

_base.sass — contains all the resets, variables, mixins, and utility classes
_layout.sass — all the Sass code handling the layout, which is the container and grid systems
_components.sass — everything that is reusable – buttons, navbars, cards, and so on
_main.sass — the main partial should contain only the imports of the already mentioned files

Another example of the same simple structure is the following:

_core.sass — contains variables, resets, mixins, and other similar styles
_layout.sass — there are the styles for the header, footer, the grid system, etc
_components.sass — styles for every component necessary for that project, including buttons, modals, etc.
_app.sass — imports

This is the one I usually use for smaller projects. And when it comes to making a decision of what kind of structure to be used, the size of the project is often the deciding factor.

Why Use This Structure?

There are several advantages why you should use this organisational structure. First of all, the CSS files cache and in doing so, the need to download a new file for every new page visit is decreased. In this way, the HTTP requests decrease as well.

Secondly, this structure is much easier to maintain since there is only one file.

Thirdly, the CSS files can be compressed and thus decrease their size. For a better outcome, it is recommended to use Sass/Less and then do concatenation and minification of the files.

In case files become disorganized, you would need to expand the structure. In such a case, you can add a folder for the components and break it further into individual files. If the project broadens and there is a need for restructuring the whole Sass structure, consider the next, more complex pattern.

The 7-1 Patterned Structure

The name of this structure comes from 7 folders, 1 file. This structure is used by many, as it is considered to be a good basis for projects of larger sizes. All you need to do is organize the partials in 7 different folders, and one single file (app.sass) should sit at the root level handling the imports. Here is an example:

sass/
|
|- abstracts/
| |- _mixins // Sass Mixins Folder
| |- _variables.scss // Sass Variables
|
|- core/
| |- _reset.scss // Reset
| |- _typography.scss // Typography Rules
|
|- components/
| |- _buttons.scss // Buttons
| |- _carousel.scss // Carousel
| |- _slider.scss // Slider
|
|- layout/
| |- _navigation.scss // Navigation
| |- _header.scss // Header
| |- _footer.scss // Footer
| |- _sidebar.scss // Sidebar
| |- _grid.scss // Grid
|
|- pages/
| |- _home.scss // Home styles
| |- _about.scss // About styles
|
|- sections/ (or blocks/)
| |- _hero.scss // Hero section
| |- _cta.scss // CTA section
|
|- vendors/ (if needed)
| |- _bootstrap.scss // Bootstrap
|
- app.scss // Main Sass file

In the Abstract partial, there is a file with all the variables, mixins, and similar components.

The Core partial contains files like typography, resets, and boilerplate code, used across the whole website. Once you write this code, there is no further overwriting.

The Components partial contains styles for all components that are to be created for one website, including buttons, carousels, tabs, modals, and the like.

The Layout partial has all styles necessary for the layout of the site, i.e., header, footer.

The Pages partial contains the styles for every individual page. Almost every page needs to have specific styles that are to be used only for that particular page.

For every section to be reusable and the sass code to be easily accessible, there is the Section/Blocks partial. Also, it is important to have this partial so that you don’t need to search whether particular code is in the home.sass or about.sass files in the Pages partial.

It is a good idea to put each section in a separate .sass file. Thus, if you have two different hero sections, put the code in the same file to know that there you can find the code for the two sections. And if you follow this pattern, you will have the majority of files in this folder.

The Vendors partial is intended for bootstrap frameworks so, if you use one in your project, create this partial.

I recommend you use app.sass as the main folder. Here is how it should look:

// Abstract files
@import "abscracts/all"; // Vendor Files
@import "vendor/bootstrap.scss"; // Core files
@import "core/all"; // Components
@import "components/all"; // Layout
@import "layout/all"; // Sections
@import "sections/all"; // Pages
@import "pages/all";

Instead of having a lot of imports in the file, create an all.sass file in every folder. Each all.sass file should contain all the imports for that folder — and to make it more visible and understandable, create a main file.

Organisation

The biggest benefit of this structure is organisation.You always know where to check if you need to change something specific. For example, if you want to change the spacing on a Section/Block you go directly to the Sections/Blocks folder. That way, you don’t need to search in the folder to find the class in a file.

Facilitation

When the code is structured, the processes are promptly facilitated. They are streamlined and every segment of the code has their own place.

Final Words

Organizing code is essential for developers and together with all other skills, it is the most effective way to improve the functioning of the site. And even though there are multiple ways of organisation and different strategies, opting for simplicity helps you avoid the dangerous pitfalls. And finally, there is no right or wrong choice since everything depends on the developer’s work strategies.

Featured image via Reshot.

Source

Source de l’article sur Webdesignerdepot

11 décembre 2020/par Service comm.

3 Essential Design Trends, October 2020

Actualités, Actualités

Design can make a statement. It evokes feeling and can encourage thought and conversation. That’s the common theme among the three trends in website design this month.

Each trend is rooted on the time and place where we live and includes elements that provoke thought. Kudos to these designers and design teams for jumpstarting conversations. Here’s what’s trending in design this month.

1. “Taking a Stance” Design

From social to environmental issues, design projects are echoing the sentiments of their audiences and organization in a way that take a stance on an issue.

Once taboo, this is becoming increasingly used as a technique for brands who are no longer worried about turning off a certain segment. The goal is to rally the core audience and people who feel the same way about an issue or cause.

There’s also a secondary thing happening here. Some designs aren’t really position based, but use imagery and language that resonates with a movement to associate with that feeling.

Never Heart uses “Join the Revolution” and a dark image with a heart to tug at your feelings. It can help create an association to a cause that you believe in without stating that cause directly. The design feels strong and inviting while making you feel like part of something.

Skye High uses “powerful” twice in the headline to convey a particular messages to women. The agency is looking to work with “powerful” women. It’s a timely statement and message that could resonate with a lot of business-women at various levels of their careers.

Discovered Wildfoods is a brand that is rooted in sustainability. The corporate model and responsibility of the brand shows through in the website. This type of design helps connect people with mutual feelings to the brand and products.

It’s refreshing to see more websites and brands embracing social causes and issues. It can be tricky for a number of reasons. But for some brands, it pays off.

2. Abstract Art Elements

If you are worried about a lack of images, or not sure how to portray images in an appropriate way due to the worldwide pandemic – groups or not, masked or not – abstract art elements can be the solution.

Widely used for startups and apps, more abstract design elements are everywhere. It’s an easy way to create strong visual interest without photography.

The most common use of abstract art elements is often in the form of geometric shapes with animation. This is something that almost anyone can understand and simple shapes and movement can be quite stunning when done well.

The good news is this aesthetic can work for almost any type of website. Try it for a redesign when you don’t have photography that feels appropriate in the current environment or if you want to create focus for content that drives website visitors to the words or scroll. This works with more abstract concepts when they are simple and help you move quickly from the visual to text.

Here’s how each of the examples handles abstract art elements:

Indicius uses bouncing circles that move toward text and down the screen to drive users to the headline and scroll action.

With Code uses a fun fuzzy circle with different animations to draw you in.

Appimized uses bright color and a monotone scheme with geometric shapes to sell its services.

3. Images That Make You Think

This might be the most visually interesting, and thought-provoking, website design trend we’ve seen in a while. These designs all feature images with a little something different or unusual that make you think.

There are a lot of different ways to do this – marry photographs and illustrations, create imaginary imagery, animations or effects, visual tricks that play on depth perception or create pseudo-3D effects.

The commonality is that the visual is so striking and unusual that website visitors stop and engage with the design. What do the “oddball” visuals mean? What message do they convey? How did they do that?

All of the questions could be associated with this different style of visual representation.

Bling uses a combination of a photo with illustrated animated elements to draw the eye. The yin and yang between reality and fantasy is quickly evident and makes you want to know more. (It doesn’t hurt that the animation uses dollars and lightning.)

Kibun is interesting because the photo choices create an optical illusion of depth. It matches the content of the design well because the website features artistic textile panels with an artistic design. The illusion is in the angles and coloring of photographs and their placements on the screen. The only downside of this design is that it loses the artistic panache on mobile because the images stack.

Oddball images can sell. We Are Mad stands out because it uses a contrived image, but doesn’t go oversized with it. The more subtle placement is ideal and arguably more attention-grabbing.

Conclusion

Website design can be a powerful thing, as these trends and examples show. Don’t discredit the power of choices in color, imagery, animation, and text when creating a digital experience. Design can mean a lot of different things depending on the audience as these examples show.

At the same time, these design trends are powerful and meaningful. They provide context into our world, our time, and our feelings. Don’t be afraid to experiment and make a statement with your design work. Just remember to keep in mind all potential impacts (positive and negative) before taking the project live.

Source

Source de l’article sur Webdesignerdepot

5 octobre 2020/par Service comm.

Why AI & Automation Are Actually Friends to Design

Actualités, Actualités

Artificial intelligence. Just hearing the phrase has been a trigger for many in the technology world since that creepy Haley Joel Osment film circa 2001. But more recently, artificial intelligence and machine learning strike fear into the hearts of skilled workers for an entirely different reason: job security, or lack thereof.

Smart-home devices, streaming services, self-checkouts, even Google searches are ways that artificial intelligence has seeped into everyday life, exemplifying the abilities of computers and machines to master both simple and complex tasks. In some instances, these technological advancements make our lives easier, but for some people, their proliferation has meant job loss and skill replacement. There’s no wonder that when artificial intelligence starts being mentioned along with web design and site creation, the spidey senses of designers all over the world start tingling.

designers think outside the box, something that AI just can’t do

But let’s get real about what AI and automation really mean for designers for a second. Talented designers with busy schedules should view these advancements as virtual assistants. For some small businesses on a limited budget, the websites that artificial intelligence can pump out might be fine…for a while. However, as businesses grow, change, require updating and customization to adapt to their customer base, the expertise of creative and talented designers will always be needed. Even the best AI that we see today is limited by evaluating, replicating, and revising what already exists. It may be able to mix 1,000 different color schemes into 10 million potential combinations, but great designers think outside the box, something that AI just can’t do.

In fact, rather than being scared of automation, designers ought to embrace automation and artificial intelligence as a way to unleash their creative thinking. Delegate repetitive, straightforward tasks to the right software, and suddenly you have time to bring your best ideas to the table and push the boundaries of your own innovation.

Where AI has Failed in Design

The ultimate goal of artificial intelligence and automation in design work is a grand vision that has yet to be realised.

Consider the case of The Grid, which began as a crowdfunding campaign in 2014. The “revolutionary” product posed itself as an artificial intelligence solution for building thoughtfully, yet automatically, designed websites in five minutes. Research “Reviews of the Grid” in any search engine and you’ll be met with scathing criticism with only some small praise sprinkled in. Most of the initial users cite underwhelming results, the feeling of being duped by the Grid’s marketing tactics, nonsensical placement of text, and ultimately, the Grid being a complete waste of money for the resulting product. Even at the low cost of $100, compared to hiring a talented designer, most users felt their investment was wasted.

For the AI capabilities that exist now, most small business owners, or those looking to put together a simple website, are better off using drag and drop site builders (Wix, Squarespace, Weebly, etc) that have been around for ages. Even so, there are plenty of businesses still willing to hire designers to take this simple task off their plate due to a lack of technical expertise or lack of time. And let’s be honest, are there even enough talented (keyword here!) designers out there to keep up with the millions of websites created every year, without each one working themselves to death?

Where Automation Shines for Designers

Fortunately for good designers, it appears for now that the days of artificial intelligence completely taking over their jobs is a fantasy. However, what AI and automation do offer designers is a solid starting point for success, eliminating much of the lower-level grunt work that most designers would rather skip anyway.

Even well-received AI website builders like Firedrop still require a basic eye for design and specialised knowledge to produce truly unique, high-converting, and user-friendly websites. Tools and practices that designers should adopt are the artificial intelligence and automation resources that will help them do their jobs better, faster, and leave them with more time to focus on project elements that AI cannot accomplish on its own.

Bridging the Gap Between Designers and Developers

Well-established brands are likely to already have design systems in place that guide the creation of new elements across their digital profiles whether on social media, various mobile apps, or different sections of a website. But even in large corporations — excepting those who have perfected the process — there’s often a breakdown between a designer’s vision and resulting product from the developers. It stems from the basic difference in how they each approach their work and the limitations of the systems they use.

While component libraries — or even full design systems for that matter — won’t reconcile every question, they provide both developers and designers a source of truth to work from that both parties can understand. Design collaboration tools like Invision and Visme, specifically, keep designers and developers on the same page with automated version saving and code-friendly workflows.

Understanding the Consumer

I don’t suggest using artificial intelligence to produce content for your site

Digging into and understanding the behaviours and habits of site users is a relatively new component of site design, but offers invaluable insights. Tools like HotJar, Mouseflow, or Smartlook make it simple to see holes or leaks in your conversion funnels, detect which page elements users are interacting with, and which they’re not interested in to refine the look and feel of a page for maximum conversions. Even though these tools provide the data, it still takes a keen eye and understanding of design to implement the right changes to improve site performance.

Site content is another way that artificial intelligence has the potential to improve our understanding of customer behaviour and improve site performance for individual users. I don’t suggest using artificial intelligence to produce content for your site, no matter how much the results have improved. However, static landing pages or a single set of further reading recommendations are unlikely to appeal to the majority of site visitors. Artificial intelligence tools like CliClap and Personyze instantly collect and analyse consumer data to provide dynamic, personalised experiences that drive more leads and encourage conversions. Creative designers will also learn from this data to improve customer experience with other pages or elements throughout the site.

Removing Distracting, Time-Sucking Administrative Tasks

Because “artificial intelligence” has become a term with such negative connotations, we often overlook the simple way that AI actually makes our work lives better and easier. Machine learning in email filtering is a great example of this. Consider a simple interface like a Gmail inbox. We have the option to mark certain senders as spam or as important, and our inbox learns that type of communication is and isn’t useful to the user. Pandora, Spotify, Apple Music, and more all take cues from the user behaviour of liking a certain song, artists, or genre of music to build customised playlists. There are a myriad of ways that artificial intelligence and its branches of disciplines merge with our everyday lives.

Some of the most useful automations for business, and especially for designers, are related to the administrative tasks that frequently take time away or distract from more pressing projects. A perfect example of automation that can relieve stress and cut down on mindless work is an email autoresponder. I’ve always found that having time blocked off in my calendar to tackle complex or important projects helps me to focus on the task at hand and be more efficient. In order to more effectively block out my time, closing my email and setting an autoresponder to reply to all incoming emails serves two purposes:

Lets those trying to get in touch with me know that I only check my email at certain times of the day and that my response may not be immediate — tempering their expectations of when they might hear from me.
Relieves my personal stress of being tethered to my inbox, splitting my focus, and also saves the time of having to initially respond to each email individually.

This is just one simple way to use automation in your email, although there are many others to explore.

While Zapier isn’t the only workflow automation service on the market, it’s probably the most well known. Workflow automation reduces time spent on mind-numbing, repetitive tasks and helps designers connect apps that might not natively work together. Do you keep a task list in Todoist? Set up a Zap, then create a task in Todoist anytime someone mentions you on Asana or assigns you a task in Trello.

This is especially helpful for freelance designers who work with multiple clients across various project management platforms. The potential for automation to relieve unnecessary mental overhead for designers is nearly limitless.

Don’t be Afraid of AI, Embrace It

The bottom line of this brief overview of artificial intelligence and automation in design is that this emerging technology isn’t something designers should be scared of. In fact, it’s something to welcome with open arms because ultimately it can make our jobs, and our lives, better. Leave the monotonous tasks of collecting and analysing huge amounts of data or administrative minutiae to the machines; they can handle it.

Save the interesting, creative, abstract work for the talented designers who can turn AI recommendations into unique and intuitive digital experiences. Making the relationship between artificial intelligence and design symbiotic will yield the best results for every entity involved: the business, the AI, and yes, even the designer.

Featured image via Unsplash.

Source

Source de l’article sur Webdesignerdepot

30 septembre 2020/par Service comm.

20 Unmissable Websites, July 2020

Actualités, Actualités

After six months of uncertainty 2020 is finally beginning to find a style of its own. There are nods to Brutalism, a delightful blending of 80s pastels with 90s primaries, and the font style of choice is anything but geometric sans-serif.

In this month’s collection of the freshest sites from the past four weeks you’ll find tons of new portfolios, from big agencies to freelancers, and some amazing primal scream therapy. Enjoy!

Looks Like You Need Iceland

Looks Like You Need Iceland is an incredible site that asks you to record a scream, that they’ll broadcast for you into the wide open spaces of Iceland as therapy. And then perhaps you’ll visit Iceland for real. It’s brilliant marketing for the Iceland tourist board.

Riverlane

The abstract 3D animation on Riverlane’s site is a stunning introduction to a topic that’s hard to visualize. The rest of the site is equally well done, with great typography, slick brand assets, and a professional engaging tone.

Monokai

Wimer Hazenberg’s site features a simple pixelated text column. But scroll down the page and keep an eye on the awesome text dissolve effect, it transforms this simple design.

I Weigh Community

The I Weigh Community is a non-profit community activism initiative helmed by Jameela Jamil. It’s devoted to radical inclusivity, and it promotes its message on its site with striking graphics and bold, expressive typography.

WAKA WAKA

Waka Waka is a design studio specializing in wooden furniture. The noise effect and the mid-century typography evoke the radical design of 60 years ago. The random rotations on the thumbnail hovers are delightfully disruptive.

Dataveyes

Dataveyes is an information design studio that works with large datasets to give meaning to complex information. Its site features beautiful, full-screen animations that illustrate the type of information it specializes in.

Year & Day

Year & Day is an ecommerce site that sells ceramics, glassware, and other choice pieces of tableware. It’s a colorful collection that perfectly complements your food and the stunning site takes its cues from the collection.

Dunderville

Dunderville is a motion design studio with an impressive portfolio of animation and live action films. Its site features a tactile paper fold detail, and as you would expect, some superb text, and vector animations.

André Venâncio

It’s been months since we last saw a creative developer’s site with a liquid effect. André Venâncio revisits the idea with a cool oil bubble effect, hover over the thumbnails to see it.

Thomas Prior

It’s not all 60s revivalism, pastels, and cute animations. There will always be room for minimalism, and nothing suits this style as well as portfolios for photographers; Thomas Prior’s site is a prime example.

Serra

Serra’s site features a really beautiful high-contrast typeface that sits apart from the usual sans-serif. The product page is all colored product photography. It exudes luxury and distinction in a saturated marketplace.

VYBES

VYBES is a CBD drink made in LA. Its site evokes the Californian spirit with baby pink brand colors and sun-bleached photography. It’s a cool, and ever so slightly Brutalist look for what is essentially a health drink.

Karina Sirqueira

We love the simplicity of Karina Sirqueira’s portfolio. The desaturated rainbow leads to a simple slideshow of projects, and it’s refreshing to see a minimal site that uses bold serif-based typography. The content feels fresh and honest too.

Smalls

Smalls produces healthy food for cats. The site, is packed with adorable pictures of kitties, which if you’re a cat person, is guaranteed to draw you in. There’s a definite Brutalist style to the site, and lots of color too.

Wildist

There’s a clear aesthetic beginning to emerge in 2020, with pastels creating a soft background for desaturated primaries, and Wildist gets it exactly right with this youthful, site that features just enough animation to bring it to life.

Kristen Kwong

We’ve seen a lot of OS-style sites recently, but Kristen Kwong’s is one of the slickest. It manages to take a simple metaphor for interaction and transform it with a vintage color scheme.

Stojo

Continuing the Miami-meets-Brutalism trend this month is the site for Stojo, a collapsable cup and bottle. The pastel shades block out a disrupted grid, but for our money it works better on mobile. The vintage typeface is a nice touch.

Hoang Nguyen

Hoang Nguyen’s site features a surreal 3D scene with mountains, a spinning planet, floating islands, a waterfall, and a floating dragon-boy. Click around the site and the scene transforms.

SMTH / Sam Smith

Sam Smith’s portfolio has a cool magazine style to it, with a nice blocky background on the text and a personality packed animated avatar taking centre stage.

Then I Met You

Then I met You is a site promoting a range of skincare products. In this case, the usual pastel colors are replaced with an 80s-style gradient. Watch the products as you scroll, the lighting changes creating an awesome, subtle 3D effect.

Source

Source de l’article sur Webdesignerdepot

29 juillet 2020/par Service comm.

Access and Non-Access Modifiers in Java

Actualités, Méthodes et organisation des process IT

In Java, a modifier has a reserved keyword that is included in the definition of class, method, and variables. A modifier adds some meanings to these definitions. Modifiers are also called specifiers.

These modifiers are classified into two categories. Some of the modifiers are called access modifiers and some are called non-access modifiers.

Source de l’article sur DZONE

5 mars 2019/0 Commentaires/par Service comm.