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Popular Design News of the Week: August 24, 2020 – August 30, 2020

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Every week users submit a lot of interesting stuff on our sister site Webdesigner News, highlighting great content from around the web that can be of interest to web designers.

The best way to keep track of all the great stories and news being posted is simply to check out the Webdesigner News site, however, in case you missed some here’s a quick and useful compilation of the most popular designer news that we curated from the past week.

How to Make Halftone Gradient in Photoshop

 

Drawing Simple Line Patterns Using HTML5 Canvas

 

10 Online Design Tools You Never Knew You Needed

 

4 Best Content Management Systems (CMS) for Marketing

 

9 Mistakes Designers Still Make

 

6 Visual Design Principles that UX Designers Should Be Aware of

 

Best Way to Lazy Load Images for Maximum Performance

 

17 Stunning Examples of Sites with Horizontal Scrolling

 

Less is a Bore. Why Tech is Finally Embracing Maximalism

 

What Does it Mean to Have a High-Quality Website in 2020?

 

8 Project Management Tips for your Next Web Development Project

 

MergeURL – Shorten Urls for Free Without User Registration

 

13 Design Challenges to Improve and Showcase your Skills

 

How to Find Web Design Clients

 

Waitlist API – Quick and Easy Waitlist with Built in Referral

 

What is the Small Web?

 

24 Beautifully Designed Pricing Page Examples

 

7 Practical Tips for Better Microcopy

 

15 Awesome Developer Home Workstations

 

Pentagram Designs “edgier” Visual Identity for Rolls-Royce

 

Gorgeous Gradients: A Curated Collection of Dreamy Color Transitions

 

Experts Weigh in on the Biden-Harris Logo

 

50+ Modern Fonts to Use on your WordPress Website in 2020

 

15 Florist Websites that will Inspire Every Flower Lover

 

Create your First React Native Android App

 

Want more? No problem! Keep track of top design news from around the web with Webdesigner News.

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12 Best Google Design & Development Tools

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Google resembles an iceberg: there’s the part above the water we can see and use everyday; there’s also the part beneath the water, that we don’t see and know little about.

While many of us are concerned about the aspects of Google we don’t see — the parts that threaten our privacy, or monopolize the web — there’s no denying that Google offers some amazing products and tools, many of them free, all from the convenience of a single login.

Today we’re going to take a look at 12 tools from Google that really do bring something positive to the table.

1. Polymer

Polymer is an open-source JavaScript library from Google for building web applications using Web Components. The platform comes with a ton of libraries and tools to help designers and developers unlock the web’s potential by taking advantage of features like HTTP/2, Web Components, and Service Workers. 

The main feature of Polymer is Web Components. With Web Components, you can share custom elements to any site, work seamlessly with any browser’s built-in elements, and effectively use frameworks of all kinds. Products like LitElement (a simple base class for creating fast, lightweight web components) and PWA Starter Kit make Polymer easy to use. If you like, you can build your app entirely out of Web Components.

2. Lighthouse

Google Lighthouse is an open-source, automated tool for improving the quality of web pages. The software allows you to audit web pages for performance, SEO, accessibility, and more. You can run Lighthouse using ChromeDevTools, directly from the command line, or as a Node module. 

To use Lighthouse in Google Chrome, just go to the URL you want to audit (you can audit any URL on the web), open ChromeDevTools, and click the Audits tab. After you have run the audit, Lighthouse will give you an in-depth report on the web page. 

With these reports, you will see which parts of your web page you need to optimize. Each report has a reference doc that explains why that audit is important and also shows you the steps you can take to fix it. 

You can also use Lighthouse CL to prevent regression on your sites. Using Lighthouse Viewer, you can view and share reports online. You can also share reports as JSON or GitHub Gists. 

Lighthouse also comes with a feature called Stack Packs that allows Lighthouse to detect what platform a site is built on. It also displays specific stack-based recommendations.

3. Google Analytics

Google Analytics is the gold standard of analytics services. Google analytics can be installed on your site for free with a small amount of JavaScript and allows you to see all kinds of details about your site visitors, like what browser they’re using, and where they’re from.

By using Google Analytics you can make decisions about your site based on science, and therefore be somewhat confident that the decisions you make will result in the outcome you are expecting.

4. Flutter

Flutter is Google’s UI toolkit for building natively compiled applications for mobile, web, and desktop from a single codebase. The toolkit is open source and free to use. The best part of Flutter is that it works with existing code. 

The toolkit has a layered architecture that allows for full customization, which results in fast rendering and flexible designs. It also comes with fully-customizable widgets that allow you to build native interfaces in minutes. With these widgets, you will be able to add platform features such as scrolling, navigation, icons, and fonts to provide a full native performance on both iOS and Android.

Flutter also has a feature called hot reload that allows you to easily build UIs, add new features, and fix bugs faster. You can also compile Flutter code to native ARM machine code using Dart native compilers. 

5. Google API Explorer

Google has a huge library of APIs that are available to developers but finding these APIs can be difficult. Google API Explorer makes it easy for developers to locate any API. On the Google API Explorer web page, you will see a complete list of the entire API library. You can easily scroll through the list or use the search box to filter through the API list. 

The best part of Google API Explorer is that each link to a reference page comes with more details on how to use the API. API Explorer is an excellent way to try out methods in the Monitoring API without having to write any code.

6. Puppeteer

Puppeteer is a project from the Google Chrome team. The platform enables web developers to control a Chrome (or any other Chrome DevTools Protocol based browser) and execute common actions, much like in a real browser. Puppeteer is also a Node library and it provides a high-level API for working with headless Chrome. It is also a useful tool for scraping, testing, and automating web pages. 

Here are some things you can do with Puppeteer: generate screenshots and PDFs of pages, UI testing, test Chrome Extensions, automate form submission, generate pre-rendered content, and crawl Single-Page Applications. 

7. Codelabs

Google Developer Codelabs is a handy tool for beginner developers and even advanced developers who want to improve their knowledge. Codelabs provide a guided, tutorial, hands-on coding experience. Codelabs’ site is broken down into several tutorial sessions on different topics. 

With the tutorials on Codelabs, you can learn how to build applications from scratch. Some of the tutorial categories include Augmented reality, TensorFlow, Analytics, Virtual Analytics, G Suite, Search, Google Compute Engine, and Google APIs on iOS. 

8. Color Tool

Color Tool makes it easy for web designers to create, share, and apply colors to their UI. It also measures the accessibility level for any color combination before exporting to the palette. The tool comes with 6 user interfaces and offers over 250 colors to choose from. 

The tool is also very easy to use. All you need to do is pick a color and apply it to the primary color scheme; switch to the secondary color scheme, and pick another color. You can also switch to Custom to pick your own colors. After you have selected all your colors, use the Accessibility feature to check if all is good before exporting it to your palette. 

9. Workbox

Workbox is a set of JavaScript libraries and Node modules. The JavaScript libraries make it easy to add offline support to web apps. The Node modules make it easy to cache assets and offer other features to help users build Progressive Web Apps. Some of these features include pre-caching, runtime caching, request routing, background sync, debugging, and greater flexibility than sw-precache and sw-toolbox. 

With Workbox, you can add a quick rule that enables you to cache Google fonts, images, JavaScript, and CSS files. Caching these files will make your web page to run faster and also consume less storage. You can also pre-cache your files in your web app using their CLI, Node module, or webpack plugin. 

10. PageSpeed Insights

PageSpeed Insights is a handy tool from Google Developers that analyzes the content of a web page, then generates suggestions on how to make the page faster. It gives reports on the performance of a web page on both desktop and mobile devices. At the top of the report, PageSpeed Insights provides a score that summarizes the page’s performance. 

11. AMP on Google

AMP pages load faster and also look better than standard HTML pages on mobile devices. AMP on Google allows you to enhance your AMP pages across Google. It is a web component framework that allows you to create user-first websites, ads, emails, and stories. One benefit of AMP is that it allows your web pages to load almost instantly across all devices and platforms hence improving the user’s experience. 

12. Window Resizer

When creating websites, it is important that developers test them for responsive design – this is where Window Resizer comes in. Window Resizer is a Chrome extension that resizes the browser window so that you can test your responsive design on different screen resolutions. The common screen sizes offered are desktop, laptop, and mobile, but you can also add custom screen sizes. 

 

Featured image via Unsplash.

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How to Install Red Hat Process Automation Manager 7.8

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Time for another update on installing the Red Hat Process Automation Manager with my easy install project.

Installing the latest process automation tooling for your development projects in just minutes on your very own machine has never been easier.

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The Latest Research for Web Designers, August 2020

While a lot of the research for web designers that’s come out this year has to do with COVID-19, we’re starting to see a light at the end of the tunnel. Many of these reports aren’t just looking at the effects of the pandemic on business and marketing today. They’re now looking at what consumers plan to do once the pandemic is gone.

So, I have some very interesting research for you here today. Three of the reports have to do with coronavirus side effects — pertaining to ecommerce, market research, and freelancing — and one of them is just a really great argument against using PDFs on websites.

1. The Digital 2020 Survey Says Ecommerce Growth Will Continue Post-Coronavirus

Obviously, everyone is paying close attention to COVID-19’s impact on the world. For the purposes of the work you do as a web designer, you should be clued into what it’s doing to the business and marketing fields. Because, if those opportunities dry up or companies begin to pivot, you need to be ready to adapt.

The Digital 2020, a joint monthly report from we are social and HootSuite, brings interesting news about the state of ecommerce thanks to COVID-19.

Because the pandemic has forced consumers indoors, online shopping has increased. But, according to about half of those surveyed for this report, this isn’t some temporary solution. They plan on doing more online shopping even after the pandemic ends.

This means that web designers are sitting in an enviable position now and for the foreseeable future. If you’re not already helping businesses sell through their websites, now is the time to do so as more and more businesses are going to need reliable online stores to sell their offerings through.

2. eMarketer Shares Data on Social Listening

When conducting research at the beginning of a design project, what kinds of sources do you turn to for quick and reliable information? Your client provides you with information on their business, industry, and the competition, of course, but what else?

You can conduct user surveys and interviews, but those take time and resources. It also usually means working with clients who have existing businesses and user bases to tap into. Unless you’re working as a UX designer where that’s a big part of the work you do, you might not have the ability to do that level of research.

As reported by Gartner (via eMarketer), leading marketers are now learning about their target audiences through the following channels:

Thanks to the surge of traffic online right now, social listening platforms have become really useful resources for learning about one’s users, with 51% of marketing leaders using them.

If you feel as though your initial research and planning phases could use a boost, I’d recommend taking advantage of one of these social listening tools now.

If you build websites for a specific niche, you can set up keywords/hashtags that are universally relevant to (most of) your clients. By listening in on these conversations regularly, you can become more attuned to what the visitors of your websites actually need and you can proactively build better experiences for them as a result.

3. Upwork Reports Increasing Numbers of Freelancers Entering the Market

The main focus of the Upwork 2020 Future Workforce Report is on how employers are changing their approaches to hiring now and in the near future. And the basic premise is this:

  • It’s long been predicted that more and more of the workforce would be allowed to work remotely.
  • COVID-19 has escalated those predictions to the point where most of the workforce is remote right now.
  • Businesses see the value in remote work arrangements, especially if it enables them to get work done more quickly and cost-effectively by freelancers.

While this is certainly great news for web designers looking for new clients, the report also provides us with this data:

64% of professionals in the top of their field work independently. That statistic alone means you’re up against some tough competition. But there’s also the 50% rise in signups on freelancer marketplaces that should have you worried.

Even though business demand for freelance talent is growing, this unprecedented rise in freelance competition may pose some problems. So, if you’re not already doing everything you can to position yourself as the web designer in your niche, get going on that now so you don’t get drowned out by the rising number of competitors.

4. NNG Says That PDFs Are Unsuitable for the Web

While I don’t have statistics to share with you from the Nielsen Norman Group’s post on why the PDF is “Still Unfit for Human Consumption”, I do have a ton of usability arguments against them that are worth summing up here:

  1. PDFs are written in the style of print documents, which means that strategies we use to design content on websites — like making a page scannable and accessible — don’t apply.
  2. They’re not designed to be as concise or attractive as a web page.
  3. They don’t operate like a website, which disrupts the seamless experience you’ve worked so hard to create when one is opened up from your site.
  4. The website navigation disappears and any sense of orientation (besides the browser “Back” button) goes out the window.
  5. There’s no way to build an internal navigation in a PDF document, save for internal linking or a table of contents.
  6. If they’re formatted for paper sizes, scrolling through them can be difficult for mobile users.
  7. They load more slowly the bigger they get, so unless it’s something like a small and optimized menu, expect visitors to wait for the download to appear.

And those are just the arguments that came from NNG’s researchers. Take some time to read through real user complaints about PDFs and you’ll never want to include one on a client’s website again.

Wrap-Up

Thankfully, the research for web designers and marketers is finally starting to move away from the confusion and speculation we saw a lot of earlier this year.

Just as with anything we do on the web, the more time you give it, the more data you can collect. And, luckily for us, the data suggests that there’s a pretty positive outlook for web designers if they position themselves the right way now.

 

Featured image via Unsplash.

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Interview: Redesigning the Empire State Building’s Website

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In 2019, to keep pace with an interior redesign of its visitor experience, the Empire State Building decided to redesign its website. Blue Fountain Media were engaged to deliver the project. With the new site launching, we spoke to Head of Design, Tatyana Khamdamova about designing for the world’s most famous building.

Webdesigner Depot: The Empire State Building is probably the most iconic building in America, if not the world. Were there any points at which you thought, “Oh God, this is too much pressure”?

Tatyana Khamdamova: Yes, of course, it was a lot of pressure knowing that people all over the world will be looking at your work. But with the pressure, we also felt excitement and pride that we got to work on such an iconic project. Just thinking that we are doing the site for Empire State Building made us feel proud of all that other work we did during our whole life that gave us the opportunity to be a part of this project.

WD: Blue Fountain Media is a large agency. Did you utilize the whole company, or was there a smaller, dedicated team tasked with creating the site?

TK: On a project like this one, you need the expertise of the team members from all departments in the agency. You want people to work together from the beginning to ensure that their knowledge helps to shape the project and produce the best possible outcome. It’s important for designers and marketers, for example, to be a part of the strategy and UX phase to provide their input which minimizes tunnel vision and generates more ideas. You can only achieve the best results if every single detail from strategy to design to development is done right.

WD: That’s a lot of people to coordinate. Did any roles naturally come to the fore, or is design leadership a quality that varies from person to person?

TK: Some people are natural leaders in their fields. But, sometimes a certain project requires people to take responsibility and show their leadership skills within the team. So I would say that it’s a quality that varies from person to person and doesn’t depend on a role or a title at all.

WD: What were the central aims of the redesign?

TK: ESB’s previous website did not reflect the level of design to match their iconic brand, UX was not user friendly, the content was outdated, and they wanted to grow online individual and group ticket sales. In addition to competing with global and NYC based tourist attractions, ESB was also faced with growing competition in the NYC Observatory market with Top of The Rock, One World Observatory, and Edge at Hudson Yards.

While the building underwent a $165 million renovation, BFM was tasked with creating a best in class website that reclaimed their iconic brand identity while providing an intuitive, and enjoyable user experience for both domestic and international visitors looking to learn about the building, exhibits, and the many ticket experience packages that they offer to visitors.

WD: How do you approach researching a unique project like this?

TK: We went to the source! First, we spoke to visitors of the Empire State Building while they were in line. What was their experience, did they use the website, what made them choose to visit the observatory instead of or in addition to some of the other competing observatories in the city. We then looked at other key tourist towers worldwide to see how they are positioning themselves globally to draw inspiration. We did in-depth stakeholder interviews that included folks working at the building every day and the types of interaction and questions they field from visitors. We conducted surveys of international travelers to understand their motivations and concerns. Finally, we dug into the website itself by testing using various protocols and platforms to understand the visitor paths, what they were able to easily do, and what tasks they may have found challenging. Drawing from all of those insights, we planned and designed the site using an iterative process.

WD: ESB visitors come from all over the world; how did you tackle designing for an international audience?

TK: People across the globe speak different languages, have different cultures and needs. Our goal was to learn about the audience and give them a site that looks and feels like it was created for them. Luckily we were working for the iconic building that is well known internationally and capturing the design aesthetic of the building itself already made the site recognizable across the globe. When working on the project we also were making sure that all users can see the information in their local language when they land on the site and have easy access to the language selector in case they want to change it. When you translate from one language to another the number of words and characters is not always the same. It was important to make sure that the site is designed and developed with an understanding of how the content will be displayed in other languages. With the localization help of our parent company Pactera EDGE we successfully translated the site in several languages and tested it to ensure that it looks right for the local and international audience.

WD: The famous view of the ESB is the external view, but your design feels more in keeping with the experience of the building’s interior. Was that a conscious decision?

TK: It was a conscious decision to create a site that makes you feel like you are visiting the building. Our goal was to make the visitor excited to buy a ticket and see all that beauty with their own eyes. But, if someone doesn’t have an opportunity to come to NY we wanted to make that online experience as close to the real one as possible. We understand that nothing will replace the actual visit to the Empire State Building but we wanted the website to feel real and by using the great photography and amazing Art Deco design elements, we were able to do so.

WD: How did you interpolate such a complex style as Art Deco into a functional site?

TK: Fortunately for us, our office is located a couple blocks away from the building and we had the opportunity to go there and see some of the details. We also had access to the great photos of the renovated hallways, exhibits, and observatory decks, which gave us the idea of how the Art Deco elements were used in the interior design of the building. We all know that interior design and web design have different needs and goals so it was an interesting challenge to design a site that makes you feel like you are inside the building without overwhelming users and that content is easy to read and the ticket purchasing process is simple and clean. We re-created a lot of design elements used on the ceiling, walls, and floor of the building simplified those elements and made them part of the website design. A lot of those elements were used in the background, call to actions, icons, and maps, and combined with the brand colors used in both interior and web designs we were able to give the site the Art Deco look.

WD: There’s been speculation in the design community recently that Art Deco may re-emerge as a trend in the 2020s. Having worked with the style, do you think it could benefit the wider web?

TK: This was a very specific design approach for a very specific project that takes us back to the 1920’s and emphasizes that era through modern twists in web design. I do not see how it can be applied on the web in general unless the client specifically asks for it, for example, architecture website, real estate, or furniture site. Every project is unique and has its own goals and style and there is no one solution that will fit all. As of today, The ESB is Art Deco in a sense and it truly owns that style.

WD: Can you share some details on the technology stack you employed?

TK: The site was built on the Drupal CMS, integrates with Empire’s partner Gateway Ticketing System, and is hosted on Acquia.

WD: Why Drupal? Does it have qualities that suit a project of this scale, or is it simply the case that BFM had the pre-existing expertise of Drupal to facilitate the build?

TK: BFM is a dev-agnostic production team and we always ensure we’re making the best recommendation to our clients. In this case, the previous website was built on Drupal, so in order to decrease the effect of a new platform rollout that would be unfamiliar to the internal ESB teams, we decided to keep the site on the Drupal platform. Luckily, Drupal is an extremely flexible CMS and the needs of the site perfectly align with what Drupal provides.

WD: With visitors from around the world, the range of browsers and devices you had to consider was vastly larger than most projects. Did you draw a line for support? If so, where was it?

TK: BFM constantly updates our list of supported browsers and devices to stay in line with changing technology trends and device usage around the world. We’re extremely lucky that our larger organization, Pactera EDGE, has deep roots in globalization and localization, so we leveraged their team to help us with all aspects of website visitors from the many regions around the world, including translation services and testing. Since this was a complete overhaul, we ensured the baseline standard for all devices was met and will continue to enhance as the future technology needs become apparent.

WD: The Empire State Building gets millions of visits each year, what sort of server resources do you need to throw at it to guarantee uptime?

TK: BFM is a partner of Acquia, and Empire State Building is hosting their new site with them. Acquia is a wonderful ecosystem built specifically for high performing drupal websites and provide many tools for their hosted sites to be able to handle fluctuations in visitors, traffic surges, and with the 24/7 support offered, they can easily manage the changing needs of worldwide visitors.

WD: Now it’s live, how does the new ESB site relate to its real world presence?

TK: The Empire State Building defines the New York City skyline. The world’s most magnificent Art Deco skyscraper, it’s a living piece of New York history and an instantly recognizable symbol of city culture today. The old site did not reflect the amazing interior and exterior design of the building and we had a chance to showcase the redesigned interior and bring more attention to the beautiful Art Deco design elements. We wanted to create the site to make you feel like you are visiting the building. By showcasing the exhibits, renovated halls, and observatories through compelling photography and architectural details, our goal is to make the visitor excited to buy a ticket and see all that beauty with their own eyes.

We’d like to thank Tatyana for taking the time out of her day to talk to us.

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Choose Your Own Adventure with the Parsons Web Design and Development Certificate

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Many people dream of a career in web design, but it may actually be more attainable than you think.

There are countless online courses, of variable quality, with little to no academic structure; self-learning is an option, but it doesn’t come with a curriculum. Without a professional structure and a comprehensive curriculum your dream career might never be more than that.

But there is a practical, fast-track option to making a career in web design a reality, and that’s the Parsons Web Design and Development Certificate.

Built around the innovative teaching approach that Parsons is known for, you’ll learn human-centered design, explore the latest tools, evaluate techniques and approaches, and uncover the secrets of UX. The certificate even offers two distinct tracks, one for designers, and one for developers, so you can take control of your own future.

It’s one of the most creative approaches to a formal design education in the world, and what’s more, because it’s entirely online you can study from anywhere.

What Will I Learn?

Parsons offers a flexible curriculum to suit both designers and developers. There are two core courses, followed by three specialist courses.

learn human-centered design, explore the latest tools, evaluate techniques and approaches, and uncover the secrets of UX

The core courses cover the essentials of web and mobile design, plus JavaScript for designers. Each of the core courses lasts nine weeks. When you’ve completed them, you can opt for a design specialism or a development specialism. (You don’t have to make your choice until you’ve completed the core courses!)

If you prefer design work, you’ll spend a total of 21 further weeks learning mobile design patterns, studying emerging platforms, working with interactive typography, and mastering design systems.

If development is more your thing, then on the 21 week development track you’ll cover advanced HTML, CSS, and JavaScript, learn how to work with APIs, and finish up with experimental JavaScript.

To earn the Web Design and Development Certificate you need to complete the two core courses, plus three specialist courses within two years — a total of 39 weeks of study. Parsons recommend that you take two courses per semester, but it’s possible to complete the entire certificate program in one year.

Is This Really For Me?

Parsons Web Design and Development Certificate is a recognized qualification from a reputable institution that will stand you in good stead in future job interviews. But what’s more important, is the knowledge and experience you’ll gain from the course.

Thanks to the creative, flexible approach to learning, the certificate is suitable for designers and developers at any stage of their career

Thanks to the creative, flexible approach to learning, the certificate is suitable for designers and developers at any stage of their career.

If you’re just starting out, the certificate is a superb way of exploring the field, all the while building skills that will make you stand out to employers.

If you’re a print designer, or a programmer, the Web Design and Development Certificate is a great way to supplement your existing skills and make a lateral move into web work.

And if you’re a grizzled industry professional with decades of experience, you’ll benefit from the track you know least well; designers studying development, developers studying design. Not only will it open up new creative avenues to you, but you’ll find project management easier with a broader outlook on the web.

The best thing about the Parsons Web Design and Development Certificate is that because it’s made up of modules, you can still work part-time as you tick off the courses.

Why Choose Parsons?

Parsons College of Design is part of The New School, a New York-based university. Open Campus, the platform that will run the certificate, is the New School’s online system for pre-college, professional, and continuing education courses.

Thanks to Covid-19, most learning institutions are planning online-only courses for at least the next 12 months, so why not enroll in a program run by an institution that already excels at online teaching.

Innovative courses, underpinned by the creative approach to teaching that Parsons College of Design is renowned for, mean the design education you embark on this fall will be second to none.

Individual courses cost between $577 and $850, with the entire Web Design and Development Certificate costing just $3,704.

 

[– This is a sponsored post on behalf of Parsons College of Design –]

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17 Open Source Fonts You’ll Actually Love

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The right typeface can make or break your website. As designers, we will always be naturally drawn towards the premium fonts such as Circular, DIN, or Maison Neue; Before you know it, your website is racking up a font bill larger than your hosting bill.

We’ve put together a list of open-source fonts that will rival your fancy fonts, and might even persuade you to switch them out. All the fonts listed here are completely open-source, which means they’re free to use on both personal and commercial projects.

Manrope

Manrope has sprung onto the font circuit in style, with a website better than most early startups. It’s a variable font, which means you have a flexible range of font weights to choose from in a single font file. Manrope is a personal favorite of mine, it has every ligature you could want, and is fully multi-lingual. It’s a lovely bit of everything as it states on the website: it is semi-condensed, semi-rounded, semi-geometric, semi-din, semi-grotesque.

Gidole

DIN – the font we all love, the font that looks great at every size, and the font that costs quite a bit, especially with a large amount of traffic. Gidole is here to save the day, it’s an open-source version of our favorite – DIN. It’s extremely close to DIN, but designers with a keen eye will spot very few minor differences. Overall, if you’re looking to use DIN, try Gidole out before going live. (There is also a very passionate community around the font on Github)

Inter

Inter is now extremely popular, but we wanted to include it as it’s become a staple in the open-source font world — excellent releases, constant updates, and great communication. If you’re looking for something a bit fancier than Helvetica and something more stable than San Francisco, then Inter is a great choice. The font has now even landed on Google Fonts, making it even easier to install. As of today: 2500+ Glyphs, Multilingual, 18 Styles, and 33 Features… do we need to say more?

Overpass

Overpass was created by Delvefonts and sponsored by Redhat, it was designed to be an alternative to the popular fonts Interstate and Highway Gothic. It’s recently cropped up on large ecommerce sites and is growing in popularity due to its large style set and ligature library. Did we mention it also has a monospace version? Overpass is available via Google Fonts, KeyCDN, and Font Library.

Public Sans

Public Sans is a project of the United States Government, it’s used widely on their own department websites and is part of their design system. The font is based on the popular open-source font Libre Franklin. Public Sans has great qualities such as multilingual support, a wide range of weights, and tabular figures. The font is also available in variable format but this is currently in the experimental phase of development.

Space Grotesk

Space Grotesk isn’t widely known yet, but this quirky font should be at the forefront of your mind if you’re looking for something “less boring” than good old Helvetica. Space Grotesk has all the goodies you can expect from a commercial font such as multiple stylistic sets, tabular figures, accented characters, and multilingual support.

Alice

Alice is a quirky serif font usually described as eclectic and quaint, old-fashioned — perfect if you’re looking to build a website that needs a bit of sophistication. Unfortunately, it only has one weight, but it is available on Google Fonts.

Urbanist

Urbanist is an open-source variable, geometric sans serif inspired by Modernist typography. Designed from elementary shapes, Urbanist carries intentional neutrality that grants its versatility across a variety of print and digital mediums. If you’re looking to replace the premium Sofia font, then Urbanist is your best bet.

Evolventa

Evolventa is a Cyrillic extension of the open-source URW Gothic L font family. It has a familiar geometric sans-serif design and includes four faces. Evolventa is a small font family, generally used across the web for headlines and bold titles.

Fira Sans

Fira Sans is a huge open source project, brought to you, and opened sourced by the same team that makes Firefox. It’s Firefox’s default browser font and the font they use on their website. The font is optimized for legibility on screens. (And it’s on Google Fonts!)

Hack

Building a development website, or need a great code font to style those pesky code-blocks? Then Hack is the font for you. Super lightweight and numerous symbols and ligatures. The whole font was designed for source code and even has a handy Windows installer.

IBM Plex

IBM needs no introduction. Plex is IBM’s default website font and is widely used around the web in its numerous formats Mono, Sans, Serif, Sans-Serif, and Condensed – it has everything you’d need from a full font-family. The whole font family is multi-lingual, perfect for multi-national website designs. (It’s fully open-source!)

Monoid

Another great coding font, Monoid is a favorite of mine for anything code. The clever thing about Monoid is that it has font-awesome built into it, which they call Monoisome. This means when writing code, you can pop a few icons in there easily. Monoid looks just as great when you’re after highly readable website body text.

Object Sans

Object Sans (formally known as Objectivity) is a beautiful geometric font family that can be used in place of quite a few premium fonts out there. The font brings together the top qualities of both Swiss neo-grotesks and geometric fonts. The font works beautifully as large headings but can be used for body content as well.

Lunchtype

Lunchtype has a very interesting back-story, originally designed during the creator’s daily lunchtime during a 100-day project. If you’re looking for something a bit “jazzier” than the typical Helvetica for your project, then Lunchtype is a perfect choice. The family comes with numerous weights as well as a condensed version — enough to fill any lunchbox.

Jost

Inspired by the early 1920’s German sans-serif’s, Jost is a firm favorite in the open-source font world. Jost brings a twist to its closest web designer favorite Futura. When you want a change from the typical Futura, then Jost is a great option with its variable weighting as well as multilingual support.

Work Sans

Work Sans is a beautiful grotesk sans with numerous little eccentricities that may delight or annoy some designers. The font has variable weighting, multilingual support and is optimized for on-screen text use but works perfectly well for print also.

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