Articles

Welcome to our annual guessing game of what the next twelve months will bring.

As ever, the design world isn’t isolated from the world in which it exists, so when events shape our lives, they impact our work, the work clients ask for, and the work that inspires us. According to Collins Dictionary, the word of the year for 2022 was permacrisis. And frankly, 2023 doesn’t look any less turbulent, with some good and some bad things already on the horizon.

Russia seems all but certain to retreat to Crimea and claim its objectives in Ukraine have been achieved; Ukraine may not accept that end, but it will probably be enough to end sanctions against Russia, which will significantly impact the economy worldwide. Brazil may have been forced to watch Argentina lift the FIFA World Cup, but it has a new (old) president and fresh hope for the survival of the Amazon rainforest. Crypto has weathered a series of storms (although there may be more to come), and historical precedence suggests the bear market has run its course; 2023 will see stagnation, with an upward trend taking hold toward the end of the year. The former Pope has died, potentially paving the way for the retirement of the current Pope and the election of a new Pope, bringing with it either renewed liberalism or renewed conservatism to the world’s largest religion. Oh, and the IMF thinks a third of the world will be in recession at some point in 2023; the UK and Russia already are, and policymakers in the US are looking nervous.

And that’s just the obvious. Of course, there will be surprises, too, because there always are.

Against this backdrop, designers must not only navigate a problematic jobs market but produce designs that respond to the needs and desires of their clients’ users.

How Did I Do in 2022?

Before diving into this year’s predictions, let’s take a look at how I thought 2022 would play out.

I predicted that 2022 would be the year of blockchain, with decentralized data storage taking over. Well, I got the decentralized part right, but not so much the blockchain aspect (feel free to tell me I’m wrong on Mastodon because I’m not checking Twitter anymore). I’ll call that half a point.

I said design would be positive, playful, and accessible. I think design did emerge from its obsession with corporate minimalism, but positive and playful? Unfortunately, I’m calling that a miss.

I said everything would be green. Again, that’s a miss. If there was a color for 2022, it was a pink-purple gradient.

I predicted hero text would replace hero images, and in the third quarter of 2022, that’s exactly the trend we saw; tick.

Finally, I suggested that illustration would adopt a grainy texture. Well, some designers did, but it was hardly a dominant trend, so I’m going to have to call that a miss.

So for my 2022 predictions, I scored 30%. Way worse than last year’s clean sweep. Let’s see if we can’t beat that in 2023…

1. We’ll Stop Freaking Out Over AI

By now, you’ve probably tried AI, freaked out, and Googled how to start a small holding in the mountains.

The truth is that AI is just a tool. And a good one at that. AI is really good at derivative work. But it’s entirely incapable of improvising, holding opinions, having an agenda, or thinking outside the box.

AI will not replace your job — unless your job is deleting the background from photos, in which case it already has. Since when did Stephen King get replaced by a spellchecker?

If you haven’t tried an AI tool yet, I’d encourage you to try it. It does the small repetitive tasks well.

2. We’ll Embrace the Real World

One of the reasons AI can’t be creative is that it doesn’t have the same number of input sensors we have. We can smell, hear, feel, and experience the world in a multitude of different ways.

Most of us spent a year in lockdown working remotely. Then rushed back to the office, only to discover that our teamwork didn’t actually improve. With the worsening economic outlook, big companies are looking to budget, and the simplest way to cut costs is to ask staff to work remotely.

When your commute is a five-second walk to the spare bedroom, you find yourself with more free time. Sure, you could probably learn Python, but wouldn’t you be happier learning to paddleboard?

As we open ourselves to new experiences, our design work will inevitably become more diverse and natural.

3. We’ll Reject Brutalism

It had a good run, but Brutalism isn’t a good fit for most UI projects. The trend of 2021–22 will vanish as quickly and as unexpectedly as it arrived.

4. We’ll Reject Darkmode

It has had a good run, and dark mode is a perfect fit for most UI projects. But we’re all kinda sick of it.

I hope I’m wrong about this one; not only is dark mode genuinely better for both your eyes and the environment, but the rich, warm blackness is the perfect antidote to sterile white corpo-minimalism.

Dark mode options are built into our OS, so it’s doubtful that it’s going to vanish anytime soon. However, dark mode as a design trend for its own sake is probably on the wane.

Typically trends come and go in symmetrical waves. Dark mode has been a dominant trend for years, so it should take as long to vanish completely.

5. We’ll Embrace Personal Retro

Every year we get the exciting job of guessing which decade the zeitgeist will rip off next. Will 2023 be the year of ’80s retro, ’90s retro, ’00s retro, or maybe (somebody shoot me) ’10s retro?

The retro trends we’ve seen over the last few years have been poor pastiches of their associated decades. If last year’s ’90s retro was inspired by the ’90s, it was a ’90s someone else was living.

In 2023 we’ll move beyond someone else’s ideas of what the past was like, to a personal vision of what came before. One in which the sunbleached colors of eternal Summers in the suburbs dominate.

6. We’ll Fall For Borecore

We’re all guilty of designing with our egos from time to time, and there is a tendency to hit users between the eyes with the biggest type, the loudest gradient, and the flashiest animation.

If you truly want to impress users in 2023, stop inserting pop-ups, adverts, cookie notices, and the other extraneous detritus that stops them from doing whatever it is they arrived on your site for. Impressing users in 2023 means clean typography, low-distraction art direction, and helpful content. Boring design just isn’t as boring as it used to be.

In 2023, the best thing designers can do for their users is get out of the way.

Happy New year! We hope it’s a good one.

 

Featured image by myriammira on Freepik

Source

The post 6 Predictions for Web Design in 2023 first appeared on Webdesigner Depot.

Source de l’article sur Webdesignerdepot

I never liked being on-call (slight understatement) or asking others to shoulder some of the load. Sometimes it feels like it’s a penalty for being more involved and knowledgeable about our code and infrastructure. And it definitely is a big distraction from core development and innovation.

But there really is no way to avoid it once you have a live product or website with paying customers. Somebody needs to be available just in case something goes wrong.

Source de l’article sur DZONE

It’s no secret this has been a difficult year for many companies in tech. The truth is, it’s easy to be a leader when times are good. It’s less easy in the midst of a storm.

That’s why we assembled a panel of some of the smartest engineering leaders we know at Interact to talk about the leadership principles that help guide an engineering organization no matter what is happening in the world.

Source de l’article sur DZONE

This article is part two of a three-part series on using Heroku Managed Data products from within a Salesforce Function. In part one, we focused on Salesforce Functions with Heroku Postgres. In part two, we’ll explore Salesforce Functions with Heroku Data for Redis. Finally, in part three, we’ll cover Salesforce Functions and Apache Kafka on Heroku.

Introduction to Core Concepts

What Is a Salesforce Function?

A Salesforce Function is a custom piece of code used to extend your Salesforce apps or processes. The custom code can leverage the language and libraries you choose while being run in the secure environment of your Salesforce instance.

Source de l’article sur DZONE

Reap the full benefits of enhanced code quality, better testing practices, and early error detection with proper implementation of continuous integration processes. This Refcard explains detailed patterns and anti-patterns for core areas of CI, including version control, the build stage, pipeline monitoring, documentation, as well as communication and collaboration across teams and within the organization.
Source de l’article sur DZONE

About 15-20 years ago, web application developers had the knowledge and the technical skills necessary to create an application: HTML, CSS, JS, PHP/Python/ASP, Web Server Management, MySQL/Postgres (both data and service management), etc. 

With time the web applications became more complex with bigger requirements. New technologies, frameworks, and paradigms bounce into the development and pushed developers to specialize in some areas arising new roles from this specialization.

Source de l’article sur DZONE

As we move into 2023, there are an increasing number of ways companies can engage with their customers. And as the number of apps, browser extensions, social media feeds, newsletters, vlogs, and podcasts grows, you can be forgiven for thinking that websites are a little less essential than they were in say, 2021.

However, the truth is that websites remain an irreplaceable part of the digital landscape and they will continue to be into 2023 and beyond.

Websites, as the keystone of a centralized, privately run digital experience couldn’t be more relevant. Unlike competing technologies, websites allow almost total control of their source code, and that provides an opportunity for skilled designers and developers to compete against the biggest names in their clients’ industries in a way that simply isn’t possible in tightly governed systems like social media.

Not only does quality web design help businesses increase their traffic, but it can increase the quality of that traffic; an attractive and user-friendly web page will encourage web users to stay on the page longer, and explore more of the content it links to.

Websites vs. Social Media

For many brands, the option they turn to for connecting with customers is social media. Particularly platforms like Facebook and Instagram. While billions of us are happy to while away our free time on social media, it’s not a great platform for informed decision-making or task fulfillment. For any form of productivity, websites are superior:

  • Flexibility: Websites can be customized to suit a company’s vision and values, whereas social media tends to magnify accounts that reflect its own values.
  • Ownership: When you publish on your website you own your content, when you post to social media the platform tends to own your content.
  • Investment: As we’ve seen recently with a certain bird-themed social network, you can spend years investing time in your social media channel only to have it canceled by an individual with his own agenda.
  • Findability: Websites are discoverable on search engines, and although algorithms govern these search engines, competition across different search engines keeps search algorithms honest. Social media networks each use a single algorithm making them free to skew browsing any way they choose.
  • Scaleability: Websites can take advantage of the latest technologies to improve user experience, on social media user experience is governed by the network’s decisions.

Websites vs. Apps

When it comes to owning a piece of the internet, a connected app feels like ownership. However, websites have a number of benefits over an app, from a superior user experience to lower development costs. And ultimately, apps are also controlled by 3rd parties.

  • Accessibility: Websites are universally accessible, while apps are usually limited to certain operating systems or platforms. If you want to distribute to devices, you’ll need to be approved by the store owner who can (and will) change the terms and conditions of store distribution without consulting you.
  • Flexibility: Websites provide a greater level of flexibility and scalability than apps.
  • Cost-effective: A simple website can be created and launched in a weekend, they are considerably more cost-effective to develop and maintain than apps.
  • Findability: Search engines have evolved around website technologies, and it is far easier to create a discoverable website than an app that ranks high in an app store.
  • Universality: Websites have lower entry costs for users, and there aren’t any downloads or purchases required.
  • 3rd-party features: Websites can integrate 3rd-party content like chatbots, payment gateways, and forms, that generally require licensing to include in an app.

Websites vs. Podcasts and Vlogs

There’s no question that podcasts and vlogs are engaging types of content. However, they are very limited when it comes to different kinds of experience. These tend to be passive, linear experiences. Even if your podcast opens itself up to listener interaction, your customers are still passive consumers.

  • Cost-effective: Websites can be set up very cheaply, podcasts and vlogs on the other hand require high-production values to compete.
  • Longevity: Well-written website content can remain relevant for years, the lifespan of a vlog or podcast is often just a few months.
  • Flexibility: Websites can embed podcasts and vlogs, as well as virtually any other content; podcasts and vlogs can only ever be podcasts and vlogs. Websites will continue to evolve long after podcasts are obsolete.
  • Simple: There is now a range of no-code options for creating a reliable website, meaning it can be done with little to no skills or experience. Podcasts and vlogs require a great deal of technical knowledge to produce.
  • Findability: As with other technologies, podcasts and vlogs can’t compete with websites when it comes to search engine optimization.
  • Faster: A well-designed website is much smaller than a podcast or vlog, making it cheaper and easier to access, especially on a cellular network.

Websites in 2023 and Beyond

In 2023 websites will still be a critical part of a successful business strategy and web designers will continue to be essential members of any team.

Websites continue to offer numerous benefits over other technologies including increased flexibility, cost-effectiveness, and superior search engine opportunities.

Unlike social media platforms that allow you to customize a few assets like avatars and colors, websites can be completely customized to fit the tone and style of a brand. Additionally, websites have a far lower barrier to entry than podcasts, vlogs, or apps. While apps may offer a richer set of features than a website, that is offset by the restrictions on platform and device capabilities that apps impose.

Websites will continue to evolve as the tech landscape changes. New ideas for consuming digital media will appear over time, offering unique new experiences — for example, mass adoption of AR (Augmented Reality) is just around the corner. However, the website is perfectly evolved for the types of simple customer interaction that businesses rely on, and will continue to matter in 2023 and beyond.

 

Featured image by fullvector on Freepik

Source

The post Why Web Design Still Matters in 2023 first appeared on Webdesigner Depot.

Source de l’article sur Webdesignerdepot

In the last post of this multi-part series, we introduced methodologies and technologies for the various compliance personas to collaboratively author compliance artifacts such as regulation catalogs, baselines, profiles, system security plans, etc. These artifacts are automatically translated as code in view of supporting regulated environments enterprise-wide continuous compliance readiness processes in an automated and scalable manner. These artifacts aim to connect the regulatory and standards’ controls with the product vendors and service providers whose products are expected to adhere to those regulations and standards. The compliance as code data model we used is the NIST Open Security Controls Assessment Language (OSCAL) compliance standard framework.

Our compliance context here refers to the full spectrum of conformance from official regulatory compliance standards and laws, to internal enterprise policies and best practices for security, resiliency, and software engineering aspects.

Source de l’article sur DZONE

The database management system is chosen depending on the tasks of the business. For example, startups need a quick start with minimal investment. On the other hand, banks need to store data correctly; otherwise, customers may lose their money. Today, I want to talk about how to choose a DBMS for the project, taking into account the company’s needs.

Databases for a Newly Created Company

Problem: The business model of many newly launched businesses may change after entering the market. For example, Facebook was initially created as a social networking site for college students. Still, it has since expanded to become a platform for people of all ages to connect with friends, family, and businesses.

Source de l’article sur DZONE

Choosing the right typefaces for your website can elevate a design from dour to delightful. The right typeface gives personality to your brand voice and can make sure your content gets read.

And so, every month, we put together a roundup of the best new fonts for web designers. In this roundup of the year, we look back at the past twelve months and showcase our forty favorite fonts of 2022. Enjoy!

Tellumo

Tellumo is an elegant geometric sans-serif that oozes positivity. It comes with a standard set of caps and an alternative set of swash caps.

DT Random Display

DT Random Display is an original approach to typeface design. It’s perfect for posters or a branding project with a courageous client.

Rebrand

Rebrand is a sans-serif packed with character. There are display and text versions, each with seven weights.

Aiglon

Aiglon is a monolinear semi-geometric sans-serif. It is simple and forthright, without being dull or forgettable.

Shorai Sans

Shorai Sans is a blend of geometric sans-serif and calligraphic brushstrokes. As well as Latin glyphs, there’s a complete set of Japanese characters.

Monden

Monden is a high-contrast serif with a clever little kick on the lowercase h, m, and n that adds richness to body text.

Canora

Canora is a calligraphic typeface with two styles: Frente leans to the right, and Verso leans to the left.

Epicene

Epicene is a beautifully baroque typeface with some intriguing details. There are two families, a display version and a text version.

Sangbleu

Sangbleu is a super-family of typefaces with five complementary styles: Empire, Kingdom, Republic, Versailles, and Sunrise.

Forme

Forme is a typically British grotesque typeface with the bonus of having an equally functional Arabic sibling.

Aprello

Aprello is a robust sans-serif that’s ideal for branding projects. There are six weights, each with an italic and a variable font version.

Selva

Selva is an elegant serif typeface in the Scotch tradition. It has a vast number of weights and a particularly attractive italic.

GT Planar

GT Planar is a unique typeface with both italic and retalic styles that slant up to 45 degrees in each direction.

Veqay

Veqay is an elegant stencil typeface with organic shapes, making it ideal for certain branding and editorial design.

Apta

Apta is a clean sans-serif with excellent proportions. Unusually it comes in three versions, a geometric style, a humanist style, and a combination style.

Antodits

Antodits is an energetic script face that has the feel of graffiti. This is a great display font for headlines.

Delvard

Delvard is a family of three typefaces, Display, Subhead, and Text. It’s a beautiful serif with script-like strokes.

Rosales

Rosales integrates a humanist style with geometric forms and calligraphic alternatives to create a unique typeface.

Fisterra

Fisterra is an informal serif with two different styles: Morte, with emphasizes curves, and Fora, which emphasizes sharp lines.

Connection

Connection is a precisely drawn typeface with beautiful detail courtesy of a calligraphic influence.

Ping Round

Ping Round is a simple sans-serif drawn with as few strokes as possible, resulting in some characterful letterforms.

Mule

Mule is a hard-working serif with friendly, engaging letterforms. It has a great rhythm, making it ideal for extended text.

Arnika

Arnika is a contemporary typeface with a large x-height. The flares on its strokes put it mid-way between a serif and a sans-serif.

Kingsad

Kingsad is a sans-serif designed for branding. The generous curves and wide letterforms make it best suited to short text.

Apice

Apice is an elegant script font perfect for posters, branding, and editorial design. It’s a variable font with a setting to control stroke contrast.

The Future

The Future is a reworking of the ideas behind Futura. It has a great mix of Western and Japanese typographic traditions.

Mallory

Mallory is an Art Nouveau-inspired display face. It has graceful sweeping curves and strong contrast.

Fabbrica

Fabbrica is a functional sans-serif that performs exceptionally well at small sizes and especially well on screen.

Gills & Co

Gills & Co is another of this year’s crop of Art Nouveau-inspired typefaces. It’s ideal for editorial design.

Satiata

Satiata is an energetic typeface that almost dances across the screen. Best used for branding or display type.

Fold

Fold is a no-nonsense sans-serif that’s plan spoken and trustworthy. It has four weights with corresponding italics.

Bells Morten

Bells Morten is a display font inspired by vintage signage. It’s bold and all-caps, with sharp flared serifs.

Mori

Mori is a versatile sans-serif inspired by contemporary Japanese design. It’s ideal for branding and editorial design.

Nitido

Nitido is a humanist sans-serif designed as a companion for the popular Nitida font family. It’s beautifully suited to branding work.

Lithops

Lithops is a fantastic display face for posters, T-shirts, and editorial design, with a pattern making up the letters that’s reminiscent of seaweed.

Rapidissima

Rapidissima is a companion typeface to Rapida. While Rapida is a careful usable serif, Rapidissima is an exploration of speed.

Firelli

Firelli is a warm, contemporary slab serif with a range of weights. It’s an excellent choice for display and body type.

OBO Star

OBO Star is a semi-monospaced typeface, meaning that most of the characters use the same space.

Nagel

Nagel is a uniwidth sans-serif with a low stroke contrast and some bold detailing. It’s ideally suited to short texts and branding.

Practico Slab UI

Practico Slab UI is a workhorse slab serif that blends European and American mid-century styles. It’s available as a variable font.

Source

The post 40 Best New Fonts of 2022 first appeared on Webdesigner Depot.

Source de l’article sur Webdesignerdepot