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Branding 101: Creating the Visual Identity for Your Business

There are so many things to think about when first starting a business. What will your business offer? How will this differ from existing solutions? Who will benefit most from your offering? And why are you so passionate about this?

If you haven’t done so yet, work through this exercise to come up with your brand identity and business name.

Once you’ve figured out your brand identity, you have to create a visual identity — also referred to as brand imagery — to go along with it.

While you could easily throw together visual elements that speak to you, your goal should be to choose visuals that resonate with your audience. So, building your visual identity is going to require some work.

In the following post, we’re going to look at how your brand’s visual style can give off certain signals to those who encounter it (and how to use those to your advantage). We’ll also break down what you need, to piece together your visual identity.

The Power of Visual Identity

Each of the design choices you make that website visitors, social media followers, and customers can see will impact how they approach your brand. Are you a fun-loving company that caters to a younger crowd? Do you create high-tech products that solve serious global problems? Are you a successful entrepreneur who’s reshaping the way we talk to one another?

When done right, our brand visuals convey our brand’s personality, values, and mission without having to use any words.

Think about your favorite clothing brand. What do you picture? Let’s use Athleta as an example.

The logo is probably the first visual element that comes to my mind:

The grey radial shape is one I’m very familiar with. It’s on their website, their social media, and it’s usually imprinted somewhere on their clothing.

The second thing I think about when I think of Athleta is its physical imagery:

Rather than include images of the clothing on its own, there’s often someone wearing Athleta clothes while hiking along a trail, walking on a beach, or working out in a studio.

There’s so much that just these two visual elements tell us about this brand:

Athleta targets active female consumers; we see this in its images and CTAs. The fine touches and shape of the logo may suggest this as well.
Athleta creates understated but highly functional clothing; we see this in the product photos as well as in the brand’s use of neutral colors and fonts across its designs.
Athleta’s mission is to help customers have a healthier and more balanced life; we see this in its product photos, but we also get a sense of this from the simple symmetric structure of the logo.

There are overt ways to use visuals in your branding (usually through your choice of photos or illustrations). But there are also ways to subtly convey more about your company, what it does, and for whom you work through your choice of colors, fonts, structure, and more.

How to Create a Visual Identity for Your Brand

Let’s walk through each of the elements you need to pull together to create your visual identity:

The Color Palette

Like with everything else in business, you’re here to give your audience something they need, so they have to be at the forefront of your decisions — including which colors you put into your brand’s palette.

So, where do you start in choosing a color palette for your site and other marketing channels?

Let’s take a systematic approach.

1. Choose a Primary Color

Go to the Canva color meanings and symbolism tool.

Have a look through the colors and find one that feels good to you. Open up the page and read more about what the color means:

You’ll find the following on each page:

A brief history on the color;
How it’s been used by people over the years;
What it’s symbolized over the years and around the world;
How to use the psychology of the color to affect people (i.e. your audience);
Alternate shades and colors if this particular one doesn’t send the right signals;
Colors that pair nicely with this one.

While it’s important to consider how colors evoke different emotions, it shouldn’t be the only driving force. Your primary focus should be to choose colors that positively affect the user experience. In other words, you don’t want them to get in the way or distract prospects from getting to know your brand and eventually converting.

2. Create a Full Color Palette

Once you’ve picked a primary color, you need to come up with a color palette. You’ll want one or two colors to use in your logo and a full color palette for your website and other branded channels.

You can use Canva’s palette suggestions (in the top-right corner of the color page) to create a basic color palette.

For something a little more robust, use Material Design Palette:

Color options are a bit limited, but it does a good job of spelling out where you should use each color. You can then adjust the color palette as you see fit.

Typography

The design and pairing of your fonts can greatly impact the way people respond to your brand and the words you’ve written about it.

So, the goal with typography is to make your words easy to read while also giving hints about your company’s personality and style.

1. Understand Font Styles

Figure out what style of font goes best with your brand identity.

This is the simplest way to categorize fonts:

Sans serif: These are simple fonts without any “feet” (lines at the ends of letters).
Serif: These are more traditional-looking fonts (the kinds you see in literature and newspapers) with feet.
Script: These are cursive and curly fonts that mimic handwriting.
Display: These are fonts designed specifically to appear in logos, hero images, and advertising because of their large, bold styling.
Monospaced: These are fonts with characters that comprise the same amount of horizontal space, often resembling typewritten text.

You can break these down even further and really get to the root of the style. Fonts.com has a great explainer page on each of these classifications:

Here are some sources to help you find fonts for your brand:

2. Settle on Two or Three Fonts

Choose two or three fonts for your brand. Max. Anything more than that will create a distracting and overwhelming interface for your audience.

You’ll need:

A font for your header text. It needs to look good in big sizes, be easy to read, and easy to identify from other text when scanning through a page or document.
A font for your body text. It needs to look good in small sizes (16 pixels and up) and be highly legible.
Optional: A font for your logo and hero images. It wouldn’t stray too far from the style of your headers, but if you need something a bit more decorative or unique, you can use a different font family for this.

If you find that you need more variety in your fonts to create a clearer hierarchy on the page or to call out certain elements, use superfamilies with dozens or even over a hundred different styles. That way, your users’ eyes won’t get fatigued from having to switch between too many font types.

3. Learn Font Pairing Rules

To pair fonts, use styles that contrast yet complement one another. Ultimately, you want the pairing of your fonts to send a cohesive message to your audience.

For example, a sans serif header and serif body are a common way to combine fonts. Like this pairing of Fira Sans and Merriweather from the FontPair website:

This modern-looking duo sends the message that: “Your comfort is priority #1 for us. Take your time reading and enjoy.”

There are tons of ways to make varying styles play off one another while sending the right signals to your audience: A safe serif with a retro cursive header font to come off as a playful, yet professional brand; a futuristic header and a neutral sans serif body font to give your product pages a very techy feel; and so on…

Once you have one or two fonts you like the vibe of, use FontPair to track down a good complement to the one you want to use.

Imagery

We can use this as a blanket category for any visual content you might use in your branding:

Photos
Videos
Illustrations
Icons
Backgrounds
Textures
Animations or GIFs

But just because there’s all this content to use, that doesn’t mean it should all appear on the same site to represent the same brand. You’ll want to narrow it down based on your company’s personality and how the style of imagery fits with it.

1. Photos vs. Illustrations

You can alter your brand’s voice and style based on the kind of imagery you use.

For instance, tech companies like Stripe often use illustration in their brand designs:

Even though SaaS companies sell one type of product, their audiences are usually quite vast, so it would be hard to find photos that represent everyone. And it’s not like users are focused on their relationships with the people behind the scenes. These companies put technology into the hands of their users, so it’s best to let the product shine and not the people. This opens up the door for some fun and creative possibilities with illustrations.

That said, choosing photos over illustrations doesn’t completely bar you from using vector graphics and icons. You can mix-and-match those visuals so long as they blend well with one another. What you don’t want to do is to mix two very different styles that say different things about your brand at once.

To decide what’s best for your brand, approach this from your users’ point-of-view. What kind of visuals will help them connect to your brand and what you sell?

2. Style

It’s not just the type of image you use that impacts your brand identity. It’s the style you apply to those visuals that can transform your visuals, putting visitors in a different time, place, or headspace.

Will you apply a filter to give your photos a similar look and feel?

Will you place each of your product photos against the same backdrop for a uniform look?

Will you use a completely new style of imagery for one of your product lines the way Apple has done for the iPhone 12?

There’s nothing wrong with using out-of-the-box imagery. However, if they don’t give off quite the right tone, don’t be afraid to use your design skills to make adjustments and cater them to your own style.

Logo

Your logo is the last of the visual elements you’ll need to invest some time in. The good news is that you’ve already done most of the legwork:

You’ve defined your brand’s identity.
You’ve given your business a name.
You’ve selected the main visual components that will represent your brand: colors, fonts, and images.

That’s really all you need to create a logo that is relevant, unique, attractive, potent, and memorable.

That and a way to bring it all together. You have a few options.

Option #1: If you’re a graphic designer, you can create your own from-scratch.

Option #2: If you want help getting started, you can use a tool like Wix Logo Maker:

You’ll fill out a short questionnaire and then receive dozens of pre-made logos to start with. You’ll later have the chance to customize the design to your liking.

Option #3: You can hire someone to design a totally custom logo.

Wrapping Up

In the next post in this three-part series, we’re going to look at the next step:

Getting your business online.

We’ll take everything you’ve done so far in coming up with a business name, brand identity, and now visual identity, and put it towards your website and the marketing channels that are best for your business.

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Source de l’article sur Webdesignerdepot

4 novembre 2020/par Service comm.

State Design Pattern In Java

Actualités, Méthodes et organisation des process IT

State Design Pattern — a behavioral design pattern that allows an object to change its behavior when its internal state changes.

State Design Pattern

The State Design Pattern is a Behavioral Design Pattern and one of the Gang of Four design patterns.
The State allows an object to alter its behavior when its internal state changes.
The State pattern is similar to the concept of finite-state machines.
The State pattern is also similar to the Strategy Design Pattern which provides a way to switch a strategy through invocations of methods defined in the pattern’s interface.
The State pattern encapsulates varying behavior for the object based on its internal state change.
The State pattern provides a cleaner way for an object to change its behavior at runtime.
By using the State pattern, the object changes its behavior when its internal state changes.
If we implement State-Specific behavior directly in the class, then we will not be able to change it without modifying the class.
In-State pattern, State-specific behavior should be defined independently because adding new states should not affect the behavior of existing states.
The context class delegates state-specific behavior to its current state object instead of implementing state-specific behavior directly.
This allows us to make our context class independent of how state-specific behavior is implemented. New state classes can be added without modifying context class.
The context class can change its behavior at run-time by changing its current state object.
To implement the State Design Pattern, we create a State interface to define some action. And then concrete classes that represent various states and a context object whose behavior varies as its state object changes.
The mixer in the kitchen is a good example of a state pattern, which has a motor and a control interface. Using the knob we can increase/decrease the speed of the mixer. Based on the speed state the behavior changes.
The TV which can be operated with a remote controller is another example of a State pattern. We can change the state of the TV by pressing buttons on the remote. But the state of TV will change or not, it depends on the current state of the TV. If the TV is switched OFF then only possible next state can be switch ON. And if TV is ON, we can switch it OFF, mute, or change aspects and source. But if TV is OFF, nothing will happen when we press the remote buttons.
Java Threads are another good example of State pattern since they have defined states as New, Runnable, Blocked, Waiting, Timed Waiting and Terminated.

Source de l’article sur DZONE

19 octobre 2020/par Service comm.

How to Get Dark Mode Design Right

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Dark themes are everywhere these days.

As human beings continue to spend more of their time interacting with technology, dark themes provide a more relaxing way to engage with the digital world. More often than not, these themes are easier on the eyes, more attractive, and perfect for the dedicated user.

Throughout 2020, countless leading brands have debuted their own version of the dark theme. Google has a solution for your Drive, while Apple and Android have built dark theme performance right into their operating systems.

If you haven’t learned how to make the most out of dark mode yet, then you could be missing out on an excellent opportunity to differentiate your design skills, and earn more clients going forward.

Why Dark Mode?

Before we dive too deeply into the possibilities of creating your own dark theme, let’s examine what dark mode is, and why it’s so effective.

Ultimately, dark themes are created to reduce the amount of luminance emitted by everything from your desktop and laptop, to your smartphone and smartwatch. Dark themes help to improve the visual ergonomics of design, by reducing eye strain, adjusting brightness to suit current lighting conditions, and more. Additionally, many dark mode offerings are also fantastic at conserving battery life.

Here are some of the main benefits of adding dark themes to your design portfolio.

Better user experience: A focus on user experience is one of the most important trends of the digital age. You need to be willing to deliver incredible experiences to everyone who visits your website if you want to stand out today. Dark mode reduces everything from eye strain, to battery power consumption. This helps to keep customers on a website for longer.
Innovation and cutting edge appeal: Most companies want to prove that they can stay on the cutting edge of their industry. The ability to offer an opt-in dark mode version of a website theme or appearance can help your clients to stand out from the crowd. As the environment becomes more mobile-focused, more companies will be looking for designers that can provide the best mobile experiences.
Support for universal design: Dark mode isn’t just great for people who have light sensitivity at night. This solution could be more comfortable for visually-impaired users who would struggle with eye strain when visiting your websites otherwise. If you want your content to be more inclusive for a wider range of viewers, then learning how to design for dark mode is a good way to start.

Best Practices When Designing for Dark Mode

Designing for dark mode is easier than you’d think. Most of the time, it involves simply thinking about how you can replace some of the brighter, more overwhelming aspects of your site, with something deeper and darker.

Here are some useful tips that will get you moving in the right direction.

1. Experiment with Colors

A big issue for a lot of web designers when it comes to developing a dark mode solution is that they get too caught up with things like pure white text against pure black backgrounds. However, this high-contrast option can be a little much after a while.

It’s often much easier to use a dark grey as your primary surface color, instead of a true black. Additionally, rather than using bright white, think about slightly off-white alternatives that will be warmer to the eye.

Experiment with surfaces and color combinations that are unlikely to cause too much eye strain. Dark grey foundations often offer a wider range of depth, too, because you can demonstrate shadows on grey.

Additionally, when you are experimenting with colors, remember that saturated colors often vibrate painfully against very dark surfaces, making them harder to read. Desaturating your colors will help to reduce the contrast and make your websites more welcoming.

Lighter tones in the 200-50 range will have better readability on dark themes. However, you can always experiment with your choices. Google Material Design recommends using a contrast level of around 15:8:1 between your background and text.

2. Consider the Emotional Impact

Much of the effort involved with dark mode design is figuring out how certain colors work together. It’s easy to get carried away with stark contrasts, particularly when you’re used to working with a white background. However, you need to remember that you’re designing for a user that’s primarily looking for an easier and more subdued browsing experience.

While you’re working, remember to consider the emotional aspect of the design too. The emotion in colors can make or break a buyer’s journey in any environment. However, an often overlooked-aspect of color psychology, is that people perceive shades differently when they’re on a black background.

For instance, think of the color green. On a light background, it conveys nature and even financial wealth. However, on a dark background, the same green could come across as something venomous, toxic, or even sickly. It’s important to think about the kind of impressions end users are going to get when they arrive on your site.

3. Give Users the Freedom to Choose

One of the biggest mistakes you can make when you begin designing for dark mode, is thinking that you should focus entirely on your dark themes, and nothing else. This lines you up for a problem if you interact with users who want the best of both worlds. If you’re designing for apps in particular, you’re going to need web pages that can switch naturally between light and dark themes.

Learning how to implement both a dark mode and a light mode option into the desks you create will help you to reach a wider selection of customers. Remember, you’ll need to test the performance and impact of your designs in both themes, to check that they deliver the same kind of experience, no matter how your user chooses to browse.

Although dark mode should offer a different experience to end-users, it still needs to feel as though they’re browsing on the same website. That means that you’re going to need to experiment with the most natural combination of light and dark mode options.

4. Remember the Basics

Remember, although the three tips above will help you to get on the right path for dark mode design, you’ll also need to consider the opportunities and limitations of the platforms that you’re designing for. The kind of dark mode experience you can deliver for Google Chrome websites is going to be very different to what you can create for something running on iOS.

Examining the documentation provided by the system that you’re designing for will help you to develop something with a close insight into what’s actually possible.

Other top tips for dark mode design include:

Focus on your content: Make sure that your content stands out on the page, without being too overwhelming.
Test your design: In both light and dark appearances, you need to make sure everything is working as it should be.
Adopt vibrancy for your interfaces: Vibrancy helps to improve the contrast between your background and foreground.
Use semantic colors: Semantic colors adapt to the current appearance of a website automatically. Hard-coded color values that don’t adapt can seem more aggressive.
Desktop tinting: Try experiment with things like transparency and filters to give your websites and apps a slightly warmer tint – ideal for late-night browsing
Icons: Use individual glyphs and icons for dark and light modes if necessary.

Ready to Design for Dark Mode?

Preparing your web development and design portfolio for an era addicted to dark mode can be a complex experience. You need to think carefully about how people are going to browse through your websites and apps when they’re searching for something more subtle, and less visually overwhelming than the websites that we’re used to making.

The most important thing to remember is that everything on your website or application should look just as beautifully tailor-made in dark mode as it does in light mode. Simply adding a dynamic black background when people want to switch settings in an app isn’t enough. You need to go in-depth with your designs and examine how different fonts, colors, and images work together.

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Source de l’article sur Webdesignerdepot

16 octobre 2020/par Service comm.

12 Best Google Design & Development Tools

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Google resembles an iceberg: there’s the part above the water we can see and use everyday; there’s also the part beneath the water, that we don’t see and know little about.

While many of us are concerned about the aspects of Google we don’t see — the parts that threaten our privacy, or monopolize the web — there’s no denying that Google offers some amazing products and tools, many of them free, all from the convenience of a single login.

Today we’re going to take a look at 12 tools from Google that really do bring something positive to the table.

1. Polymer

Polymer is an open-source JavaScript library from Google for building web applications using Web Components. The platform comes with a ton of libraries and tools to help designers and developers unlock the web’s potential by taking advantage of features like HTTP/2, Web Components, and Service Workers.

The main feature of Polymer is Web Components. With Web Components, you can share custom elements to any site, work seamlessly with any browser’s built-in elements, and effectively use frameworks of all kinds. Products like LitElement (a simple base class for creating fast, lightweight web components) and PWA Starter Kit make Polymer easy to use. If you like, you can build your app entirely out of Web Components.

2. Lighthouse

Google Lighthouse is an open-source, automated tool for improving the quality of web pages. The software allows you to audit web pages for performance, SEO, accessibility, and more. You can run Lighthouse using ChromeDevTools, directly from the command line, or as a Node module.

To use Lighthouse in Google Chrome, just go to the URL you want to audit (you can audit any URL on the web), open ChromeDevTools, and click the Audits tab. After you have run the audit, Lighthouse will give you an in-depth report on the web page.

With these reports, you will see which parts of your web page you need to optimize. Each report has a reference doc that explains why that audit is important and also shows you the steps you can take to fix it.

You can also use Lighthouse CL to prevent regression on your sites. Using Lighthouse Viewer, you can view and share reports online. You can also share reports as JSON or GitHub Gists.

Lighthouse also comes with a feature called Stack Packs that allows Lighthouse to detect what platform a site is built on. It also displays specific stack-based recommendations.

3. Google Analytics

Google Analytics is the gold standard of analytics services. Google analytics can be installed on your site for free with a small amount of JavaScript and allows you to see all kinds of details about your site visitors, like what browser they’re using, and where they’re from.

By using Google Analytics you can make decisions about your site based on science, and therefore be somewhat confident that the decisions you make will result in the outcome you are expecting.

4. Flutter

Flutter is Google’s UI toolkit for building natively compiled applications for mobile, web, and desktop from a single codebase. The toolkit is open source and free to use. The best part of Flutter is that it works with existing code.

The toolkit has a layered architecture that allows for full customization, which results in fast rendering and flexible designs. It also comes with fully-customizable widgets that allow you to build native interfaces in minutes. With these widgets, you will be able to add platform features such as scrolling, navigation, icons, and fonts to provide a full native performance on both iOS and Android.

Flutter also has a feature called hot reload that allows you to easily build UIs, add new features, and fix bugs faster. You can also compile Flutter code to native ARM machine code using Dart native compilers.

5. Google API Explorer

Google has a huge library of APIs that are available to developers but finding these APIs can be difficult. Google API Explorer makes it easy for developers to locate any API. On the Google API Explorer web page, you will see a complete list of the entire API library. You can easily scroll through the list or use the search box to filter through the API list.

The best part of Google API Explorer is that each link to a reference page comes with more details on how to use the API. API Explorer is an excellent way to try out methods in the Monitoring API without having to write any code.

6. Puppeteer

Puppeteer is a project from the Google Chrome team. The platform enables web developers to control a Chrome (or any other Chrome DevTools Protocol based browser) and execute common actions, much like in a real browser. Puppeteer is also a Node library and it provides a high-level API for working with headless Chrome. It is also a useful tool for scraping, testing, and automating web pages.

Here are some things you can do with Puppeteer: generate screenshots and PDFs of pages, UI testing, test Chrome Extensions, automate form submission, generate pre-rendered content, and crawl Single-Page Applications.

7. Codelabs

Google Developer Codelabs is a handy tool for beginner developers and even advanced developers who want to improve their knowledge. Codelabs provide a guided, tutorial, hands-on coding experience. Codelabs’ site is broken down into several tutorial sessions on different topics.

With the tutorials on Codelabs, you can learn how to build applications from scratch. Some of the tutorial categories include Augmented reality, TensorFlow, Analytics, Virtual Analytics, G Suite, Search, Google Compute Engine, and Google APIs on iOS.

8. Color Tool

Color Tool makes it easy for web designers to create, share, and apply colors to their UI. It also measures the accessibility level for any color combination before exporting to the palette. The tool comes with 6 user interfaces and offers over 250 colors to choose from.

The tool is also very easy to use. All you need to do is pick a color and apply it to the primary color scheme; switch to the secondary color scheme, and pick another color. You can also switch to Custom to pick your own colors. After you have selected all your colors, use the Accessibility feature to check if all is good before exporting it to your palette.

9. Workbox

Workbox is a set of JavaScript libraries and Node modules. The JavaScript libraries make it easy to add offline support to web apps. The Node modules make it easy to cache assets and offer other features to help users build Progressive Web Apps. Some of these features include pre-caching, runtime caching, request routing, background sync, debugging, and greater flexibility than sw-precache and sw-toolbox.

With Workbox, you can add a quick rule that enables you to cache Google fonts, images, JavaScript, and CSS files. Caching these files will make your web page to run faster and also consume less storage. You can also pre-cache your files in your web app using their CLI, Node module, or webpack plugin.

10. PageSpeed Insights

PageSpeed Insights is a handy tool from Google Developers that analyzes the content of a web page, then generates suggestions on how to make the page faster. It gives reports on the performance of a web page on both desktop and mobile devices. At the top of the report, PageSpeed Insights provides a score that summarizes the page’s performance.

11. AMP on Google

AMP pages load faster and also look better than standard HTML pages on mobile devices. AMP on Google allows you to enhance your AMP pages across Google. It is a web component framework that allows you to create user-first websites, ads, emails, and stories. One benefit of AMP is that it allows your web pages to load almost instantly across all devices and platforms hence improving the user’s experience.

12. Window Resizer

When creating websites, it is important that developers test them for responsive design – this is where Window Resizer comes in. Window Resizer is a Chrome extension that resizes the browser window so that you can test your responsive design on different screen resolutions. The common screen sizes offered are desktop, laptop, and mobile, but you can also add custom screen sizes.

Featured image via Unsplash.

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Source de l’article sur Webdesignerdepot

28 août 2020/par Service comm.

17 Open Source Fonts You’ll Actually Love

Actualités, Actualités

The right typeface can make or break your website. As designers, we will always be naturally drawn towards the premium fonts such as Circular, DIN, or Maison Neue; Before you know it, your website is racking up a font bill larger than your hosting bill.

We’ve put together a list of open-source fonts that will rival your fancy fonts, and might even persuade you to switch them out. All the fonts listed here are completely open-source, which means they’re free to use on both personal and commercial projects.

Manrope

Manrope has sprung onto the font circuit in style, with a website better than most early startups. It’s a variable font, which means you have a flexible range of font weights to choose from in a single font file. Manrope is a personal favorite of mine, it has every ligature you could want, and is fully multi-lingual. It’s a lovely bit of everything as it states on the website: it is semi-condensed, semi-rounded, semi-geometric, semi-din, semi-grotesque.

Gidole

DIN – the font we all love, the font that looks great at every size, and the font that costs quite a bit, especially with a large amount of traffic. Gidole is here to save the day, it’s an open-source version of our favorite – DIN. It’s extremely close to DIN, but designers with a keen eye will spot very few minor differences. Overall, if you’re looking to use DIN, try Gidole out before going live. (There is also a very passionate community around the font on Github)

Inter

Inter is now extremely popular, but we wanted to include it as it’s become a staple in the open-source font world — excellent releases, constant updates, and great communication. If you’re looking for something a bit fancier than Helvetica and something more stable than San Francisco, then Inter is a great choice. The font has now even landed on Google Fonts, making it even easier to install. As of today: 2500+ Glyphs, Multilingual, 18 Styles, and 33 Features… do we need to say more?

Overpass

Overpass was created by Delvefonts and sponsored by Redhat, it was designed to be an alternative to the popular fonts Interstate and Highway Gothic. It’s recently cropped up on large ecommerce sites and is growing in popularity due to its large style set and ligature library. Did we mention it also has a monospace version? Overpass is available via Google Fonts, KeyCDN, and Font Library.

Public Sans

Public Sans is a project of the United States Government, it’s used widely on their own department websites and is part of their design system. The font is based on the popular open-source font Libre Franklin. Public Sans has great qualities such as multilingual support, a wide range of weights, and tabular figures. The font is also available in variable format but this is currently in the experimental phase of development.

Space Grotesk

Space Grotesk isn’t widely known yet, but this quirky font should be at the forefront of your mind if you’re looking for something “less boring” than good old Helvetica. Space Grotesk has all the goodies you can expect from a commercial font such as multiple stylistic sets, tabular figures, accented characters, and multilingual support.

Alice

Alice is a quirky serif font usually described as eclectic and quaint, old-fashioned — perfect if you’re looking to build a website that needs a bit of sophistication. Unfortunately, it only has one weight, but it is available on Google Fonts.

Urbanist

Urbanist is an open-source variable, geometric sans serif inspired by Modernist typography. Designed from elementary shapes, Urbanist carries intentional neutrality that grants its versatility across a variety of print and digital mediums. If you’re looking to replace the premium Sofia font, then Urbanist is your best bet.

Evolventa

Evolventa is a Cyrillic extension of the open-source URW Gothic L font family. It has a familiar geometric sans-serif design and includes four faces. Evolventa is a small font family, generally used across the web for headlines and bold titles.

Fira Sans

Fira Sans is a huge open source project, brought to you, and opened sourced by the same team that makes Firefox. It’s Firefox’s default browser font and the font they use on their website. The font is optimized for legibility on screens. (And it’s on Google Fonts!)

Hack

Building a development website, or need a great code font to style those pesky code-blocks? Then Hack is the font for you. Super lightweight and numerous symbols and ligatures. The whole font was designed for source code and even has a handy Windows installer.

IBM Plex

IBM needs no introduction. Plex is IBM’s default website font and is widely used around the web in its numerous formats Mono, Sans, Serif, Sans-Serif, and Condensed – it has everything you’d need from a full font-family. The whole font family is multi-lingual, perfect for multi-national website designs. (It’s fully open-source!)

Monoid

Another great coding font, Monoid is a favorite of mine for anything code. The clever thing about Monoid is that it has font-awesome built into it, which they call Monoisome. This means when writing code, you can pop a few icons in there easily. Monoid looks just as great when you’re after highly readable website body text.

Object Sans

Object Sans (formally known as Objectivity) is a beautiful geometric font family that can be used in place of quite a few premium fonts out there. The font brings together the top qualities of both Swiss neo-grotesks and geometric fonts. The font works beautifully as large headings but can be used for body content as well.

Lunchtype

Lunchtype has a very interesting back-story, originally designed during the creator’s daily lunchtime during a 100-day project. If you’re looking for something a bit “jazzier” than the typical Helvetica for your project, then Lunchtype is a perfect choice. The family comes with numerous weights as well as a condensed version — enough to fill any lunchbox.

Jost

Inspired by the early 1920’s German sans-serif’s, Jost is a firm favorite in the open-source font world. Jost brings a twist to its closest web designer favorite Futura. When you want a change from the typical Futura, then Jost is a great option with its variable weighting as well as multilingual support.

Work Sans

Work Sans is a beautiful grotesk sans with numerous little eccentricities that may delight or annoy some designers. The font has variable weighting, multilingual support and is optimized for on-screen text use but works perfectly well for print also.

Source

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10 août 2020/par Service comm.

17 Tools I Can’t Design Without

Actualités, Actualités

I think of a creative practice as a combination of an approach (a design philosophy) and a series of techniques (craft skills); a good tool facilitates a technique, which in turn supports an approach.

It wasn’t until I sat down to write a list of tools I can’t design without, that I realized just how many tools I rely on as an integral part of my creative process. The danger of tools is that they promote certain techniques, and that bias can alter your approach.

First and foremost a good tool does no harm, it does not dictate, or obstruct your approach. Secondly, a good tool offers flexibility in the techniques you choose. Thirdly a good tool is invisible, it leaves no marks on the end product.

If I’d written this post a year ago the list would have been different, and I hope that in a year it will be different again. These are the tools that I currently find enabling, that have contributed to my craft, and supported my approach.

Affinity Designer

I’ve always used Adobe products. Photoshop and Illustrator were the de facto graphic tools for half my life. I’ve never had an issue with the subscription licensing of Creative Cloud, which I think is proportionate for a professional set of tools. Then, around 18 months ago I got very frustrated with how sluggish Illustrator had become.

I’d written an early review of Affinity Designer, I’d been impressed at the time, so I decided to give it another try expecting the sojourn to last an hour or two before I gravitated back to Illustrator. Running the latest version of Affinity Designer was a revelation, I’ve simply never wanted to switch back.

Why not Sketch? Well, I do occasionally jump into Sketch, especially for pure vector wireframing. I was an early adopter of Sketch, but the reliability issues (long since resolved) poisoned my relationship with it. Why not Figma? Well, Figma’s real strength is in collaboration, something that I get with Sketch, and personally I find some of Figma’s features unintuitive.

Affinity Designer isn‘t perfect. I dislike the color tools, especially the gradient tool, which I find clunky. But it’s the first design app I’ve used in years that syncs closely with my creative process.

Affinity Photo

I don’t do a lot of photo manipulation, so when I switched away from Creative Cloud for design work, I was relaxed about switching from Photoshop to Affinity Photo.

In my experience, Affinity Photo is stronger than Photoshop in some areas, and weaker in others. Affinity Photo’s bitmap scaling is much better than Photoshop’s, largely due to Lanczos 3 sampling.

Affinity Photo also solves a lot of little irritations that Adobe has chosen not to address for legacy or philosophical reasons, such as the toggleable ratio setting when resizing the canvas — I’ve lost track of the hours I’ve spent in Photoshop manually calculating vertical whitespace so that it’s proportionate to the horizontal.

TinyPng

Both Affinity Photo and Photoshop are poor at web format optimizations. Photoshop perhaps has the edge, but its output certainly isn’t acceptable for production.

I run bitmaps through TinyPng, which on average halves the size of the file without any appreciable loss of quality. (It stripped 66% off the images for this post.)

Fontstand

When I started to drift away from Creative Cloud, the one service that delayed me was Adobe Fonts (née Typekit). Not so much for the webfonts — which are faster and more reliable self-hosted — but for the ability to sync desktop fonts into my design apps.

I tried Fontstand when it was first released, and I loved the concept, but was worried about the small library. When I took a second look and discovered the library is now substantial for both workhorses and experimental typefaces, it was an easy decision to switch.

Fontstand is a desktop font rental service. Once you’ve found a typeface you’re interested in, you can activate an hour-long trial, then choose to rent the font for a small fee. You can auto-renew the rental if you need to, and if you rent the font for 12 months it’s yours forever.

If there’s one tool on this list I genuinely could not design without it’s this one. Fontstand makes working with fonts from independent foundries affordable for freelancers, and it’s enriched the typographic palette available to me.

Khroma

Every designer has strengths and weaknesses. Since day one of art school, my weakness has been color. It just doesn’t come naturally to me, and I have to work quite hard at it.

An incredibly helpful tool that I’ve been using for a few months is Khroma. It helps my eyes warm up before approaching color, and helps me find a starting point that I can then refine. Comparing my design work before, and after Khroma, the latter color choices are cleaner, more vibrant, and more interesting.

Atom

A good code editor is essential, and I’ve never found one that I’m completely happy with. For years I’ve flitted back and forth between Brackets, Sublime Text, and BBEdit. I think that probably reflects the changes in the type of coding I’m doing.

For now, I’ve settled on Atom. It’s fast, reliable, and it’s not biased to front or back-end code.

CodeKit

I held out on compilers longer than I should have, using apps like Minify to minify CSS and JavaScript, and the command line to process Sass (see below). Then I found CodeKit and it’s been essential to my workflow ever since.

What I like best about CodeKit is that it’s a GUI. Which means I can change settings while coding, like toggling off the JavaScript linting, without switching mental gears into another language.

MAMP

MAMP is a tool that allows you to run a local server environment, meaning I can run PHP and MySQL without the tedious process of FTPing to a server to test a change. Mac comes with Apache, so this isn’t strictly necessary, but it’s simple to use and works well with both CodeKit and Craft (see below).

There’s a pro version of MAMP, which allows you to switch seamlessly between projects, but it’s heavily geared towards WordPress. I’m still trying to find the time to evaluate Laravel Valet.

Dash

When you first start coding you try and memorize the entire language. It’s very possible to become fluent in the core of a language, but there are always nuances, defaults, and gotchas that you miss. As you grow more experienced, you realize that all professional coders Google the answer at least once per day.

When I got tired of Googling I started using Dash which is a superb app that combines the docs of numerous different languages into a searchable window. I use it daily for everything from SVG to Twig.

LambdaTest

It doesn’t really matter what you’re building, even the indy-web needs to be tested. Ideally you’ll test on real devices, but if you can’t afford a device library — and who but the largest agencies can — you need a live testing solution.

There are a few upstarts, but your choice is basically between BrowserStack and LambdaTest. I went for LambdaTest because I prefer the style of the UI, but that’s entirely subjective. If you’re not sure, toss a coin, you’ll get the same results with both.

Sass

I can’t write CSS without Sass — and I mean that literally. If I try and write vanilla CSS I guarantee I’ll nest something with @at-root and it will throw an error.

Craft CMS

Stating any preference for a CMS online that is not WordPress inevitably invites impassioned protests from developers whose career is built on the WordPress platform. So let me say preface this by saying: if WordPress works for you, and more importantly for your clients, then more power to you; I think it’s a dog.

Shopping around for a CMS is challenging, and I’ve gone through the process several times. A good CMS needs to be in sync with your mindset, and it needs to be appropriate for your clients — all of them, because unless you’re in a large agency with multiple coders, you need to commit to a single solution in order to master it.

I have looked and looked, and finally settled on Craft CMS. Craft makes it easy to build and maintain complex, high-performance sites. It has a shallow learning curve that grows exponentially steeper, making it easy to get started with plenty of room to grow.

Vue.js

Way back when Flash went kaput I switched to jQuery, and that was a really easy route into JavaScript — ignore the people who tell you to master the core language first, do whatever it takes to start using a language, that’s how you learn. But jQuery is heavy, and I found I needed it less and less.

These days 90% of the JavaScript I write is progressive enhancements in vanilla JavaScript to keep the dependencies low. Occasionally I encounter a job that requires complex state management, and then I fall back on Vue.js. JavaScript developers are as partisan as CMS aficionados, so let’s just say I favor Vue.js because it’s not controlled by a mega-corp and leave it at that.

Ulysses

As editor at WDD, I cannot emphasize enough that the right way to write copy for the web is markdown.

Markdown is faster to write so you don’t lose the thread of your thought process, and it doesn’t impose formatting so you can easily migrate to a CMS. If you’ve ever spent 20 minutes stripping the class, id, and style tags out of a file created in Word, Pages, or (by far the worst offender) Google Docs, then you don’t need to be sold on this point.

There are a few markdown-based writing apps available, I tested half a dozen, and the one I settled on was Ulysses. I like its distraction-free mode, I love its clean exports. Everything I write, I write in Ulysses.

Screenshot Plus

Much like markdown editors, there’s no shortage of screenshot apps. My current favorite is Screenshot Plus.

Screenshot Plus has one feature that makes it standout for me, and that is its Workflows. It sounds like a small problem, but when you’re taking screenshots of a dozen sites, the extra clicks to save, switch to your editor, and open the file are laborious. I have several workflows setup in Screenshot Plus that allow me to take a screenshot, save it to a specified folder on my local machine, and then open it in Affinity Photo, all with a single click.

Spark

I get a lot of email, a lot. At one point the influx was so bad I was using multiple email apps to segment it. Yes, I use Slack daily, but it doesn’t eliminate the need for email.

I‘ve been using Spark for around six months and it’s radically sped up my workflow. I’m a big fan of the smart inbox that allows me to compartmentalize email like newsletters, and email that warrants a reply. I like that I can switch to a chronological list if I’m looking for something specific. I love the ability to pin, or snooze messages, which helps me triage my inbox.

Todoist

I’m one of those people who can’t make it through the day without being organized. I need lists and sublists, and I need something native that opens automatically when I boot my Mac, and something that sits on the home screen of my Android.

There are as many to-do apps as there are things to do. When I’m working in a team I’ll use whichever task-tracking system it prefers. But by choice I always use Todoist thanks to its balance of simplicity and power. At this point it’s something of a meta-tool, and the app I open first every morning.

Source

Source de l’article sur Webdesignerdepot

27 juillet 2020/par Service comm.