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User experience design is something that most of us associate with websites. But why isn’t it something we extend beyond the website?

Here’s why I ask this:

As a consumer, it’s so rare that your only interaction with a brand is through its website. Take an ecommerce site, for example. You buy a product from it, and then what happens?

  • You get a confirmation email;
  • You get another email when the package ships;
  • You might get another email or SMS notification when the package is delivered;
  • You retrieve the package and open it;
  • You open up your purchase and use it.

These are all an extension of that initial user experience on the site. If there’s just one hiccup along the way, it could easily erode the trust and happiness you felt after quickly finding and buying what you needed on the site.

So, what I’d like to do today is look at 10 areas where UX design should extend beyond the website to ensure that the frictionless experience started there remains untarnished.

Extending UX Design Beyond the Website

As a web designer, you might be thinking that this part of the user experience doesn’t fall under the umbrella of your responsibilities. And you may be right about that.

For brands to truly be successful and profitable, someone needs to carefully examine the bigger picture and ensure that the user experience is flawless no matter how far away from the site it is. At the very least, you should share the UX research and strategy you do for a client’s site so their team can ensure it carries over to other areas of the business.

Here are some things to think about:

1. Mobile App

It’s not uncommon for websites to have mobile app counterparts these days. The layout doesn’t need to be identical since mobile users tend to behave differently than those on desktop.

That said, an app shouldn’t force users accustomed to the desktop experience to re-learn how to navigate or engage with the brand. So, the branding, UI design, speed, security, and navigation all need to be on par with what’s already been established in terms of usability.

2. Email

Most websites have a direct connection to email. For example, blog newsletters, purchase confirmation emails, and lead generation follow-ups all start on the website.

Consumers are well aware that when they hand over their email address, they will receive an email in return. In many cases, those emails are welcomed when they’re done right. But if something feels off, that bridge could easily burn between brand and consumer.

To preserve the UX, emails should come with the following:

  • The same branding and visual style as the website;
  • A personalized subject line, greeting, or offer;
  • Consistent messaging as the site, especially when it comes to the CTA.

Another thing to remember is that email isn’t the time to inject dark patterns into the experience. So, the “Unsubscribe” option should be in an easy-to-spot area and a sharply contrasting font color.

3. Social Media

Social media is another channel that’s commonly connected to a website. While you can’t control the aesthetics of social media websites themselves, the visuals and messaging in posts need to be on-brand.

That means that things like memes and emojis — which are popular means of communication on social — should only be used if they’re normally part of the brand identity. If not, you’ll need to find other ways to communicate engagingly.

Another part of the user experience to think about is customer support. Social media is a lot like going into a store. If someone has an issue with what they bought or the service they received, there will be many people around to witness the complaint. Social media only amplifies that — so the quality of customer care needs to be consistent with how the brand handles it everywhere else.

4. SMS

Not every brand will need to be connected to customers via text messaging. eCommerce companies, news sites, and personal services providers likely will, though.

However a brand uses SMS, the same UX guidelines apply here as they do across all other channels:

  • Keep messages concise;
  • Make sure they’re relevant and valuable;
  • Use branded messaging and design;
  • Don’t abuse the privilege and send too many;
  • Make it easy to opt out.

Basically, if you can’t make it a valuable extension of the brand’s offering, don’t use it.

5. Phone

Any website that publishes its phone number should expect to receive calls from prospects and customers. While there’s nothing to design here visually, the experience of getting on the phone with a company should be consistent with what they experience elsewhere.

One way to do this is to design an easy-to-follow routing system. It should be simple for callers to figure out which number to choose. What’s more, there should be no endless loops. If a caller has exhausted the options, they should be immediately directed to a representative.

Another way to ensure consistency is to adhere to a script — that goes for call centers for enterprises as well as the local lawyer’s office. Every caller should be greeted with the same tone and handled in the same manner (depending on the situation, of course).

6. Ads

There are a lot of places where brands can advertise these days:

  • Google search;
  • Social media;
  • Ad networks;
  • TV;
  • Radio;
  • Podcasts;
  • Blogs;
  • Billboards;
  • Direct mail.

When designing an ad campaign, there should be consistent messaging, aesthetics (when relevant), and CTAs presented. If branding isn’t consistent from ad to ad, there may be a delay in consumers recognizing the brand or its offer. Or, worse, not recognizing it at all.

7. Packaging

For brands that sell products, you have to think about how the packaging will impact the user experience. There are two types of packages to consider, too.

The first is the product’s own packaging. Branding should be clear as day and consistent with the site they bought it from.

It should also be easy to open. There’s nothing more frustrating than finally getting your purchase, only to realize you need tools to get it out of the packaging.

You also have to think about packaging for products that get shipped.

The product should fit well within the packaging. A too-roomy package will feel downright wasteful. So will excessive bubble wrap and paper filler.

Having a shipping label present in the package is also important. If the website makes it easy to make a purchase, the package should offer a convenient way to return the product if they’re not happy.

8. Product

The product itself has to align with the expectations set by the website.

Take the example of a SaaS. You’ve built an awesome landing page and mobile app store page to promote it. It looks great, it loads fast, and it’s easy to get around. But if the SaaS itself is ugly, disorganized, slow, or otherwise just clunky, all of the work you did to market it will end up being just false advertising.

So, make sure the expectations set before and during purchase naturally carry over to the experience with the product.

9. Business Exterior

For brick-and-mortar companies, the business’s exterior matters just as much as what happens inside it.

The most obvious thing to focus on is the aesthetics of the building. Does it look attractive? Is it in a safe area? Is there clear signage around it? Is it easy to find?

But you also have to think about user experiences that take place outside of the building. For example, there’s now a rise in curbside pickup. There are tons of things that can affect how happy the customer is with the experience — like if the pickup area is hard to find, there are never enough spots or the associates who deliver the orders always seem to be in a foul mood.

The business’s exterior should always set a good impression for what takes place inside.

10. Business Interior

Here are some things to think about when it comes to “designing” business interiors for a good UX:

  • Decor;
  • Layout;
  • Signage;
  • Furnishings;
  • Product discoverability;
  • Availability (of products or people);
  • Quality of customer service;
  • Checkout process.

It doesn’t matter what the company does — whether it’s a large retailer like Walmart or your own freelance design business. If a business’s establishment doesn’t look good, operate flawlessly, or provide a good person-to-person experience, it’s going to be very hard to get people to return.

So, all those things you do to design a streamlined website journey should be applied to a bricks-and-mortar business’s interior.

Wrapping Up

Depending on the types of companies you build sites for, some of the channels and suggestions above might not be relevant. Hopefully, this has got you thinking about other ways you (and your clients) can extend the UX design and strategy from the website.

If you can maintain the high-quality user experience from channel to channel, your clients’ brands will get more business, grow their profitability, and see a rise in loyalty, too.

 

Featured image via Pexels.

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The post UX Design Doesn’t End With Your Website first appeared on Webdesigner Depot.


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This week, in a move like something from a particularly eventful episode of The Office, popular project management app company Basecamp banned political and societal discussion in the company’s internal communications.

In a post that has been revised for “clarification,” the company’s co-founder Jason Fried listed six rules for employees: No societal or political discussions at work; No more ‘paternalistic’ benefits; No more committees; No more lingering on past decisions; No more 360 reviews; No forgetting what we do here.

A follow-up post from Heinemeier Hansson notes that Basecamp will still permit discussion of issues deemed central to its business like anti-trust and privacy; certain civil liberties are to be championed, while others, like racism and climate change, are not.

On the surface, it seems reasonable, Fried and co-founder David Heinemeier Hansson would like you to believe that it is. After all, people are paid to work, not soapbox, right?

So why, if they’re the ones being protected, are Basecamp’s employees angry about the move?

It turns out, multiple sources from inside Basecamp are reporting that the ‘political’ and ‘societal’ issues referred to in Fried’s public memo were, in fact, frank and open conversations about Basecamp itself.

As reported by The Verge, way back in 2009, a list of ‘funny’ customer names began circulating at the company — hardly respectful, potentially racist, and certainly inappropriate. The misalignment between co-founders and staff occurred when staff members attempted to hold discrete conversations about this and numerous other diversity and inclusivity failings at the company. Fried’s move appears to be a direct attempt to halt criticism of the status quo at Basecamp.

Basecamp itself is a highly political organization: The co-founders have written several books advocating certain societal change; they even provided a campaign headquarters and substantial donation for a candidate for Chicago mayor. Both co-founders are highly active on social media, using their business positions to elevate their personal views.

The truth is that the solo entrepreneur is an almost mythical beast. Successful startups require contributions from a range of skills and experience beyond any one individual. Jason Fried may be the frontman, strutting up and down the stage in spandex pants, with David Heinemeier Hansson playing lead guitar with his teeth, but behind them, there’s a drummer keeping time, and behind them all, there’s a crew of roadies without whom none of the equipment will arrive, let alone sound good.

Basecamp’s founders argue that the company has a mission, and that mission is to create apps that streamline the workplace. But how can you develop a product that is inclusive if staff cannot discuss what inclusive means? The answer is, you can’t.

Discussing racial bias in advertising or the impact of company wastage, climate change, or gender pay gaps in HR meetings are all political and societal and lead to a healthier, more united company.

As designers, we often say that you cannot not communicate; every decision is a design decision; there is no such thing as “adesign.” Likewise, choosing to be apolitical is itself a political choice. The only way it is feasible to run a company like this is to treat employees like robots (in the word’s original sense).

If employees feel the need to discuss exclusionary policies in the workplace, do the company founders, who benefit from those policies (or they would not be in place), have a moral or legal right to restrict those discussions?

Although it is the first point in Fried’s list that has drawn most ire, it is the fourth item on the list that is most telling: “No more lingering or dwelling on past decisions.” Like a parent answering, “Because I said so,” Fried’s attitude to his staff is laid bare in one statement.

It turns out two wealthy white men would rather their employees not try to change the world or even their workplace.

When Coinbase announced a similar move last year, it lost 5% of its staff. If Basecamp suffered the same loss, it would amount to three people. Hardly a disaster. The question for the founders — who, judging by the number of follow-ups and clarifications they’ve published, are aware the ice they’re on is perilously thin — is whether this kind of controversy creates irreparable reputational damage.

 

Featured image via Pexels.

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The post Poll: Is Basecamp Right To Shutdown Politics At Work? first appeared on Webdesigner Depot.


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Rather than spring cleaning, do some spring “shopping” for tools that will make your design life easier. Packed with free options this month, this list is crammed full of tools and elements that you can use in your work every day.

Here’s what new for designers this month:

April’s Top Picks

Charts.css

Charts.css makes creating beautiful online charts that much easier. It’s a modern CSS framework that uses CSS utility classes to style HTML elements as charts. It’s accessible, customizable, responsive, and open source. There’s a quick start option and available source code to work with.

Haikei SVG Generator

Haikei is a web app that helps you generate SVG shapes, backgrounds, and patterns in all types of shapes to use in projects. Everything can be exported into the tools you are already using for easy integration, and every element is customizable. The tool is free right now – no credit card needed – and you get access to 15 generators and can export in SVG and PNG format. A premium option is on the way, and you can sign up to get notified for access.

Fluid Space Calculator

Fluid Space Calculator helps you create a related space system and export the CSS to implement it. The calculator allows you to add space value pairs and multipliers and see the impact on the screen before snagging the related code. It’s great for determining how things will look in different viewports and for creating custom space pairs.

Night Eye WordPress Plugin

Night Eye WordPress Plugin helps you create a dark mode option for your WordPress website with ease. It’s completely customizable, schedulable, and one of those things that users are starting to expect. The plugin has free and paid versions – the only difference is a link to credit the developer.

3 Productivity Boosters

Macro

Macro is a supercharged checklist app for recurring processes. It’s designed to help teams document, assign, track, and automate for maximum efficiency. Now is the time to test this tool because it is free in public beta.

Writex.io

Writex.io is a free writing app that uses AI and smart features to help you write more efficiently. It can check readability as you write, make suggestions, check spelling, and allows you to work with versioning. All the settings are customizable, so you can get help and suggestions when you want them and avoid things you don’t want.

Taloflow

Taloflow, which is in beta, is a tool that helps you find the top cloud and dev tools for your use case. This is designed to be a time-saving solution to finding the right infrastructure and API products for your work.

8 Kits with Illustrations and User Interface Elements

Skribbl

Skribbl is a collection of free, hand-drawn illustrations in a light and fun style. The black and white sketches are friendly, and the collection keeps growing. Plus, the illustrators are allowing them to be used free for any use.

Mobile Chat Kit

Mobile Chat Kit is a free starter kit for building apps in Figma, Sketch, and Adobe XD. It includes more than 50 screen options with mapped-out flows for a quick-start project.

Flowchart.fun

Flowchart.fun is exactly what the name implies. The app allows you to type, create nodes, and link elements to develop simple flow charts quickly. Then you can alter shape and size with drag and drop. Export it for use as an SVG, JPG, or PNG.

Shuffle

Shuffle is a marketplace packed with UI libraries to help you with a variety of digital projects. There are more than 1,500 pre-built components to choose from with professional designs. This premium tool comes with a monthly subscription or lifetime license.

Cryptocurrency 3D Pack

Cryptocurrency 3D Pack is a set of icons with fun colors in three-dimensional shapes that you can use to represent different crypto elements. The pack includes 55 #D icons in PNG and BLEND formats.

Stratum UI Kit for Figma

Stratum UI Kit for Figma includes nine free screens that are ready to use. Options include API documentation, Kanban, document, data dashboard, ecommerce product list, ecommerce product options, payments spreadsheet, cloud storage, and newsfeed.

Conic.css

Conic.css is a collection of simple gradients that you can browse and then click to copy the code into your CSS to use them in projects. It’s quick and easy while using trendy color options.

Artify Illustrations

Artify Illustrations is a Figma plugin that allows you to access more than 5,000 SVG and PNG illustrations within the app. It’s got a built-in search feature, everything is high-resolution, and the huge library includes various styles.

2 Tutorials

A Complete Guide to Accessible Front-End Components

A Complete Guide to Accessible Front-End Components is an amazingly comprehensive guide from Smashing Magazine with everything you need to know about accessible components. From tabs to tables to toggles to tooltips, you’ll find it all here and learn how to use it the right way.

Grid CheatSheet in 2021

Grid CheatSheet in 2021 is a useful guide of everything you can do with CSS Grid. Plus, it has plenty of fun illustrations and an accompanying video.

8 Fresh and Fun Fonts

Athina

Athina is a modern display serif with beautiful connector strokes. The free version is a demo, and there’s a full family that you can buy.

Brique

Brique is a free (personal and commercial) display font with a wide stance and uppercase character set. The letters have a lot of personality and a readable configuration.

Code Next

Code Next is a great geometric sans serif with a full family of styles. Including two variable fonts. It’s highly readable and would work for almost any application.

Inter

Inter is a simple and functional sense serif family with everything from extra light to heavy weights. The extra character personality makes this a fun and functional font option.

Nothing Clean

Nothing Clean is a fun grunge-type option. It’s an all uppercase character set with alternates.

Playout

Playout is a fun, hand-drawn style typeface with interesting glyphs and alternate characters. The most fun feature might be the pawprint characters in the demo set.

Rockford Sans

Rockford Sans is a geometric typeface with subtly rounded edges. It has eight weights and italics. With its large x-height and round features, it’s legible and friendly. It’s suited to cover a wide variety of tasks from editorial to brand design and advertising.

SpaceType

SpaceType is a fun and funky typeface in regular and expanded styles. The stretched letterforms make interesting alternates for display purposes.

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The post 25 Exciting New Tools For Designers, April 2021 first appeared on Webdesigner Depot.


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Advertising knows you better than your friends, better than your family, perhaps even better than your partner.

Look up pizza recipes, and advertising will show you promotions for pizza ovens. Download a marathon training plan, and advertising will show you the latest running shoes. Buy a car, and advertising will show you adverts for other cars because no system’s perfect.

Advertising does this with a simple trick: it watches you constantly. It’s watching you right now. The web is one giant machine for making money, and you’re the fuel.

On the one hand, advertising’s insidious invasion of our privacy is enough to make you paranoid; on the other hand, I really love my pizza oven.

The largest facilitator of advertising on the web is Google Ads — reportedly worth $134.8 billion per annum; it’s Alphabet Inc’s primary source of revenue.

Last year, Google Ads announced that it would be ending its reliance on third-party cookies for delivering targeted advertising as part of a wider industry trend towards greater privacy protection for individuals. This week, we received more details confirming that Google Ads will not replace third-party cookies with comparable tracking technology.

Google Ads intends to maintain relevant advertising, without user tracking, by anonymizing your identity within a crowd. The technical term is a Federated Learning of Cohorts (FLoC), essentially Asimov’s Psychohistory, in capitalist form, some 45,000 years before Hari Seldon is due to be born.

In simplistic terms, someone who buys a pair of running shoes can reasonably be expected to be interested in GPS watches. The complexity arises when grouping becomes more complex: people who watch Netflix on a Tuesday evening purchase a particular soup brand and read the Washington Post, for example. The system requires billions of groupings that are too complex to express in English. And yet Google claims to already be making some progress.

As with any fledgling technology, the implications of its widespread adoption are unclear. FLoC is Chrome-based, so there’s the looming specter of a monopoly. Then there’s the issue of how groups are built; does Google need individual tracking to generate crowds of individuals? It’s unclear, but what is clear is that if Google succeeds — and it’s likely that it will — other networks will have no choice but to follow suit. It seems inevitable that there will be a wide-ranging impact across not just advertising but analytics and marketing as a whole.

The back door that’s being held open is one-to-one relationships. If you visit a site, that site can attempt to entice you back with targeted advertising. This means the next few years will see a growth in the number of companies developing ongoing relationships in the form of newsletters and memberships.

How ever it plays out, a fundamental change to the system that funds most of the web is certain to have a long-term impact on day-to-day user experience.

 

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Since the skeuomorphism of the early 00s, the design trend of choice has been minimalism. In fact, minimalism has been de rigueur for substantially longer than that.

You can make a fair case that minimalism was the defining theme of the 20th century. Beginning with the widespread adoption of grotesque typefaces in mass advertising the century before, continuing through the less-is-more philosophies of the middle part of the century, and culminating in the luxury of 80s and 90s consumerism.

Minimalism has been central to the design practice of almost every designer that we recognize as a designer. It underpins the definition of the discipline itself.

With the weight of such illustrious history, it’s no wonder that the fledgling web — and in the scale of history, the web is still a very new phenomenon — adopted minimalism.

And then there’s the fact that a minimalist approach works on the web. Multiple viewports, multiple connection speeds, multiple user journeys, all of these things are so much easier to handle if you reduce the number of visual components that have to adapt to each context.

And yet, despite this, an increasing number of designers are abandoning minimalism in favor of a more flamboyant approach where form is function. It’s clearly happening. What’s not clear is whether this is a short-lived, stylistic fad or something altogether more fundamental. In other words, are designers about to abandon grids, or are they just slapping some gradients on an otherwise minimal design?

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There are numerous benefits of having a unified advertising mechanism for the business of an organisation. Today, most of the advertising that is done across various media is disparate and not having a unified mechanism for generation, distribution, maintenance, reporting, or collection. To bridge this gap, I conceptualized and coined the term Meld Advertising (Referred to as ‘It’). Meld Advertising brings out all of these in the form of providing tools to automate most of these processes and to directly connect with all unique advertising channels. The tools help in the creation, beta, subscription, payments, real-time reporting, cost-effectiveness, and overall maintenance of the advertisements.

It helps all types of users including the end contractors who work on actually putting up advertising for diverse media. These include all tools which facilitate the entire workflow of advertising. It also recognizes that usage of effective tools, which are simple to use and create advertisements online, will lead to a faster execution of marketing campaigns. Also, ready-made templates, tie-ups with other advertising tools, and online expert help will allow for a more efficient generation of advertisements.

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